Making a rough but streamlined hybrid of war metal riffing and later thrash like SOD, Satanic Panic seemed to aim to capitalize on the recent resurrection of the 1980s trend of blaming “Satan” for every human stupidity, replacing climate change, racism, Communism, cults, and other bogeymen.
Working within a fusion of war metal and death metal with undertones of melody, Dead War bash out high-energy anthems which use distinctive riff forms to differentiate songs but manage song development through an interplay of riffs on either side of a riff-chorus pair.
Trying to find a middle ground between traditional primeval death metal and minimalist war metal, with perhaps Master and first album Immolation camped out in the background, Trenchant returns with its most mature and streamlined work to date:
Ambitious melodic but abrasive war metal band Kaeck have posted their full album stream so you can hear the whole album before you buy. Following the example of bands like Ildjarn and Beherit, Het Zwarte Dictaat starts with grinding misanthropy and builds to transcendent beauty. For grim metal fans only!
War metal band Kaeck — integrating elegant northern European black metal and technical death metal with its rampaging, atmospheric assault — will make its latest stream, “De kwekeling,” live at 12:00 EST on YouTube. (more…)
Already gaining a lead on all other contenders for the most compelling underground metal album of the year, Kaeck has on Het Zwarte Dictaat made the masterpiece of violent rhythm riffs and melodies that much of the underground wishes it could, combining black metal and war metal with doom metal and death metal to create a constantly changing mood within a fluid style. Fortunately, guitarist/composer Jan Kruitwagen had a few moments to give us his take on the band and state of the metal genre.
Easily a candidate for album of the year, Het Zwarte Dictaat from Kaeck makes a form of war metal that incorporates the subtle melodies of black metal and the longer atmospheric riffs of later death metal, melding a primitive assault along the lines of Zyklon-B and Blasphemy with the type of elaborate construction we might expect from Emperor or Demigod.
With use of precise riffs, this album creates atmosphere in the classic underground metal style that contrasts loping hypnotic riffs with bursts of fury, allowing the song to emerge from a smoldering inner conflict like a car shooting out of a darkened tunnel into the light, looking for clarity within a shifting landscape of ambiguity and violence.
In its blend of war metal, doom-death, and black metal, Kaeck runs the gamut of tempi and rhythms over the course of this album, transitioning from the primitive to the almost reverentially mood-driven. By blending current methods with the most ancient of metal traditions, Het Zwarte Dictaat keeps a foot in the past while stepping into the future.
Texas post-death metal band Condemner — which seems to combine Celtic Frost, Incantation, and Blasphemy in its sound — posted its latest rehearsal track yesterday, showcasing its desire to stack primitive chromatic riffs against rumbling discursion in order to make wandering, melancholic tracks with an undertone of violent Nietzschean-Galtonian “might is right” conflict.
As war metal matures, it becomes more like the grindcore that inspired it, basically fast-paced chromatic rhythm riffing that expands into melodic conclusions, following that bands as varied as Terrorizer, Trench Warfare, and Death Siege have been doing in recent years.