Upcoming Törr Reissues

torr logo

Törr’s first two albums, Armageddon and Institut klinické smrti, and are being reissued on CD for the first time since their original release by Dark Symphonies / The Crypt. Czech black metal completionists should keep an eye out later this year. In the meantime, check out Death Metal Underground’s recent Master’s Hammer and Root reviews.

TÖRR (CZ) Armageddon + Institut Klinické Smrti official CDs / LPs coming from DARK SYMPHONIES / THE CRYPT

We are proud to announce our cooperation with cult Czech Black/Death/Thrash metal band TÖRR to reissue their classic debut album “Armageddon” featuring the bonus tracks from the “Vlalka S Nebem” single, as well as their sophomore album “Institut Klinické Smrti”. Extremely hard to find nowadays, we are pleased to make these long lost gems available again! Both releases will be mastered from the original analog sources for the best possible sound.

Both CDs will be designed after the original 1990 and 1991 CDs respectively, taking elements from the original layout with attention to detail, even down to the logo and typeface for a touch of nostalgia. Also featured are unpublished band photos, lyrics and new liner notes by original vocalist / bassist Vlasta Henych.

CD Limited to 1000 copies worldwide! Stay away from BOOTLEGS! Support the band and official releases!!

Also we will be pressing both releases on vinyl in both black and color vinyl options, limited to 500 copies each and housed in 350 gram gatefold jackets.

Coming later this year

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Manilla Road – Dreams of Eschaton Released

MANILLA-ROAD-Dreams-of-Eschaton

Manilla Road‘s unreleased “Mark of the Beast” album, recorded between Invasion and Metal, has been pressed to CD and LP by High Roller Records as Dreams of Eschaton. This is the highest fidelity version yet, pressed from a collector’s tape that originated from Mark Shelton himself as detailed on the Nuclear War Now! forum:

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Аспид – Кровоизлияние Released on Bandcamp

aspid cover

Аспид’s (Aspid) lost early 90s technical speed metal album, Кровоизлияние (Extravasation), has been released as a pay as you go, CD-quality lossless FLAC digital download on Bandcamp by Metal Race. Prior to Metal Race’s recent CD from the original DAT tape of the mix supplied by the band that was hard to get outside of Russia, Кровоизлияние was only available on the extremely limited original LP and a horrible sounding CD from a secondary source that was slightly sped up. Listeners worldwide may now enjoy some of the best post 1980s speed metal, resembling a more progressive Destruction.

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Master’s Hammer – Ritual (1991)

Master's Hammer - Ritual

Ritual is the pinnacle of the Central European black metal style characterized by continuing the riffing tradition of traditional heavy metal and strict adherence to speed metal song structure; Hellhammer, Mercyful Fate, Slayer, and even Megadeth influences are easily heard along with Bartók’s folkishness and Chopin’s romanticism. While their compatriots Root presaged the Hellenic scene, Master’s Hammer’s operatic use of the mellotron inspired the divergent atmosphere Emperor employed on In the Nightside Eclipse.

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Bulldozer Vinyl Repress

bulldozer the final separation

Bulldozer’s first two albums of drunken Motorhead, proto-underground metal in the style of Venom and Sodom are being repressed on vinyl from the original tapes for the first time in thirty years by F.O.A.D Records. Neither of these albums ever had good CD releases (the CDs sound like compressed needle drops) so fans of beer-fueled, 1980s first-wave black metal might want to check these  out.


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Defining Metal

Slayer hell awaits

Article by Lance Viggiano inspired by International Day of Slayer.

A candidate for the best work within a genre of music should capture every manifestation as best as it can and be able to answer the question: what is X? One might make the argument that the best album must capture the genre at its summit; still, that is a far more difficult essence to capture as in the case of metal, both black and death metal scaled adjacent but different peaks and therefore offer their own unique views of the same musical landscape.

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