False Prophecies

This is a “best of the month” list for this month, but making the title “Best of May 2015” sounds like giving too much of a spotlight for such a short span of time, and devaluating the word “Best of” somewhat, in my opinion. Therefore I chose a title to reflect reality more clearly: these are the only albums we heard of on this website this month that were decent enough to not be considered utter disgraces to the metal genre (those were in the SMRs or were ignored). The “decent” are those that show consistency in style, coherence, a direction and a clear artistic voice and goals. The “rescuable” are those that are still confused in their composition — unclear, or that seemed to be impeded from development by their own approach to music-making (or that of their own genre).

The Decent

Ascended Dead – The Advent review
Blasphemic Cruelty – Crucible of the Infernum review
Exhumation – Opus Death review
Luciferian Rites – When the Light Dies review
Necrophor – Exterminatus review
Nekromanteion – Cosmic Horrors review
Perversor – Anticosmocrator review
Shroud of the Heretic – Unorthodox Equilibrium review
Undead – False Prophecies review

The Rescuable

Blind Guardian – Beyond the Red Mirror review
Bureviy – Concealed Beyond the Space review
Dew-Scented – Intermination review
Maruta – Remain Dystopian review
Undergang – Døden Læger Alle Sår review
Wende – Vorspiel einer Philosophie der Zukunft review

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Tags: Anticosmocrator, Ascended Dead, best of May, Beyond the Red Mirror, Black Metal, blasphemic cruelty, blind guardian, Bureviy, Concealed Beyond the Space, Cosmic Horrors, Crucible of the Infernum, death metal, Dew-Scented, Doom Metal, Døden Læger Alle Sår, Exhumation, Exterminatus, False Prophecies, Intermination, Luciferian Rites, Maruta, metalcore, Necrophor, Nekromanteion, Opus Death, perversor, Remain Dystopian, Shroud of the Heretic, Speed Metal, The Advent, The decent and the rescuable, Undead, undergang, Unorthodox Equilibrium, Vorspiel einer Philosophie der Zukunft, Wende, When the Light Dies

Undead plays a well-tried formula of simple, middle-paced death metal while achieving effective songwriting. At times we can hear a tinge of Scandinavian sound, while some other parts scream out early and straight up U.S. death metal like Obituary or Death in Spiritual Healing. This isn’t as complex, structure-wise, as Cause of Death (which isn’t very complex to begin with either), and so approaches Schuldiner’s ultra simplistic death metal much more. Having mentioned both bands, fans of James Murphy’s work in them will not be disappointed with the soloing in False Prophecies.

This album shows the perfect balance between variety of content and consistency in style with clarity of voice. Songs do not sound like they are based on a template (even if they are, the important thing is that they do not appear like they are, that is the final product), but you can easily recognize them as belonging together. As in any album with good songwriting, the mood and character of riffs from one section of the song flows and dives into the next, carrying the listener forward without the obstacle of forced expressions. This style is heavily based on introducing appropriate variations in riff character without deviating from the mood at all.

The weaknesses of this album may lie in individual riffs, which in the end does more merit to the songwriting abilities of these gentlemen. This is to say, if you make a boring riff, sound appropriate, useful, and driving because of its context, then you have succeeded in your task as a composer. Still, this minor complaint will be on the minds of metalheads as it is the nature of the genre to look forward to strong riffs, the muscles of metal, even more important in the straight forward style of Undead.

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Tags: 2015, death metal, False Prophecies, Undead

May 2015: The decent and the rescuable

Undead – False Prophecies