Following the banning of Disma from the Netherlands Deathfest by SJWs, those cuddly political fanatics have attacked again by setting fire to a black metal club in Germany.
As reported in local news, the entrance to the club — originally a tiki-themed club now repurposed to be one of the most important black metal venues in Germany — was set ablaze in the night by SJWs who identified with “Antifa,” originally an anti-fascist organization that now works alongside other SJW groups. These groups publicly claimed responsibility for the attack and issued the ominous statement, “This fall we have some catching up what was missed in the last few years!”
Interestingly, Blackland Club was not a Nazi club. It allowed black metal bands to play there and by all accounts, most of the bands who performed at the club were not political in any way. SJWs attacked under the excuse that it provided a platform for Nazi bands, ignoring the fact that most black metal bands have extremist philosophies that make the Nazis look like Williamsburg Democrats. The club became a target because it did not adopt the SJW line that those who do not expressly reject certain beliefs must be destroyed. Some of the “evidence” compiled by SJWs includes that people there wear Burzum tshirts.
This type of phenomenon — a witch hunt organized by an internet hate mob motivated by SJW ideals — was last seen in the Disma debacle where SJWs pushed Disma to apologize for possible pro-Nazi statements by one member. The point of the apology is that it humiliates the person, and shows everyone else a broken and contrite citizen who acknowledges that he has been disciplined, which instills fear in the rest of us of the same happening to us. That is the point of all this SJW scene policing: to create fear and through that, compliance and control. SJWs have made their demands clear: support our ideology or we will destroy your career. This is the power of having an internet lynch mob to deploy against non-conformists.
As political instability in the US and Europe accelerates, we are likely to see more of these clashes as SJWs attempt to unify their ranks. This reveals SJWs are involved in metal only incidentally because their actual purpose is to be involved in politics, and they want to use heavy metal as a propaganda weapon in that fight. This is why their increasingly shrill, intolerant and dogmatic voices are infesting metal, punk and rock as happened when record label Run For Cover Records cut ties with band Whirr over “transphobic” — meaning not fully approving of transsexualism — messages on Twitter:
Last night, the Bay Area band Whirr posted a series of negative tweets about G.L.O.S.S., a punk band whose lead singer is a transgender woman. (The tweets have since been deleted, but an archive can be found at Stereogum.) Among other things, they tweeted, “g.l.o.s.s. Is just a bunch of boys running around in panties making shitty music,” and compared G.L.O.S.S. to the Buffalo Bill character from The Silence of The Lambs.
While this is clearly vitriolic, it is not any more vitriolic than what is regularly posted on metal bulletin boards on the internet. But it does provide an opportunity for SJWs to create a “teachable moment” in which they destroy someone’s life to remind the rest of us to toe the line or we, too, will be on the chopping block. One label created a religion out of this division, and said, “We have zero interest in working w/ hateful people.” That they have in turn created a hateful echo chamber seems like too much thinking for them, but the result is that the metal/punk scenes are polarizing: there are those who are SJW, and there are those who SJWs consider their enemies for not being SJW.
This behavior is not specific to SJWs in metal. Everywhere they go, the commandment is the same: Destroy the unbelievers. If you deny their ideology in public, they will seek you out not to disagree with you, but to try to get you fired and otherwise socially ostracized. It is their one weapon, the threat that they will declare you something the media thinks is bad (“Nazi,” “racist,” “sexist,” “transphobic”) whether or not there is any truth to it, and you will be unable to participate in our liberal-leaning society as a result.
In the meantime, refuting a recent SJW attack which claimed that folk metal was plagued by “sexism” and “racism” but never quite showed how that was true, some sources have begun posting an extended list of folk metal bands that are not white, male and pointed toward European mythos:
Amocualli – Aztec folk metal from Mexico
Arkan – Islamic folk/death metal from France
Kartykeia – Hindu/Vedic folk/death metal from Russia
Melechesh – Mesopotamian folk/black metal from Israel (ethnically Assyrian and Armenian) now based in the Netherlands
Myrath – Oriental folk/progressive metal from Tunisia
Rudra – Hindu/Vedic death metal
Skinflint – folk metal from Botswana
Tengger Cavalry – Mongolian folk metal from China
As usual, the SJW story does not add up because SJWs are ideological fanatics and not realistic members of society. Western Civilization continues crashing into the abyss and no one will do anything about that, so they focus on nice low-hanging fruit like convincing all of us to support the right of transsexuals to listen to black metal too, even though no one had ever attempted to deny them that ability. The best way to combat this is to end the perception that SJWs speak in any way about whether someone is “good” or not, and see them for what they are: lonely fanatics in their lonely apartments, raging at the world for not granting them more power.
17 CommentsTags: Black Metal, blackland club, folk metal, run for cover records, sjws, whirr
