A Discussion on The Metal FAQ: Section 1.1

The Death Metal Underground FAQ is an ancient yet valuable and reliable document full of information to help the less initiated grasp some of the simpler aspects of metal.  It is also a wonderful attempt to actually explain the Hessian ideals, culture and music.  The music section is particularly small and contains a fairly large amount of information and therefore it is time to open it up and go into the details of the points mentioned and what needs to be changed, for it is only through constant analysis of past work can we build upon them and progress.

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Ritual Chamber – Obscurations

Hidden in plain sight, there is some fine metal being released- even in recent years.  Nestled in the convoluted release schedule of one of the most popular indie rock labels (although in fairness, Profound Lore has gotten death metal right before) is a rare foray into dissonant death metal grandeur that is certainly worthy of praise.  The newest solo project by Numinas/Crom/Dario Denerio, whose well-ventured resume also includes Infestor, Khrom, and Evoken,  Ritual Chamber’s 2016 full length debut Obscurations (to Feast on the Seraphim) masterfully imports the lost wisdom of classic death metal spirit into a contemporary flesh of sound and production.  Suffering from poor marketing through mainstream channels and tired aesthetic trends that mask its originality, this cultured release flew well off the radar of the audience it was most suited for and was not digestible enough for the retro/rehash death metal crowd of hipster swine it mostly reached.  But although it initially evaded the underground’s most trustworthy mediums, Death Metal Underground’s undying commitment to unearthing the best in the genre now gives us a late opportunity to acknowledge a great work of elegance.
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Metal Vocals are Obstructive.  Remove them.

There are many well cultured intellectuals who, when presented with metal music, will immediately be tuned out by the vocals.  This results in much of the metal collective being comprised of hold-my-beer normies and most of the world’s high IQ population never grasping a music genre that has both the depth and the complexity they yearn for.  Moreover, vocals in metal have not progressed AT ALL since the 1990s and therefore vocalists have been rendered indistinguishable from one another.  Through this understanding comes the ultimate revelation:  metal vocals, more than any other factor, are hindering the next great wave of metal. 

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Morbid Angel – Kingdoms Disdained (2017)

There are twelve notes. There are twenty-six letters. We can form them into combinations/patterns. The ones that stay with us are the ones that communicate. This takes us above the level of riff (metal), harmony (jazz/rock), and into the realm of melody, which uses phrase and harmony as means of strengthening the expression of a melody, or a unique combination which resembles the psychological sensation of a certain experience.

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Roots of Evil: The Origins of Metal

With the fiftieth anniversary of metal music around the corner, forthcoming years will witness an increase of publications dealing with the history, legacy and defining characteristics of the genre. This could finally resolve the lack of consensus that still exists regarding the definition and origins of heavy metal.

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Fashwave

During the tumultuous past few years, a new sub-genre appeared that combines elements of several existing genres. Fashwave is synthwave with a darkwave sensibility and occasional metal-inspired riffs that sound very much out of the canon of Beherit or Burzum, but simplified to fit within the more synthpop-oriented rhythms of fashwave.

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