Funeral Mist – Hekatomb (2018)

Funeral Mist are a Swedish band that came after the heyday of the second wave Norwegian bands. They were desperate to find a gimmick to stand toe to toe with their idols, but actual acts of hatred and violence proved too much for them. The band resorted instead to samples and pseudo-biblical lyrics, only to see themselves remain as irrelevant as they were before they even started. (more…)

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Apostasy The Blade of Hell (2016)

Rising from the pit of late nineties underground speed metal, Chileans Apostasy revived during the last decade to bring back to life a pure demonstration of metal as it is. There is no need to claim to be progressive, harsh, technical or the milliard other epithets that bands and marketing agents have come up to single out bands which present only narrow facets of what the genre can be. We can hear traces of what came to be known as the ‘riff salad,’, but like later death metal outgrowths of the style, there is a sense of organic flow and revolving around a main riff-idea. (more…)

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Exploring Metal Music Through Active Imagination Techniques

Active Imagination is one of the pillars of Jungian therapy[1] , and simply consists in engaging with the symbols of the mind in a way that allows us to contemplate them or even engage with them. Outside the stale therapeutic environment of clinical psychologists, we can discover emotions, situations and characters inside of our minds (and presumably in the collective mind) by using the same technique in a slightly more unhinged and less sanitizing direction. We can use the musical, lyrical and visual contents of metal albums which are more often than not intended to be mythical, and are thus a great source for archetypal projections.
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Black Fluxions

In his quest for accuracy and rigour eventually leading to his contributions to Calculus, Sir Isaac Newton borrowed terminology from an area of classical mechanics called Kinematics[1]. The terms fluent and fluxion incorporated eventually came to be known as variable and derivative. Each set of terms has its advantages in describing the object in question, highlighting one or another aspect. Fluxion in particular is quite useful in poetically illustrating an ‘instantaneous rate of change,’ and may serve us outside the realm of pure mathematical abstraction to bring attention to such immediate movement at each point in time. So, while the change from a measure to the next, from an idea to the next are changes in fluents, there can be said to exist fluxions in music which describe movements across a separate dimension —that of the inner experience. But such a transposition into the realm of musical description is only metaphorical, if useful to expand perception, and should be taken as a flexible mental aid.
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Song Contest Results


It has been over a month since we have launched the song contest here at DMU. Our suspicions that very few people would enter the contest due to our reputation for honest yet harsh reviews were confirmed. This was probably why only two contestants presented themselves in any capacity. Consequently, no winner shall be appointed nor will awards be handed out: two entries do not constitute a contest.

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Transitions MMXVIII

Death Metal Underground wishes to announce a constructive change in editorship, in which the present author comes to complement rather than replace the current leadership. We have a great team of writers, ever too few but still dedicated and talented enough that the last few months have seen a non-stop inflow of high quality and insightful content on a variety of metal-related topics. (more…)

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Sadistic Metal Reviews: Flavor of the Week Metal Pt 2: Death Metal

Last month we ran the first  of a two part series on flavor of the week metal subgenres, focusing soley on black metal. The plan was to release a second edition a week later, but the Tulio Baars DDOS attacks prevented that from happening. That is, until now…
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Atrocity – Todessehnsucht (Longing for Death) (1992)

Most Death metal bands don’t age gracefully and tend to either become parodies of themselves or end up playing pop music. Atrocity after having conquered Death metal decided to experiment with various genres but each of those experiments has been abysmal failure. This band therefore destroyed its reputation in both underground and mainstream circles to the extent of being forgotten by all. But from 1985 to 1992, Atrocity were on the war path until the release of their Magnum Opus Todessehnsucht (Longing for Death). Five musicians with an obvious passion for classical music combined with Floridian Death metal and the Teutonic trio. More precisely their main influences seem to be Death, Destruction, Kreator, Morbid Angel and Richard Wagner.

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