David Vincent Returns with VLTIMAS


Once the great frontman that led the charge through many great compositions, David Vincent continues to ridicule himself on a constant basis. Evil D seems to relish in the never ending humiliation his dominatrix wife makes him endure every night. So much so, that for the last few years, he seems intent on capturing that degrading feeling in the form of music. Enter his latest Death metal project, VLTIMAS. One song has been released and is played with the same passion as Azagthoth’s newest failed abortion. Combine the generic modern Death metal sound with the slower parts taken from Behemoth’s catalogue to attract that same crowd of frustrated sixteen year olds. The solo sounds like a drunk Jeff Loomis that dropped his guitar in a flight of stairs. The only thing somewhat relevant is Vincent’s deep chanted vocals that he should use more rather than his Anselmo like shout which relies far too much on studio trickery. Avoid this more than the plague, even more than the pathetic and idiotically titled Abhorrence that came out some time ago.

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Kshatriya – Il Viaggio dell’Eroe (2017)

Kshatriya comes to us from that odd category of bands whose material would be great if they would just stop screwing around with the presentation, which ends up creating padding that while not terrible, detracts from the listening experience as a whole. Anyone who has sat through the first Impaled Nazarene album knows the pain of too much gimmick.

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Smoking Bans Are Killing Public Life

All of humanity exists as a conspiracy against the obvious but not fully pleasant truth. In reality, few things are absolutely good or bad; most are a mixed bag, which means that there are trade-offs between things that we like and things that we dislike. This bothers individuals, who want guarantees of 100% safety, and fails to excite groups, who love illusions because those make everyone in the group feel warm and happy, which strengthens the group as a parasitic artificial entity.

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Metal Archives Loser Moderator outed!

Metal Archives moderator Morrigan who is known for being a psychotic feminist and for importing her idiotic views based on irrational sheep think and not on science or logic, has been outed as being kendo instructor at the “Université De Montréal” Véronique Marchand. She is known for being a moderator on pedophile and then sex offender owned video game forum Neogaf and possibly the worst forum that mankind could ever conceive, ResetEra, which is known to host those that do not even possess the low I.Q to take part in NeoGaf conversations.
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Grand Belial’s Key – Judeobeast Assassination (2001)


Grand Belial’s Key are the sister band of Arghoslent, sharing the same mastermind Gelal Necrosodomy alias Pogrom. GBK creates music in a similar vein to that of Arghoslent but through a Black metal lens to achieve very similar conclusions. Relying on the genre’s predisposition to incite Blasphemy, Gelal and co. assault both Christianity and Judaism with lyrics that show a deep understanding of both testaments. Musically there is a lot to be enjoyed as the band happily celebrate their crushing of Abrahamic faiths but cannot form the narratives to more aptly communicate such a message.
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Forgotten Silence – Thots (1996)

Most musicians view metal as a question of technique, as exemplified by their answers to the question of what defines metal, when in fact the real difficulty lies in finding something that can tie all of that technique together and have enough energy and space to express enough of relevance to achieve what we call meaning. Forgotten Silence nails the technique… only.

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Mortal Dread – “Rancid Disembowelment” (1990)

Death metal necromancy involves the process of looking through the forgotten items of the 1990s to find those rare overlooked classics which might deserve a place on our microSD cards. As part of that quest, old demos like “Rancid Disembowelment” from Mortal Dread re-appear, which provides a mixed blessing because this is good stuff but probably remains forever at local band status.

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Condemner – Burning the Decadent (2018)

Death metal evades acceptance through its embrace of the primitive and threatening. When you take highly detail-oriented thinking and apply it to that basic approach, the result flowers into hidden complexity and covert beauty. Condemner attempts to make interesting music within the most primitive, grinding, and nihilistic death metal vocabulary and ends with a highly listenable album.

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Deceased – Ghostly White (2018)

Perhaps the best way to describe this album would be as traditional heavy metal crafted with a death metal approach. Monotone vocals accompany a changing tapestry of guitar riffs that relocate melody to the guitar and force the use of a compelling rhythm to unite each song, giving them an anthemic but unstable quality, creating an air of mystery to the album.

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