Marduk Accused Of Being Nazis…….Again!

Once again blackened death metal band Marduk is accused by devotees and moralists of flirting with right wing ideas. This time band members supposedly bought some stuff from the Nordic Resistance Movement. And once again Marduk responded with an obligatory statement which technically isn’t a lie but also evades addressing the underlying question about their views.

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Uncovering The mysteries of Molested – Blod-Draum

Norway has never been known for being an exponent of death metal, barring the early contributions of Darkthrone and the parent bands to some of the greatest black metal groups to emerge from the country. The brainchild of Borknagar main songwriter Øystein Garnes Brun, Molested was a brief flash in the pan before the mediocrity of Borknagar would define his career.

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SMR – Liberty Or Death: Feasting Upon The Vanquished

Liberty or Death is our main dilemma on this sadistic article: whoever is not willing to die for his freedom, is not worthy of it.

Freedom and apocryphal rites of bestial devastation are foundational imageries commonly associated with metal. On this article, we will try to face the Thing that Should not Be, understand why ‘to live is to die’, crush our enemies, see them driven before us and hear the lamentations of their women.

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Imprecation – Damnatio ad Bestias (2019)

Imprecation return six years after their great release Satanae Tenebris Infinita with Damnatio ad Bestias which refers to a Roman game that consisted of allowing beasts to kill various criminals. Here it possibly refers to the various Christian martyrs that were killed this way and possibly a reference to the Morbid Angel song “The Lion’s Den” which deals with the exact same topic. Here the band are aware of the success of their previous record and attempt to replicate but with a slightly modern touch that takes away from the immersion yet remains an enjoyable listen that pushes certain previous ideas to their limit.

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The Dirt (2019)

Netflix categories The Dirt as a “dark comedy,” but more accurately it belongs to the new genre of victimhood/confessional documentaries that this film studio likes to produce. Like I, Tonya, which was the first of this type of documentary witnessed by your author, it admits wrongdoing but pairs it with a sense of being wronged.

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Faraón – T.E.S.I.S. (2000)

article written by Belisario

This album is the debut opus and the only recording done by Argentinian project Faraón (Spanish for “pharaoh”), a short-lived one-man band set in motion by the individual known as Temptor Princnegsur, possibly just before putting it on hold to focus on his main act, Gevurahel. One of the most fascinating things about this record is that it has seen almost no circulation since it appeared in self-released format, shortly after the turn of the millennium, failing to gather the slightest bit of attention until the year 2017, when a fellow Argentinian small-sized label called Sons of Hell Prod. decided to release a reissue.

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