Lord of Evil

Garage-level bands are usually condemned to the usage of the same rudimentary forms which causes their music to be dominated by the distorted guitar which constitutes the common ground for metal, hardcore, grind and oi. But at the same time there is often a struggle to somehow project desired message into those almost universal, objective structures with only small variations, just as Hellhammer was struggling with confinements of the form, despite being wholly avant-garde in its visions. And it seems that if there is truly a will, it will successfully color those rudimentary structures with desired character.

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USBM: A Revolution of Identity in American Black Metal (2020)

Pandering to the aging millennials who still blight the black metal scene, USBM: A Revolution of Identity in American Black Metal attempts apologize for writing a book about “racist and misogynist bands” while simultaneously attempting to celebrate the same “racist and misogynist” bands. This baffling move should ensure that both USBM fans and SJW posers alike take a hard pass on buying a book that hates the very scene it features while also hating the values it claims to propagate.

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Tau Cross Releases New Track “Burn With Me” From Upcoming Album Messengers of Deception

Revolutionary but traditional metal/punk band Tau Cross — continuing, among others, the legacy of legendary hardcore band Amebix — unleashes its forthcoming album Messengers of Deception on December 4th, but has released a teaser track for the song “Burn With Me,” featuring a video by Jakob Moth which showcases some of the imagery and aesthetics behind the band. This continues the search for a single voice between punk, metal, and hard rock that avoids both commercialism and indecisive polyglot, instead creating a powerful sound of dissent and exploration.

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Carcass – Despicable (2020)

This EP could serve as a demonstration of the futility of postmodernism and pluralism, since riffs from hard rock, speed metal, death metal, and progressive rock happily coexist in these songs, but with each pulling in its own direction, songs have no center and tend to ramble between moments of clarity before drifting away.

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