Gruesome: Death-Loving Collective Untethers Slayer Cover

unnamed

The cast of Gruesome, the Schuldiner-hailing collective featuring members of Exhumed, Possessed, Malevolent Creation and Derketa, today untethers a very special cover of Slayer’s “Black Magic.” The band’s latest reconfiguration of the old-school appears on the deluxe digital edition of the band’s Savage Land full-length.

We chose our cover tunes the same way we tried to write the album,” relays guitarist/vocalist Matt Harvey. “We just did what Chuck [Schuldiner] would have done. Death was never a band particularly known for their cover song repertoire, but they did occasionally close their set with a rendition of ‘Black Magic’ and it’s a cover that dates as far back as an old 1984 Death/Mantas rehearsal, so we felt it would be appropriate. We were considering ‘The Exorcist’ by Possessed, since Death started recording a cover of it during Individual Thought Patterns, but since [Gruesome guitarist] Dan [Gonzalez] is in Possessed, it was a bit weird. Again, we tried to approach the song as Death doing a Slayer cover, so… hopefully we came close to the mark.

Gruesome pays homage to the mainstream’s and non-death metal listeners’ most celebrated American acts, Death. As such, their debut full-length, Savage Land, released last month Relapse Records, is an addictively punishing exhibition of late-’80s/early-’90s Florida-styled death metal that keeps the true sound and spirit of Chuck Schuldiner and Death alive and well.

Gruesome was borne out of guitarist/vocalist Matt Harvey (Exhumed) and drummer Gus Rios’ (Malevolent Creation) mutual involvement with the Death To All tours. After discarding the idea of putting together another incarnation of DTA to focus exclusively on Death’s first two albums, Harvey half-jokingly suggested writing their own songs in that vein. The idea gained traction, and the band had five songs written. Rios later recruited Possessed guitarist Daniel Gonzalez and Derketa bassist Robin Mazen to record the material in Florida. Savage Land was tracked by Rios and Gonzalez at Riversound Studios in Fort Lauderdale, Florida, mixed by Jarrett Pritchard at Mana Studios in St. Petersburg, Florida, and features a guest guitar solo on “Closed Casket” by James Murphy as well as cover art by legendary illustrator Ed Repka (Death, Megadeth, Massacre, Athiest et el).

Savage Land is out now via Relapse Records on CD, LP and all digital outlets. Physical orders are available now at THIS LOCATION, and digital orders HERE.

“This couldn’t come more highly recommended. Buy this and take a trip back to the ’80s when death metal wasn’t all about blast beats and gutturals.” – Stereokiller

“This isn’t your crusty, nasty, run-of-the-mill retro death metal. Hell no. This the advanced, dripping-rot-from-the-corners-of-a-coffin, putrid, vile death metal throwback that you’ve been waiting for. Observe.” – Metal Injection

“The enthusiasm alone on Savage Land is awe-inspiring… this is a fun romp through the rehearsal space of a bunch of longhairs who love a band so much it hurts. 8/10” – Exclaim

“…just so goddamned fun.” — MetalSucks

“Metal needs more albums like Savage Land… The legacy and sound of Death lives on ever so faithfully through bands like Gruesome, and wherever he is, Chuck Schuldiner is undoubtedly windmilling ferociously and smirking ear to ear at the deathly sounds of Savage Land. 4/5” – HeavyBlogIsHeavy

http://www.facebook.com/gruesomedeathmetal
http://www.facebook.com/relapserecords
http://www.relapse.com

6 Comments

Tags: , , , , , , , , ,

Classical String Quartets for the Death Metal Fan, A Second Look

mozart_175977bartok01

In order to help death metallers make a smooth transition into string quartets, the first edition of this series presented the reader with two quartets that are superficially and at least partially, in terms of a simplistic judgement of mood, akin to underground death metal. Today, we will venture into a territory that is equally relevant to metal, composition-wise, not because metal artists compose in this way, but as I suggested last time, because there are many ideas relating to refinement that could be extrapolated and applied in a death metal context. In order to make this transition smoothly, one of the quartets introduced in this second edition is still superficially dark in atmosphere.

Wolfgang Amadeus Mozart: String Quartet No. 19, “Dissonance”

Nicknamed after the prominent dissonances right at beginning of the first movement, it was the last of six quartets that Mozart dedicated to Haydn, who defined the classical way to write for string quartets. Even Beethoven recalls a before-and-after marked by the study of Haydn’s quartets. Mozart describes these quartets as “the culmination of a long and laborious effort” and many think it is the display of composer’s finest faculties.

As with any string quartet, the listener is encouraged to pay attention to each moment, absorb it, but not dwell on it. References to the exercise in dissonance application to an otherwise strict style can be found in other places in the quartet. A challenge may be to spot where this happens. We can start trying to wait for the moment in the second movement when the cello receives a leading line and the rest of the instruments play dissonant harmonies around it.

https://www.youtube.com/watch?v=ZyNFElawfTg

 

Béla Viktor János Bartók: String Quartet No. 4

An important influence to many from Benjamin Britten to King Crimson’s Robert Fripp, Bartók’s string quartets’ particular sound owed a great deal to the composer’s extensive field research on European folk music. Paul Wilson in his book, The Music of Béla Bartók, wrote that it was this research that allowed the composer to rid himself of the “tyrannical rule of the major and minor keys, leading eventually to a new conception of the chromatic scale, every tone of which came to be considered of equal value and could be used freely and independently.”. The astute and attentive observer may note that this, Bartók’s fourth string quartet, uses no prominent themes (complete musical expressions in themselves), but advances through developing motifs (musical cryptograms) only.

https://www.youtube.com/watch?v=0667YvaVw9w

6 Comments

Tags: , , , , , ,

Masacre to release new album Brutal Aggre666ion

masacre

Colombian true living Death Metal legends MASACRE have inked a deal with Xtreem Music for the European version of their latest album “Brutal Aggre666ion”, the 5th in their long career for this band formed back in 1988 that has built a truly incorruptible cult status as one of the most mythic south american bands ever!!

First released only for the colombian territory through the band’s own label Mórbida Prod. in October 2014, “Brutal Aggre666ion” is another solid step in the band’s discography, showing a truly brutal form of Death Metal in their traditional style, empowered, once again, by the production skills of HATE ETERNAL/ ex-MORBID ANGEL’s Erik Rutan at his own Mana Studios in Tampa, Florida.

Track listing for “Brutal Aggre666ion” is as follows:

1. La Guerra
2. Mutilated
3. Bullets
4. War in Hell
5. Donde Habital el Mal
6. Satanic Peace Agreement
7. Reality Death
8. The Calm Before the Storm
9. Valle de la Muerte

 

No Comments

Tags: , , , , ,

Final Fright – Artificial Perfection

finalfright-artificialperfection-cover2015

Hailing from Italy, Final Fright play ripping speed metal right out of the mid 1980s. Established in 2010, the band played covers, released the demo Abusive Grindhouse in 2012 and now in 2015 present us with their first full-length album, Artificial Perfection.

Unabashedly retro in their choice of style, Final Fright feels completely at home and does not try to impose modern conventions on the language of this particular brand of speed metal. Neither is the band copy pasting from particular acts. Artificial Perfection sounds like a someone learning and dominating a foreign language. When this happens, the music does not come out sounding like a cardboard front disguising something else, but the artists are able to express themselves as native speakers in the lingo of the genre.

But speaking a language does not necessarily imply you have something worth saying. So it is that the honest and proficient handling of the musical language by Final Fright is satisfactory and even enjoyable but unexceptional all the same. People looking for bouncy, authentic speed metal in a different mouth and voice but offering nothing different will find this is a fantastic release for them.

1 Comment

Tags: , , , , , ,

Calgary Metalfest IV

calgaryiv

Big Nate Productions presents Calgary Metalfest IV June 3-7, 2015 with over 40 bands, kicking offJune 3rd at The Ship & Anchor Pub featuring: The Electric Revival, Bloated Pig, Lucid Scream, The Outer, and Woodhawk.

June 4th at Vern’s Bar will feature: The Cadavor Dog, Frightenstein, SS Doom, DethGod, Penitentz, After The Prophet, and No More Moments.

June 5th the Main Stage at Dickens Pub will feature: Villainizer (Edmonton), Begrime Exemious (Edmonton), Without Mercy (Abbotsford BC), Neck of the Woods (Vancouver), Vile Insignia, Every Hour Kills, Riot City, and Moosifix. Lord Nelson’s Bar features: Mortillery (Edmonton), Dead Asylum (Vancouver), XUL (Vernon BC), Sentient, Path to Extinction, Altars of Grief (Regina), and Skymir.

June 6th the Main Stage at Dickens will feature: Kobra and the Lotus, Into Eternity (Regina), Caveat, Untimely Demise (Saskatoon), Viathyn, Sparky (Saskatoon), Noire (Winnipeg), and Apprentice (Vancouver). Lord Nelson’s Bar features: Lavagoat (Saskatoon), Kataplexis, Chieftain, Doberman, Numenorean, Triton, and Okazaki Fragments.

June 7th CMF IV Hangover Party at Distortion – Live Music Venue. Bands to be announced.

Every year Calgary Metalfest has auctioned off a giant 4’x6’ festival poster signed by the bands to raise money for Make-A-Wish Southern Alberta. This year will be extra special as Reverend Rock (Ross Ingall) of the Metal Nation Radio program Too Metal For Church (Mondays from 10am-2pmand Fridays 12pm-3pm EST) has generously donated a Schecter Twin Tribal Double Neck Guitarfor the auction. The guitar and poster auction will take place before headliners Kobra and the Lotus go on stage at Dickens Pub on June 6th.

The Ship and Anchor Pub is located at 534 17th Ave SW, Vern’s Bar at 622 8th Ave SW, Lord Nelson’s Bar at 1020 8th Ave SW, Dickens Pub at 1000 9th Ave SW, and Distortion at 3828 MacLeod Tr. S, Calgary. All venues 18+. Doors for all shows will be at 8pm. Tickets and passes are available online at http://calgarymetalfest.com and at Dickens Pub, Sloth Records (Calgary), The Soundhouse (Red Deer), and from the Calgary bands.

CMF IV is sponsored by Last Rites, Heroes & Villains Tattoo & Piercing, Beatroute Magazine, Absolute Underground Magazine, UA LOCAL 496, and Metal Nation Radio.

 

Official site: http://calgarymetalfest.com

Nathan Renaud: info@bignateproductions.com 403.404.6283

1 Comment

Tags: , ,

Paradise Lost premieres new video for Beneath Broken Earth

paradiselost

Paradise Lost’s Greg Mackintosh (lead guitar) comments:

I fucking hate metal band performance videos, so when I got told that we needed to do one I was obviously annoyed but then came the idea to do a performance video of utter misery. The slowest song we have ever recorded. ‘Beneath Broken Earth’ is an utterly old school Paradise Lost doom/death song, and doing a performance video with our miserable, old faces barely moving in a crappy, old basement was too much to resist. The director Ash has done a great job of capturing the somber mood and has managed to make a performance video we can actually be proud of.

Paradise Lost online:
http://www.paradiselost.co.uk
http://www.facebook.com/paradiselostofficial
http://twitter.com/officialpl

1 Comment

Tags: , , , ,

Nex Carnis – Obscure Visions of Dark

nexcarnis_obscurevisionsofdark

Iranian band Nex Carnis plays death metal in the old school vein with flashes of what they describe as experimentation. The actual state of affairs is a little different. The old school differences are pretty clear as one can hear the spirit of Morbid Angel and Sinister in the music.  But there is also a tendency towards phrasings and sound paintings that would be completely at home with more surreptitiously mainstream acts like Sylosis or Goatwhore. Regarding the descriptive term experimental there is much to be said.

To begin with, every time the word experimental is used to describe any album, it causes cautious eyebrows to be raised. Here is a wiki-description of what is  experimental music:

Elements of experimental music include indeterminate music in which the composer introduces the elements of chance or unpredictability with regard to either the composition or its performance. There are many ideas broadly utilized by experimental musicians which are not, however, strictly experimental music concepts, having seen significant application prior to the advent of experimental music, particularly by the avant garde. Examples include: extended techniques (Instrumental or vocal performance techniques that step outside (often far outside) conventional performance techniques) and graphic notation (music which is written in the form of diagrams or drawings. Other elements include “Prepared” instruments—ordinary instruments modified in their tuning or sound-producing characteristics; using instruments, tunings, rhythms or scales from non-Western musical traditions; using sound sources other than conventional musical instruments, such as trash cans, telephone ringers, or doors slamming; creating experimental musical instruments for enhancing the timbre of compositions and exploring new techniques or possibilities; using a tape loop to create a tape phase; and removing perceived barriers of traditional concert settings by putting performers scattered among the audience.

In other words, mostly gimmicky music. Music that intends to attract through the use of unconventional techniques. The very nature of experimental music, it has huge pitfalls, a dangerous land which only the most visionary and steadfast artists tread safely. One of these treks was successfully undertaken by the Candian band Gorguts and  the result was Obscura. Incredibly aware and well-constructed, but also conventional and even orthodox death metal which could only be described as experimental in regards to the guitar techniques, pitches and noises they used in their improvisation-born riffs.

Obscure Visions of Dark, however, are more in line with the experimentation as exemplified by Deathspell Omega. Although not going to the extreme that band went to, Nex Carnis’ music is characterized by digressions and branch-outs from the main ideas in the songs. These often take the form of atmospheric interludes. Nex Carnis will appeal to Deathspell Omega fans looking for something slightly more conventional and inconspicuous.

No Comments

Tags: , , , , , , , , ,

Taco Bell Diablo Sauce

taco_bell_diablo_sauce_666

Those of us who survive in the concrete jungle or the suburban desert live as we must, which often means foraging within the realms of junk food. This in turn means, because too much of junkfood is merely a conduit to “the beetus” or other early death, to have strong preferences for some junk food over other types. Many of us remain enthusiastic fans of Taco Bell because, despite the high salt content and imminent violent defecation, it remains relatively simple, unsullied and realistically-priced compared to the over-sugared varieties of junk food found at the burger joints. It also eschews the pomposity of “down home goodness” and “hippie health food wisdom” which mark, even in small doses, places like Chipotle and In-N-Out.

As part of its ill-advised campaign to be “more competitive,” which is scurrilous nonsense since it has already captured its self-selected target audience of drunks, college students, scat fetishists and budget-conscious consumers, Taco Bell has made tentative stepts toward expanding its menu to include more varied tastes. As a long time observer, I believe this contradicts business wisdom which would be to instead serve its existing constituency such that it expands, instead of trying to capture audiences from other businesses who are more adapted to what those groups expect. However, it has in addition to some hilarious missteps — the soggy Doritos-in-a-burrito was more than gastronomically dismal — this has brought a number of useful experiments, including the new Diablo sauce. From the beginning, this product faces a steady climb because those who really like hot sauce enough for it to be essential with a fast food meal probably have their preferred poison on hand, but it also may gain an audience of those heading past the sauce counter for some slightly new experiences. Much like the market for spicy sauces sold separately, it navigates a fine line between over-processed and sweetened sauces, and perennial favorites like Tabasco which balance spice with flavor such that one tastes more than spice or the sugar, aromatic spices and fruit extracts added to soften the blow or at least give it an ironic, contrarian or contradictory identity (“it’s a hot sauce, but unlike the others, it has fruits and flowers”).

The first taste of Diablo Sauce, as warned by our local Taco Bell proprietor, is of intense spice. A glance at the ingredients shows that it picks up from where Fire Sauce left off but uses a more intense pepper base, feeling like simultaneously more black pepper and a habanero or more concentrated jalapeno-serrano mix. The result, while warming and very useful to pick up the intensity, falls short on the spice-flavor balance: unlike Tabasco, it is more hot than flavorful and, while it avoids the odious boutique spice flavors that insist mixing mango and cloves with Scottish bonnet peppers somehow makes a “new” taste, it also fails to bring with it the optimized mix of flavors that fire sauce does. Perhaps this means that Taco Bell caved to the extremists — who might be conveniently visualized as drunk bearded men with bandoliers full of specially-bred spicy peppers — and forsook its commonplace wisdom as to what its audience desires, which can be summarized as “spicy Southwestern” since Taco Bell borrows more from Tex-Mex than Mex and more from California Tex-Mex than Tex-Tex-Mex.

The question always presented itself as to whether Taco Bell would make a more spicy Fire Sauce, or a spicy sauce, and the sense I get is that they aimed for the latter while guarding their flank with some inclusion of the former, which runs a risk of pleasing neither group. I suggest they defer to interface: mild, medium and fire are variants on the same flavor, and Diablo should be too on that basis, with the possibility of simply adding a “habanero sauce” (or equivalent, since a concentrated jalapeno-serrano or jalapeno-japones mix will achieve the same result) as an addition to the Diablo sauce. Perhaps this was the intent, since of the eight of us eating the three who appreciate spicy food the most ended up using a 2:1 mix of Fire:Diablo sauces to great effect. In any case, it was a joy to experiment with this new flavor and, while it may not be the end-all for spice fetishists, for those who have the time to mix it in with other sauces it makes for a powerful addition to the Taco Bell palette.

21 Comments

Tags: , , , , , , , , , , , , , , , ,

Reissue of Vulcano’s Bloody Vengeance coming on May 18

vulcano

Greyhaze Records is set to unearth Bloody Vengeance, the 1986 full-length debut from Brazilian death metal pioneers Vulcano. Formed in 1980, Vulcano is thought to be the first band from Brazil, and possibly South America, to play extreme metal. An early influence for the likes of Sepultura and Sarcófago, Vulcano’s primal blend of black, thrash and death metal sparked a flame that quickly spread across the mid-80s underground metal community.

Bloody Vengeance is being reintroduced to a new generation of metalheads. Fully remastered and restored, the album is accompanied by a DVD that features a live performance from the 1986 Festival Da Morte. Greyhaze Records will reissue this cult classic as a six-panel digipak CD/DVD on May 18.

Vulcano will celebrate the reissue at this year’s Maryland Deathfest. The MDF set will be the band’s first-ever live performance on American soil. With no other U.S. dates in the works, MDF XIII looks to be the only chance to experience the madness that is Vulcano north of the equator.

Bloody Vengeance is available at store.greyhazerecords.com.
7 Comments

Tags: , , , , , , , ,

Defect Designer Posts Artwork for Upcoming Album

defect

Progressive death metal band Defect Designer announce their signing with Sleazy Rider record label.The band has posted artwork for upcoming album Ageing Accelerator. Artwork is done by Seth Siro Anthon, famous for his work with Soilwork, Paradise Lost, Moonspell, Sybreed and other acts.

Ageing Accelerator recording lineup includes:
– Flo Mounier (Cryptopsy) – drums
– Stelios Mavromitis (SepticFlesh live guitarist) – guitars
– Martin Storm-Olsen (Trollfest) – guitars and clean vocals
– Christos Antoniou (SepticFlesh) – sampling and orchestration
– Dmitry Sukhinin (Diskord) – vocals, bass and guitars
The band was originally started in Siberian Russian city Novosibirsk, and reestablbished after mainman’s relocation to Oslo, Norway. Defect Designer has a full-length album, Wax released worldwide viva My Kingdom Music.

6 Comments

Tags: , , , , ,

Classic reviews:
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z