Dave Lombardo has joined Suicidal Tendencies for their European Tour and upcoming album to be released in September 2016.
3 CommentsTags: Crossover, crossover thrash, dave lombardo, news, slayer, suicidal tendencies, Thrash, thrash metal
New Master’s Hammer Album Formulæ Recorded
Czech black metal masters Master’s Hammer have recorded a new album:
4 CommentsTags: Black Metal, Czech black metal, Formulæ, Master's Hammer, news, upcoming release
Sadistic Metal Reviews: Stiff Sunday Shits
Article by Corey M.
Sunday is a day for expunging the weekend toxins before the work week. Here are three from our staff:
3 CommentsTags: beer metal, black 'n roll, Black Metal, core, crypto-indie, groove-metal, Humm, Inglorious, modern metal, sadistic metal reviews, Sauron, Speed Metal, via nocturna
Innumerable Forms – Frozen to Death (2012)
Article by Lance Viggiano.
Innumerable Form’s Frozen to Death is a compelling and brief release which recalls Dark Descent’s roster yet avoids the calculated, clean retro nostalgia trips that mires their outfits. Motifs follow in the Darkthrone tradition of John Carpenter managing menace on a Casio. The melodic component of Innumerable Forms is steeped in Finnish death metal which delivered mystical melodies that sounded as if they were being recited by a saw blade descending into steel. Here the effect greater resembles mental anguish as if one was forced to say, “Yes!” to an incomprehensibly vast and hostile existence. Frozen to Death distinguishes itself from its inspirations in this way.
6 CommentsTags: 2012, death metal, demo, Frozen to Death, Innumerable Forms, review
Ljosazabojstwa – Staražytnaje licha CD Pressing
Belarussian Ljosazabojstwa’s Staražytnaje licha has finally been released on CD.
6 CommentsTags: Black Metal, death metal, hellthrasher productions, Ljosazabojstwa, mystifier, news, reissue, Staražytnaje licha, War Metal
Iron Maiden – Somewhere in Time (1986)
Article by David Rosales.
Released after Iron Maiden’s golden era, Somewhere in Time is touted by fans of heavy and power metal as a crown jewel of the band, exemplifying perfected expression and streamlined efficiency. This is not immediately convincing for metal hessians. Rightly so as the music became more sterile, hence, less credible. There is definitely a sense of “upgradedness” in both the production and the choice of stylistic voicings, allowing an inclusion of 80s pop coloration into the palette. This unclear, semi-sellout move demanded accountability, while at the same time the band boasted of accumulated experience fructifying the transformation, masterfully avoiding the typical degeneration that could be expected after the climax and summary of their original sound in 1985’s Live After Death.
34 CommentsTags: 1986, Heavy Metal, iron maiden, mainstream metal, NWOBHM, progressive metal, review, somewhere in time
Agalloch Break Up & Cry in Woods
Agalloch thankfully no longer exists after entering a depressive, suicidal spell over Death Metal Underground’s review of The Mantle. More after the jump.
19 CommentsTags: Agalloch, folk metal, hipster bullshit, news
Memoriam Demo and Live Festival Dates
Memoriam, the new project from Bolt Thrower veterans Karl Willets and Andy Whale, have announced that a demo will be released this summer…
No CommentsTags: Andy Whale, Bolt Thrower, Cosmic Key Creations, death metal, demo, festivals, karl willets, memoriam, tour dates, upcoming release
Sadistic Metal Reviews: Three Thursday Turds
Article by Corey M.
Sewage plants are ever-flowing streams of shit. So is the deathmetal.org promo box:
10 CommentsTags: AVDL, Brutal Death Metal, Coliseum, Dyssentia, emo, metalcore, modern metal, nu-metal, sadistic metal reviews
Yes – Fragile (1971)
By Johan P, with the amiable assistance of David Rosales. This review continues Death Metal Underground’s 1970s Progressive Rock for Hessians series.
In this part of the article series “1970s Progressive Rock for Hessians”, I have chosen to take on the English group Yes‘ fourth album Fragile from 1971. While their fifth effort, Close to the Edge, is generally regarded as their creative peak and definite statement, Fragile was more important for the development of the nascent progressive rock genre, and perhaps a more suitable entry point for someone who is getting into prog rock from a metal background. There is definitely a sense of power in the works of Yes even if it takes on a different form than what we are used to in metal music. Where early metal bands like Black Sabbath expressed a gritty, doom-laden heaviness through guitar-centered power chord riffing, Yes opted to build momentum through a more instrumentally integrated approach. That is not to say that there are no heavy guitar parts on ‘Fragile’, but here the guitars assume a somewhat different role than in metal.
19 CommentsTags: 1970s, 1970s Progressive Rock for Hessians, 1971, Fragile, musical analysis, prog rock, progressive, progressive rock, rock, Yes
