Sacriphyx – The Western Front (2013)

sacriphyx-the-western-front-cd

Article by Lance Viggiano.

Sacriphyx present a bog standard take on Hellenic black metal through the rollicking pulse native to Australia. The strength of the Greek strategy is in its ability to capture a variety of moods leading to a diverse heavy metal experience. The Western Front is a discontinuous concept album based upon World War I wherein its songs do not function as parts of whole; rather, they are self-contained units acting with autonomy in pursuit of the greater conceptual goal that is realized only through individual skirmishes. These compositional deployments reinforce stylistic choices by maximizing an array of emotive impact while minimizing any diminished efficacy of individual motifs as their power is not derived from their position in a greater narrative arc from song to song. Despite proficient execution, Sacriphyx fail to build upon the Mediterranean tactic in any meaningful sense and thus the movements of its elements will be predictable to those familiar.

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Severance Finish The Concession Continuum

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Texas death metal band Severance have finished recorded and mixing their upcoming album The Concession Continuum and are currently looking for a label to release it according to their website:

Album Update
Well, as promised, here is the album update…The new material is all finished, mixed, and ready to shop around. We are currently shopping the material to various labels in hopes of finding one to work with us. The plan is to release The Concession Continuum as a DVD/CD combo. Hopefully, this will come to fruition. The artwork (which will be revealed soon) is also complete. We are really pleased with the final outcome; Charlie Vela at Sound of Rain Studios displayed why he is so sought-after in South Texas for his studio skills. The track listing is as follows:
1-Conceding to Consequence
2-Myopic
3-Silenced Insolence
4-The Idle Idol
5-Intent (Interlude)
6-Sym-pathetic
7-Stripped of Innocence
8-En Tiempos Muertos
9-Dying Aspirations
Total Time: 40:06

We will keep this site updated with any further developments. Thanks for your interest. JP

A preview track, “Dying Aspirations”,  is available on the band’s website.

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Why Heavy Metal Lost The Culture War

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There is a religious war going on in our country for the soul of America. It is a cultural war, as critical to the kind of nation we will one day be as was the Cold War itself.1

Many metal-heads think that metal died out as a genre because it went corporate and lost its edge. Undoubtedly more commercialized metal appeared, as it always does whenever a genre becomes popular and therefore, profitable. There is more to it than that, however, as larger cultural forces and schemes were at play.

The question of commercialism arose because there was a bridge between power metal/jock metal (e.g. Korn) and more old school thrash metal (Metallica/Slayer) which was never gapped. This paralleled the gap of a decade earlier, when the gap between metal bands like Motorhead and hard rock bands like Van Halen divided the fanbase between album listeners and radio listeners. This gave rise to entire subgenres like black metal, death metal and grindcore which were deliberately designed to avoid having large-scale commercial success. That in turn triggered the rise of the 1990s version of glam, grunge, which was basically slowed-down indie-rock influenced hard rock.

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#Metalgate: Vince Neilstein Calls Out Varg Vikernes’ “White Privilege”, Reneges on Apology to Destroyer 666, and Attempts to Cover His Tracks

Metalsucks Varg Destroyer 666 original

Vince Neilstein (Ben Umanov) of scenester social justice warring metalcore blog MetalSucks called Varg Vikernes of Burzum racist for stating that the Western liberal media do not feature the heroism and cultural achievements of white men, specifically Alexandre Migues who helped stopped the Islamic fundamentalist terrorist truck driver in France last week, as it doesn’t their promote their multicultural agenda. Neilstein then reneged on his apology to K.K. Warslut from Destroyer 666:

But what else should we expect from Varg? Perhaps he should invite his buddy from a certain Australian black metal band for a weekend at his home in the French countryside so they can lament the struggles of white men everywhere as they drink their fine, white privilege wine and kiss and cuddle by the fireside.

Not only did Vince/Ben go back on his word to not call Destroyer 666 cock rock stage banter racist again, he made a gay joke which surely won’t endear him to his overly-sensitive social justice warrior hipster readers. Later, Vince tried to backpedal on the current version of the page:

Metalsucks Varg Destroyer 666 edited

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Asphyx Announce Incoming Death

asphyx 2016

Asphyx announced their upcoming album, Incoming Death, will be released September 30th on Century Media Records. Vocalist Martin Van Drunen said the record would be the “best Asphyx album ever”:

Four and a half years after the release of “Deathhammer” we finally managed to finish its long awaited successor. It will be out on September the 30th, as always on our beloved label Century Media. Expect 11 unmerciful battering tracks in the typical ASPHYX death/doom style, but also the most varied ASPHYX material up to date without losing our rawness, brutality and heaviness. The album will be entitled “Incoming Death”. And like “Deathhammer”, it’s a phrase that doesn’t really exist, but refers to what entrenched soldiers cry out when under severe artillery fire. Thus “Incoming Death” implies another relentless bombardment of monstrous ASPHYX death/doom metal!

Recorded on different locations throughout 2016 and once more mixed and mastered by the mighty Dan “The Man” Swanö. Serious ear bleedings guaranteed! It’s also our first record also featuring “Husky” on drums, who is now with us for already two and a half years molesting the pig skins with the absolute perfect ASPHYX attitude, passion, pride and mayhem. We are very proud of this best ASPHYX album ever! And knowing our dedicated fans worldwide, they will be proud of us as well! Soon we will hit the stages on every continent to do what we do best; Intense, loud, sweaty, filthy and ruthless live performances!

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#MetalGate: Embrace, Not Censor, The Violence Of Video Games

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Way back in 2002, Take Two Entertainment released an extremely violent and controversial game called State of Emergency. It was similar to their Grand Theft Auto franchise because the character could roam freely and rampage, indulging in murder and mayhem.

State of Emergency increased the violence in Grand Theft Auto to the point where you could run through the mall killing everyone with a flamethrower or cut off heads with a Samurai sword and then beat other people up using the decapitated head as a club. Extra points are given for destroying windows. The entire game is basically a violent, destructive and nihilistic riot.

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