The path of heavy metal is a solitary one. Most people do not like the idea of it, hate the sound of it, and look down on those who like it. It is not simplistic and mindlessly obsessive like rock, nor fancy and high-falutin’ like jazz. It seems deliberately antisocial, disruptive, violent and dark.
20 CommentsTags: elitism, Heavy Metal, intuition, misanthropy, Old Disgruntled Bastard, posers, poseurs, spirit, Transcendence, trends
Obituary and Exodus are scheduled to tour the United States together later this year in the fall. The “Battle of the Bays: American Tour 2017” will have German speed metal band Dust Bolt opening along with the awful American metalcore band Power Trip. This probably will not be a great tour for underground metal fans but could be fun for beer metallers.
8 CommentsTags: beer metal, death 'n' roll, death metal, Exodus, obituary, Speed Metal, tour, tour dates, trends mosh core fun, upcoming tours, US tour
There remains a massive confusion in mainstream media, society, and culture regarding metal as a truly separate genre of music. The mainstream media and leftist-controlled academia regard metal merely as a subgenre of rock music, rather than its own distinct genre. This is of course absurd. If metal isn’t its own entirely separate genre of music then jazz, folk, country, and blues are all rock ‘n’ roll too as they can all be played with the same basic set of modern instruments. Since this topic is well-documented in Death Metal Underground’s extensive Heavy Metal FAQ, in this article I will merely layout some basic musical differences between the genres and provide a few appropriate examples to hammer it down into the brains of the ignorant.
19 CommentsTags: blues, genre, hard rock, Heavy Metal, led zeppelin, lemmy, lemmy kilmister, mainstream metal, metal, minimalism, minimalist, motorhead, music analysis, progressive, progressive metal, progressive rock, rock, rock 'n' roll, rock music, Speed Metal
Article contributed to Death Metal Underground by Richard Sullivan.
Western civilization is currently gripped in a culture war unlike any that preceded this one. You may ask what makes it so different than the others, considering the West witnessed a similar one of its kind back in the late 1950s with the emergence of the New Left. Arguably, there’s never been a real difference in the left’s rhetoric. For as long as anyone cares to remember, white, heterosexual, “cisgender” men, who maintain the “capitalistic, racialized, cisnormative patriarchy” have always been at the center of their ideological attacks. The only thing that has changed has been their ability to have said rhetoric heard beyond the confines of university lecture halls. It was rare to encounter an enlightened™ human™ bombarding you with vitriol and threats of violence – because you failed to recognize the intersectionality between race™, gender™, and sexuality™ – outside a gender studies class. Of course, these things still occur, but with greater frequency, and to the point where a flash mob of overweight, hipster beta males twerking in tutus in a school’s atrium is viewed as them just “expressing themselves”, but, more boldly, as an act of defiance against conventional norms of masculinity.
50 CommentsTags: alt-lite, alt-right, attention economics, beta males, capitalism, communism, communists, democracy, economics, feminism, gender identity issues, hippies, hipster invasion, hipsters, human rights, identity politics, idiots, internet drama, mental retardation, metal forum, metal-archives, metalgate, political correctness, politics, sjws, social justice warrior, social justice warriors, social realism, special snowflake
Canadian experimental death/black metal band Into Oblivion announced on their Funbook page that they are beginning the recording process for their next record, Paragon, tonight after more than five years of writing and refining their material. Hopefully Into Oblivion will have used their time wisely to improve upon Creation of a Monolith.
10 CommentsTags: Black Metal, canada, death metal, Into Oblivion, recording, upcoming release
Earlier this week the publishing catalog of metal mega-label Century Media has been pawned off for an undisclosed sum to Reservoir Media, a publishing boutique holding the royalty rights to songs by a variety of pop artists ranging from Drake to Lady Gaga. In investment terms, a boutique is defined as a financial firm that deals with a specific market, so picture Reservoir as a wealthy Wolf of Wall Street-like conglomerate recklessly gambling with the royalties of musicians. This is common in the modern music market, where suits are making bets on the evolving payout methods streaming services, but the surrender of Century Media’s entire catalog of albums (Death, Paradise Lost, In Flames) to a finance firm playing with house money goes to show how desperate the corporate metal labels of yesteryear have become.
5 CommentsTags: candlelight records, capitalism, century media, century media records, copyright, crypto-indie, mainstream metal, music industry, reservoir media, spinefarm records, steve albini
Malevolent Creation are seeking a new vocalist on their Funbook page. The band has apparently fired Bret Hoffman. If you can do Malevolent Creation style vocals and are desperate to be in a known death metal band to validate your metal credentials as you have you low-self esteem, you should contact Phil Fasciana. Otherwise just contact him if you have a better growl than Dave Ingram and want to play shows despite lacking musicianship.
4 CommentsTags: death metal, death metal vocals, facebook, Malevolent Creation, metal vocals, Speed Metal
Underground occult metal blog Praefuscus Ferrum recently posted a piece entitled “Underground turned Funderground, and the Obscurantist Elite” proposing that what killed underground metal was widespress consumer access to new technologies such as the internet. These and the increased exposure to fans led artistically successful underground metal bands to pursue raw consumerism at the expense of writing transcendent music. D.A.R.G. points out that “the truest artists purposefully hide away from the profane eye” as the communication mediums the underground metal utilized (physical mail, tape trading, and BBSes) have been usurped by ones more accessible to laymen. He states the underground became the “funderground” in the blink of an eye as mainstream rock and pop fans who felt adventurous wanted rock and pop music with “black” and “death” “metal” production aesthetics, not actual death, black, or even heavy metal. Now the musicians actually writing novel underground metal compositions hide unbeknownst to the typical beer metaller in plain sight.
11 CommentsTags: Black Metal, consumeriam, death metal, demoncy, desecresy, funderground, hidden metal, infamous, metal underground, praefuscus ferrum, sammath, Serpent Ascending, underground, underground metal, underground music, underground never dies
Today’s American black metal has found itself right within the parameters of Poe’s Law which, when applied to this abomination of a music scene, would sound something like this:
27 CommentsTags: black 'n roll, California, cancer, communists, crypto-indie, deafheaven, drugs, hard rock, hipster bullshit, hipster invasion, hipster music, idiots, Leviathan, metalcore, moribund, moribund records, pitchfork media, pop punk, post-hardcore, post-rock, profound lore, scenesters, screamo, shit, shoegaze, USBM, vice magazine, weakling, wolves in the throne room, xasthur
Recently and rightfully deported Z-list speed metal rehashers Evil Invaders announced on their Funbook page that they have a new album of trends mosh core fun coming out. Feed Me Violence comes out September 29th on Napalm Records. Evil Invaders promised to sell out and have lame glam metal choruses like Testament. You know this is going to stink like a bathroom stall at a truck stop with a few holes drilled into the dividers.
3 CommentsTags: beer metal, evil invaders, funderground, glam rock, hard rock, Napalm Records, rehash, Speed Metal, stinking shit, trends mosh core fun, upcoming release, worthless scum
