Pseudogod – Sepulchral Chants (2015)

PSEUDOGOD - Sepulchral Chants

 

Death metal band Pseudogod come back this year with a compilation that collects songs from their early demos and splits. Falling into an intersection between blasting, grindcore-influenced death metal ala Infester and the more recent approach of “atmospheric” death metal bands, the result at times approaches war metal, but avoids the stagnancy of the music typical of that genre. Contrasting Pseudogod’s 2012 Deathwomb Catechesis, which was more of an empty blast-fest similar to the more popular extreme metal outfits,this early output is full of content and in the spirit of good death metal of its kind, tends heavily towards progressive structures. This includes more paused sections that allow the songs to breathe in the middle of the faster, more suffocating parts. This is done with enough grace and consistency in style to seem smooth and appropriate. Although not masterpieces of structure-oriented composition and leaning on the riff-salad side of death metal composition, this release showcases Pseudogod’s earliest and most promising output.

 

https://sektovgnozis.bandcamp.com/album/pseudogod-sepulchral-chants

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Coathanger Abortion Debuts New Track

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Tennessee death metal band Coathanger Abortion have debuted a new track from upcoming album Observations of Humanity, to be released on  June 2.

Tracklist for the album:

  1. Suffering the Weak
  2. Media Mindsnare
  3. Wading Through Existence
  4. Prescription Paradise
  5. Coathanger Abortion
  6. The Possession
  7. Audra Sleeps
  8. Forget the Past
  9. Hypocritical Majority
  10. Detained Indefinitely

https://soundcloud.com/apochs-dotnet/coathanger-abortion-media-mindsnare

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Suppuration releases new track

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Releasing their comeback album, Colombian band Suppuration has released the first single from their forthcoming albumDevouring Your Prayers. Diverging greatly from their past experimentation, Suppuration is not catering to a younger audience in a very different market.

 

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Sorrowful Angels sign with Roar Records

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Sorrowful Angels have announced they are back and are now going to be working with Roar Records. Furthermore, they’ve announced a line up change. This is the official band statement:

 

Exciting times ahead as Sorrowful Angels embark on a new journey with Roar  (Rock Of Angels Records) on our side as our new recording and managing label. We are very happy to be on their roster and we thank them for the trust they have placed in us.

This new journey however, will be without our longtime drum hitter Chris Stratigos. You will be missed brother. His place will be filled by Stelios Pavlou, an excellent musician. Welcome aboard!

 

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Blasphemic Cruelty – Crucible of the Infernum (2015)

blasphemic cruelty - MCD cover

 

Ripping, furious death metal in the vein of 1980s death metal with vestiges of speed metal, solos that bear the mark of Trey Azagthoth, this band is one of the many followers of the legendary Morbid Angel. However, Blasphemic Cruelty is not content with being a clone and continues the work of Angelcorpse by playing a style that takes one facet of Morbid Angel and expanding on it. It is basically the older band’s most brutal side taken as the parting point and center of the music. While Azagthoth would mix a few fast sections with his own trademark of mid-paced and slow riffs, Blasphemic Cruelty pushes the pedal to the max throughout the entire pieces.

 

While Crucible of the Infernum will not distinguish itself as innovative in any way, it is an example of excellent composition for this style of ripping, blasting death metal. The band’s work here is ideal in the sense that within the limitations it sets for itself, every single space it uses is purposeful by virtue of its integration within the big picture, even if this picture isn’t very big. Admittedly a work of modest reach, Crucible of the Infernum is a solid release strongly recommended for fans of Angelcorpse, Sodom and early Morbid Angel.

 

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Imposition – Memento Mori (2013)

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Imposition is a single-man black metal project which can be compared in approach to what Sort Vokter did in their sole release, Folkloric Necrometal. Minimalist composition, backed with synths that outline a melody, Imposition creates a racing and urgent music which combined with the sensation of space that the synt-produced organ-voices, gives the listener the experience of going through a space-time portal into a darker dimension. But rather than another physical dimension, Memento Mori seems to bring into focus the spirit world of energies, the subconscious comes to the fore as the material and our conscious awareness of it recedes. Part of the solidness of this is that there is enough space between synth and guitar, but they are also close enough that there is no sensation of emptiness or vaccum between then, which can appear to be grander to some, but is ultimately a cheap trick to make the music appear larger than it actually is. Imposition plays no such trick on the listener and uses the elements at its disposal to honest use, building what it can without pretending to be more.

 

This release is probably only meant as an EP, as the duration of the whole thing is very short, as are the songs themselves. The songs being short is not a problem in itself, as when you string these together, the whole album becomes one whole work with minimalist movements. Taken this way, Imposition’s conspicuous music is one of the most promising if this man is able to solidify this into a full album. A word of advice from my point of view would be to try and develop the ideas in the songs a little further, with the same caution with which the music has been written until now. At the end of this Memento Mori, one has the impression that something amazing has been glimpsed, but no complete memory of it remains.

 

Imposition on facebook: https://www.facebook.com/Impositionbm

 

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