The Difficulties of Folk Metal: Part II

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Article by Johan P.

This text is a continuation of the previously published article, The Difficulties of Folk Metal. As stated in Part I, the threefold aim of this multi-part article is, in rough terms, to: 1. Give a short introduction to the subject, 2. Point out some of the difficulties connected with integrating folk music into metal and finally, 3. Provide alternative methods of integration. Part II will be dedicated to the second part of this quest.

Naturally, there are limits regarding the scope of my endeavor – the most obvious demarcation being that the article primarily focuses on Swedish folk music. In my view, the critique of folk metal is an ongoing project, and this article should not be seen as an exhaustive treatment of the subject at hand.

So, if someone else out there finds the subject interesting, you are more than welcome to make contributions. It could be in the form of additional material (metal or folk related) and complementary ideas to enhance the project. For example, the depth and applicability of the arguments presented below would surely benefit if the scope could be expanded to include other forms of traditional music.

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Why Heavy Metal Lost The Culture War

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There is a religious war going on in our country for the soul of America. It is a cultural war, as critical to the kind of nation we will one day be as was the Cold War itself.1

Many metal-heads think that metal died out as a genre because it went corporate and lost its edge. Undoubtedly more commercialized metal appeared, as it always does whenever a genre becomes popular and therefore, profitable. There is more to it than that, however, as larger cultural forces and schemes were at play.

The question of commercialism arose because there was a bridge between power metal/jock metal (e.g. Korn) and more old school thrash metal (Metallica/Slayer) which was never gapped. This paralleled the gap of a decade earlier, when the gap between metal bands like Motorhead and hard rock bands like Van Halen divided the fanbase between album listeners and radio listeners. This gave rise to entire subgenres like black metal, death metal and grindcore which were deliberately designed to avoid having large-scale commercial success. That in turn triggered the rise of the 1990s version of glam, grunge, which was basically slowed-down indie-rock influenced hard rock.

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#Metalgate: Vince Neilstein Calls Out Varg Vikernes’ “White Privilege”, Reneges on Apology to Destroyer 666, and Attempts to Cover His Tracks

Metalsucks Varg Destroyer 666 original

Vince Neilstein (Ben Umanov) of scenester social justice warring metalcore blog MetalSucks called Varg Vikernes of Burzum racist for stating that the Western liberal media do not feature the heroism and cultural achievements of white men, specifically Alexandre Migues who helped stopped the Islamic fundamentalist terrorist truck driver in France last week, as it doesn’t their promote their multicultural agenda. Neilstein then reneged on his apology to K.K. Warslut from Destroyer 666:

But what else should we expect from Varg? Perhaps he should invite his buddy from a certain Australian black metal band for a weekend at his home in the French countryside so they can lament the struggles of white men everywhere as they drink their fine, white privilege wine and kiss and cuddle by the fireside.

Not only did Vince/Ben go back on his word to not call Destroyer 666 cock rock stage banter racist again, he made a gay joke which surely won’t endear him to his overly-sensitive social justice warrior hipster readers. Later, Vince tried to backpedal on the current version of the page:

Metalsucks Varg Destroyer 666 edited

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#MetalGate: Embrace, Not Censor, The Violence Of Video Games

zero_ambition

Way back in 2002, Take Two Entertainment released an extremely violent and controversial game called State of Emergency. It was similar to their Grand Theft Auto franchise because the character could roam freely and rampage, indulging in murder and mayhem.

State of Emergency increased the violence in Grand Theft Auto to the point where you could run through the mall killing everyone with a flamethrower or cut off heads with a Samurai sword and then beat other people up using the decapitated head as a club. Extra points are given for destroying windows. The entire game is basically a violent, destructive and nihilistic riot.

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#Metalgate: Destroyer 666 Doxx MetalSucks

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Destroyer 666 expressed their displeasure with MetalSucks and Invisible Oranges’ social justice warring on their Facebook page:

Los Angeles,,a perfect storm to finish an amazing whirlwind tour.
Our sincere gratitude to all who came out and supported us.
We`d all like to extend a thanks to Paul Dunski for putting it altogether for us,Ares Kingdom for being so fkn great and upstanding men and Sharon of Derketa and Oath of Cruelty.
And to all those who took the time to speak to us in person and express their disbelief and contempt for the tirade of lies and bullshit spread by Matt Goldberg who hides behind the name of Axl Rosenberg and Ben Umanov the liar behind the name Vince Neilstein (His address is posted below folks)along with the little lying dishonest whore who calls herself Blair Hopkins and ‘writes’ for Invisible Oranges and seemed more intent on advertising her attractiveness to drunks than she was in writing an honest review. Clearly your insecure about your looks woman and felt a burning desire to advertise just how irresistible you are.To drunks.Sad desperate bitch.
Despite almost every comment on all their platforms callin them out for being lying cunts,they still have not removed,corrected or amended any of their ‘articles’.

We have considered making a statement to dispel the bullshit and clarify our position for those gullible enough to fall for this SJW virtue signalling garbage. But how does one argue with a fool with an axe to grind and clicks to collect for their advertising revenues?
By stating the obvious facts? These fkn clowns are fact resistant. And they could have got the fact themselves.Isnt that what journalists are meant to do?By goin through every one of their groundless claims and disproving them? Thereby validating their right to make accusations against anyone they see fit? By trotting out every non-white (Left approved) friend I have to show Im ‘cool’ and hip to the shit? That to me reeks of fkn racism.And God damn am I so fkn sick of that word. These vermin throw the word around so damned often its losing any meaning whatsoever and only serves to undermine any real and serious instances of it. And off course,the fact Ive never written a racist lyric in my life and Ive never used the band to denigrate another race…well that dont matter does it?,cos it dont fit their narrative.Theyll get round that any way they can.My view has always been the same,NO race should be made to feel ashamed of the colour of their skin.NOT ONE.
And it could well be asked what good would come of it?They clearly wont retract their articles even when fans from the show tell them its a lie,(because they exist from the clicks?).
These fk-knuckles insult myself,the band and our supporters alike with their complete disregard for the truth..And I cant help thinking it has helped to weed out the gullible and the spineless from our ranks.Not to mention increased shirt sales on our site.For anyone dumb enough to still have ‘doubts’,go read all the comments left by people on all thier sites.If that aint enough.Then just go Fk yaself.Sell our records,burn our shirts,dont come to the shows and dont come here to this page to looking for attention for yourself.Its really that fkn easy.It aint Nazi rocket science.
End of the day Im an old fashioned kinda fella and now that their real names are out there in the public domain,nature will take its course.
I aint no racist fool,BUT I am exceedingly, overtly prejudiced against fools and especially fools who make it their duty to make me their enemy.Make of that what you will.I call it instinct.
No Surrender.No forgiveness and No fkn Mercy!

Now to enjoy 4 weeks in NYC.

PS – If ya wanna show these scum where you stand and buy a shirt at www.destroyer666.uk

MetalSucks quickly issued an apology for their attempted pogrom, crawled into a corner, and curled themselves into a fetal position:

It has recently come to our attention that members of Australian black metal band Deströyer 666 have been receiving death threats related to articles we published on MetalSucks last week.

All of us at MetalSucks are appalled. Under no circumstances do we condone violence, or threats of violence, against anyone for any reason. We encourage open discourse on this website and in our comments section, but it should be relegated to just that — conversation.

Additionally, we spoke with K.K. Warslut directly, and he vehemently denies all of the accusations leveled against him.

We apologize to any members of Deströyer 666 who have felt threatened or whose names have been dragged into the mud on account of our actions. We have taken down the prior posts about the band to avoid drawing further attention to the situation and will refrain from posting anything further on the matter.

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Megadeth Fall 2016 American Tour w/ Amon Amarth, Suicidal Tendencies, Metal Church, and Havok

megadeth fall 2016 tour

Megadeth are touring the US with Amon Amarth and a host of other mainstream metal acts this fall. The band tends to turn Dave Mustaine’s vocals way down in the mix so you don’t have to hear how awful he sounds nowadays so this might be worth going to if you really love Megadeth.

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#Metalgate: Invisible Oranges and MetalSucks Outraged Over Destroyer 666 NYC Show

metalsucks staff

Hipster metalcore websites Invisible Oranges and MetalSucks were outraged again over Destroyer 666‘s stage banter. Invisible Oranges was surprised that their hipster photographer was getting knocked around trying to take pictures from the middle of the mosh pit in a sold-out small club while Vince Neilstein MetalSucks whined about Destroyer 666 “fat shaming” Axl Rosenberg’s man tits. Cock rock and conservative politics represent a direct threat to their shtick selling social justice. Actual metal’s refusal to be deluded by their leftist revolutionary narrative as gullible minorities and unskilled workers unwilling to uplift themselves were threatens their raison d’etre of peddling corporate, lowest common denominator commodities. The underground‘s elitism is inherently conservative and leads to the eventual rejection of the bland and incompetent by the forgetful mainstream. Scapegoating to prop up metalcore and urban lumberjack atmospheric noise is another feeble attempt at a scenester Cultural Revolution.

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#Metalgate: Axl Rosenberg of MetalSucks Calls for Pogroms Against Destroyer 666 and Nails

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Axl Rosenberg, the founder of social justice warrior metalcore website MetalSucks, called blackened glam metal band Destroyer 666 racist over frontman K.K. Warslut’s altercation with masked antifacist thugs at a Danish festival. Earlier Rosenberg called Todd Jones from sludgecore band Nails a “scene bully” for titling their new album You Will Never Be One of Us, which he took as directed against social justice warrior internet agitators like himself.

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