Upcoming tours – Venom Inc, Necrophagia

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According to the folks at Earsplit PR, the “Prime Evil” lineup of Venom is joining Necrophagia on a tour of the United States this January. This tour was initially planned for fall of 2015, but was apparently postponed. Venom Inc. (as the lineup is called) is to be distinguished from the current official line up of the band, which revolves primarily around Conrad “Cronos” Lant and spends its days touring and releasing the occasional forgettable album. Band bashing aside, if you’ve ever felt the need to see one of Venom’s more polished and mainstream lineups touring with god knows what Necrophagia is up to (outside of promoting 2014’s WhiteWorm Cathedral), then you’re a far more specifics driven person than I am.

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Asphyx working on a new studio album

Martin van Drunen may be out of Hail of Bullets, but he still apparently has time to dedicate to Asphyx. After releasing a demo compilation on compact cassette earlier this year (Embrace the Death) and touring throughout South America (see the silly attached video), the band is now working on a new studio album. The band’s Facebook page claims the band will spend January 2016 working on the new album’s material, and furthermore that this will be their first album to feature Stefan ‘Tormentor’ Hueskens on percussion. No official release date has been set yet, and the band’s previous album (Deathhammer) didn’t go over well on the DMU forums back in its day, but that this upcoming album is planned is at least relevant to our interests.

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Upcoming release: Voivod – Post Society EP (2016)

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We got a hint of Voivod’s upcoming plans a while back. Post Society may or may not be building up to Voivod’s next full length, but it still might be of value to fans of the band; it will release on February 26th. Besides compiling the tracks Voivod released as part of their recent splits with At the Gates and Napalm Deaths, this EP will also feature two original tracks and a cover of “Silver Machine” by Hawkwind. At least going by “We Are Connected”, it seems that Voivod is continuing the path set forth by their previous full-length – an accessible mixture of of their signature late ’80s sound with more modern alternative and progressive rock influences.

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SJWs launching coordinated attacks on anti-censorship Facebook accounts

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#Metalgate explodes in full bloom as the gloves are off: SJWs, who call themselves “Social Justice Warriors” but are more accurately referred to as “Safespace Jihad Worriers,” are using mass messages on Facebook — and secret, anonymous profiles — to coordinate to mass-complain about anti-censorship Facebook accounts.

During the last 48 hours, accounts belonging to Brett Stevens and Richard Corbin, founder of the Anti-Censorship group Make Baltimore – NO PLAY ZONE!, have been deleted by Facebook after receiving hundreds of complaints coordinated by Safespace Jihad Worriers (SJWs). The Baltimore group has been under a lesser form of attack as SJWs have swarmed it to post negative messages, memes and pornography in the hope of getting the group banned. Facebook, which itself vigorously supports certain kinds of censorship and nagging nanny content restrictions, has complied despite these accounts not having anti-immigrant speech at all.

In particular, Stevens’ account was attacked for his posting of a feminist article about positive body image. Although no other users complained, and although Facebook can see the secret group from which all complainers were coming, Facebook rubber-stamped the deletion because of its policy of censoring content that might offend someone somewhere, mainly because it wishes to create a “safe space” free from controversial news items and images. This is in addition to censorship where Facebook works with repressive regimes to remove content contrary to the official propaganda. Internet users have compiled a long list of privacy and censorship violations by Facebook.

Others have pointed out that Facebook’s nebulous content censorship policy permits abuse of the type that is happening here. Certainly, it seems odd that Facebook would allow secret groups to form lynch mobs against pages on its own site. Then again, Facebook censors mentions of its competitors as well as blocking trending news stories that contradict the political leanings of its administrators. The Electronic Frontier Foundation (EFF) has rated Facebook a censorship risk that has failed EFF’s censorship test, and many in the moderate wing of the tech industry have expressed doubts about Facebook’s intentions. Some have even started watchdog groups to track Facebook censorship and political bias.

In the meantime, rumors about as to who is the mystery “MAS” or “ALS” who coordinates the hidden group, which is reminiscent of both the JournoList scandal and the foundations of #metalgate. In the meantime, SJWs such as Mary Spiro, whose daughter reportedly dates Bestial Evil guitarist Shawn Rucker II and who book shows in Baltimore with rumored political intent, can be seen justifying the mass attacks via Facebook:

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What it feels like to be the target of an SJW hate mob

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How did this all start?

To the best of my knowledge this all began when the singer of Bestial Evil (Shawn Wright) suddenly became aware of a Facebook status I made approximately 7 weeks ago from the time of this writing, about how the band should be dismissed by fans of Metal, because in my opinion they aren’t any good. Simple as that! We got enough awful crap around here as it is. That being said I never accused them of anything other then being posers, no trigger warning required hahaha. I am not alone in this low opinion of the group either.

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Apparently receiving criticism is not one of their strengths however, so they started a smear campaign complete with all the usual name-calling and threats. I want to point out that it was a private post that I made and only my friends could see it… so how exactly it came to the attention of the people in question is unknown to me, probably a screen shot or word of mouth. I don’t care. I wasn’t hiding it from anyone in the first place and I still stand by what I said too. Bad’s bad and good’s good, tough shit. This is Heavy Metal, not a reality TV show where you get a prize at the end from Carson Daly. There is already a band from Italy named Bestial Evil anyhow so that just goes to show you they didn’t even do their homework in the first place.

How did these guys try to rally an internet army?

Again, social media was involved, like always. Facebook to be specific. A concerned friend showed me a post made on Shawn Wright’s Facebook page inciting a “boot party” if anyone ever saw me out somewhere and proclaiming that I was to be “banned” from the city of Baltimore, that he was gonna come to my house, etc.

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This was based on accusations brought on by Shawn himself that I am a homophobic/neo-nazi or some other completely unfounded nonsense like that. One person even commented that I “infiltrate shows” to sell white power music, which is an outright lie. People ask me to vend at shows very often, I never have to sneak in, let alone with the intent to slip some poor unsuspecting SJW a skinhead album or whatever. The whole thing is totally absurd.

Anyhow, not long after this stuff was brought to my attention I started to receive threatening calls and texts to my phone from Shawn himself. None of which I ever replied to. The voicemails have been recorded and saved though, as well as any other evidence of threats against my home or person. So if anyone does do something stupid I have evidence of a conspiracy I guess. They have done some tidying up on the band page it seems, I think their attempt to raise an army has faltered for now.

Is there truth to their accusations that you run a white power friendly distro?

Absolutely not. While I personally do not believe in censorship of any kind, especially with regards to music and art… there’s just nothing in there that qualifies. The merchandise and albums that I sell span across multiple genres of extreme music, everything from black and death metal to harsh noise and grind, but there’s no “white power” bands…

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The thing they have accused me of is totally baseless and merely an attempt to incite a witch hunt against me to fulfill a personal vendetta and stir up trouble. People of this SJW/hipster type of mindset seem to always invoke these things to try rally an angry mob as a means to carry out intimidation tactics or make it seem like they’re in the right because they got a couple hundred views on their webpage. You see it more and more as of late.

What have they threatened you with? Do you think they can accomplish it?

I was told multiple times that I would be visited at home, that they would kick down my door and “destroy my life”, and then there was the foolish claim that I was going to be sued for “defamation of character and distributing hate material”. Loads of ignorant threats and boasts were made. I welcome any legal action from them, as I am sure the courts would like to hear the voicemails that Shawn left on my phone, threatening me with home invasion. And as for the defamation of character thing, I am pretty sure they just did that to me so good luck getting that charge to stick.

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Personally, I do not think they can actually accomplish these things, especially the part about being sued, but I am not taking it for granted either. That’s not the sort of thing you joke about. I am prepared for all eventual outcomes of this retarded comedy.

What are your distros/bands/projects that people can support?

For over ten years now I have been proactive with music in the Baltimore Maryland area in some way or another, although I do not reside in or claim the city. I was in a weird band a long time ago but I don’t play anymore, there’s too many bands and not enough fans anyhow, I would rather be a fan. I printed shirts for local bands and old school heavyweights like Blood Storm, Nunslaughter and Gravewurm for many many years… and I used to book concerts in Baltimore sometimes but I have taken a hiatus from organizing live events. My label/distro is called Diabolic Force Distribution, the purpose of which has been and always will be to support underground bands and zines get out there to the maniacs that need it.

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Heavy Metal isn’t about fashion or climbing the social ladder, it’s a way of life. It’s outsider art and it’s meant to be challenging and dangerous. Diabolic Force likes to do things the old-fashioned way because I believe in the life force of the music itself and the people in the trenches fighting to keep it real. Diabolic Force will always offer support to those individuals and bands who hate posers and love Satan. Our motto is “Support the underground, bury yourself.”

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Ihsahn to release Arktis

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Along with a planned review for the upcoming week, Ihsahn has made it back onto my list of “musicians who clearly exist” with the upcoming release of Arktis. It is set for a March 4th release and will be Ihsahn’s 6th full studio length. If previous press releases and media praiseworshipspeak is to be believed (I’m looking at Blabbermouth here), Arktis will somehow be both more traditionally structured than Ihsahn’s previous solo albums, which tend to already employ a lot of pop song structures, and also somehow pushing “…boundaries and preconceived sounds typically assigned to heavy music”. That’s either a tall order or a marketing department ignoring what the artist says to revel in their own promotional efforts.

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Tengger Cavalry frontman to perform at Carnegie Hall

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Our previous editor was not a fan of Tengger Cavalry (accusing them of being simplistic stadium metal dressed up in Mongolian ornamentation), but they’ve managed to score a performance at the prestigious Carnegie Hall. However, if promotional materials are to be believed, this is going to be an ‘unplugged’ performance that emphasizes the folk/world music elements of the band over their rock/metal influences. Viewed in this light, it seems more mundane; Carnegie Hall has presumably seen many distinguished performances from folk music acts throughout its history. This is still a great boon to the band’s fame and a possible boost to the presence of Asian metal bands in society. The concert will be held on December 24th in the Weill Recital Hall.

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A look at Exmortus’s adaptation of “Appassionata”

For most of the bands we cover here at DMU, indirect influence from classical music and musicians is rather more common than direct performance of classical music, to the point that you’ll find more discussion of authentic period-style performance than metallic recontextualization. When word reached me of Exmortus honoring the 245th anniversary of Ludwig van Beethoven’s birth by releasing an adaptation of his 23rd piano sonata (the aforementioned Appassionata… well, the final movement of it), I figured listening to what the band could do with this material would make for some interesting writing. It’s worth noting that Exmortus has already done something similar for Beethoven’s Moonlight sonata, shredding their way through its fast and technically complicated final movement.

Since I’d never actually sat down and listened to the original Appassionata in any form, I started by listening to a performance. It’s been a while since I was properly attuned to Western classical music, but in my quick inspection I was able to pick up on many of the period tropes (it’s worth noting that Beethoven bridged the often lighter styles of the late 18th century with the melodramatic and more technically accomplished works of the early “Romantic” period of classical music), and I noticed how much mileage he was able to get out of a few relatively simple leitmotifs through various elaboration techniques. The sonata is clearly worthy of further study, although in the mean time one of our more classical-oriented writers would probably be able to shed further light on its hidden depths.

My main goal with this article, anyways, was to take a look at what Exmortus themselves did with the material. In their original moments, Exmortus plays a modernized speed metal style that takes some aesthetic cues from contemporary death metal; this recipe has in the past produced things like ATG’s Slaughter of the Soul, although this band’s usually a bit more subtle in their exploration of such tropes. Their adaptation of Appassionata makes very dramatic changes to the organization of the original. Much of these would be expected due to the mere change in instrumentation; perhaps the most notable is a consistent layer of percussion that understandably makes for a different texture. They’ve also condensed their adaptation down a bit; it would take me further listening to say which parts were specifically cut, but this is definitely an important change. Perhaps the greatest weakness of Exmortus’s version is that it also compresses the dynamic range down to nothing, and it does nothing with texture or rhythm to compensate for that. While the aesthetic needs of metal music often allow for reduced dynamic range, one of the more striking parts of the 3rd movement of Appassionata is that a skilled pianist can create strong contrasts despite the lengthy periods of rapid, stamina-draining performance, and that the ‘metal’ adaptation feels somewhat diminished for lacking this crucial element.

This track is still an interesting novelty that might push a few people to explore the original work. The album this single belongs to (Ride Forth) will go on sale January 8th, although I don’t expect it to contain any more neoclassical efforts. For an example of how original work in this vein can open up new possibilities, try Helstar’s “Perseverance and Desperation” off Nosferatu.

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Worlds

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Article by David Rosales

Pretty much once in a lifetime does an artist of the greatest kind offer a work that has added to its musical consummation the ability to summon entire worlds into the conscience of the listener. The three following examples of this achievement go about this in the same way that Tolkien’s mystery mythology is built: by broad strokes, consistency in themes and marvellous artistry in strategic details. These also form a triad that describe three concentric spheres of human experience: the physical, the mental and the divine.

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Stormcrowfleet
: The Metaphysical Will

Here is a pondering on will, vision and the embracing of the self’s calling:

Devouring the world through the senses, only to slowly flood back into it and extend Will yonder. Powers sifting awesomely in vast expanses according to harmonious law. As the fruit of work materializes, impetus is satiated and now serves as pulse. Arcane forces call beasts of desire into action, as does the disciplined mage through obedience to true aphorisms attain silent influence.

Destiny is embraced, faced with passionless determination. Beyond what is felt, what is seen, what is heard, closer to the truth, there proud and solitary existence awaits. In that place, sensation and impression are fused with meaning. It can never err, it simply is and is ever becoming. Such is the fire-lit secret of unclothed reality.

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Dol Guldur
: Mind and Imagination

Longing for earthly beauty and the majesty of man’s handwork and a respect for the purpose that is instilled into them cries out in whispers through the crevices of undead statues. High culture and nature are melded in absolute harmony through a revitalization of Tolkien’s verses. Man is here but a speck in the middle of the grandeur of this Earth, this center of our cosmos, the most precious of gifts to mankind.

Mythic transpositions of stone structures and forests from a mortal’s character and inner struggle are interleaved. The landscape painting of the master linguist is vibrated in shy cadences that sustain melodies gradually taking us aloft to places not corresponding to our physical present, nor to a faithful idea, but somewhere in between. This is where dream and reality meet, whence manifestation of destiny ensues.

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Blood, Fire, Death
: Cruelest Present

Without leaving behind legendary imagery as an aim and placeholder for imminent action, we are shown an unapologetic picture of crudeness. This is the here and now of human experience. It is the visceral rushing of adrenaline-charged blood through the limbs.

No glory, no shame, only happenstance. In this nihilism is the truth of the triune complemented and completed.Things are or they are not. You live or you die. Revel in the ritual of life and attach no special meaning to anything.

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