These random, gimped releases are held in high regard by high-pitched “metal” critics and core pogo stickers. The Death Metal Underground staff takes it upon themselves to scorn and defile them in the name of all that is good in the metal genre.
28 CommentsTags: amon amarth, cynic, deathcore, dripping, fags, homosexuality, in flames, jazz fusion, lykathea aflame, melodeaf, metalcore, nu-metal, random, sadistic metal reviews, slam, techdeaf, tek-deth
The Death Metal Underground staff subjects themselves to countless nights of toilet diving in order to bring you gems crapped out by the dessicated undead corpse of the music industry. These are what we left in the latrine.
15 CommentsTags: AIDS, black 'n roll, crustcore, d-beat, dimension terror, endalok, evenline, extermination angel, fall of carthage, fraser edwards, imha tarikat, immolation, liturgy of decay, martyrdöd, metalcore, sadistic metal reviews, second horizon, shit, Speed Metal, suicide, trauer, War Metal
Social justice warrior hipster scumbag David Anthony of communist multimedia shill website The A.V. Club (owned by The Onion) thinks that heavy metal has a Nazi problem. David Anthony is a bitchy, neurotic pinko throwing a fit that certain musicians who want to kill everyone as all humans are damn, dirty apes are not particularly fond of the concept of arbitrarily protected classes of people. The AV Club think that mildly successful and average death metal band Disma should be publicly hanged, drawn, and quartered in front of all of the proletariat as former Incantation frontman Craig Pillard released a National Socialist themed techno album over a decade ago. Nobody is spared from David Anthony’s hit list. Joining Pillard in the AV Club’s metal pogrom are Inquisition, Absurd, Lemmy from Motorhead, Slayer (especially Tom Araya), Varg Vikernes, Deafheaven, Antichrist Kramer, Lord Mantis, and No Colours Records. Anthony also cited two quotes from Mayhem drummer Hellhammer‘s interview in Until the Light Takes Us as of course closet case David Anthony does not listen to black metal and only watched the movie. The only relatively unknown dirt he dug up was Lord Mantis fucking a transvestite but that was from a Vice interview he probably bookmarked due to the graphic description of a casual homosexual encounter.
47 CommentsTags: absurd, antichrist kramer, antifa, antifascists, burzum, censorship, communists, david anthony, deafheaven, disma, hellhammer, homosexuality, Inquisition, lemmy, lemmy kilmister, lord mantis, mayhem, metalgate, motorhead, no colours records, slayer, the av club, tom araya, varg vikernes
George Psalmanazar submitted a few reviews of albums he vehemently despises to Death Metal Underground. Enjoy!
39 CommentsTags: amon amarth, Angel Witch, arena rock, bedshitting, dissection, glam metal, glam rock, hard rock, Heavy Metal, judas priest, manilla road, NWOBHM, pop music, sadistic metal reviews, sell-out, stadium metal, stadium rock
Demilich are set to play the upcoming Party.San Metal Open Air festival in Germany according to the festival’s Funbook page. Check them out if you’re nearby as Demilich are amazing live.
No CommentsTags: death metal, Demilich, festivals, germany, news, upcoming shows
Right now, above the metal underground there is what was coined, I believe originally by Pogrom from Arghoslent, the “Funderground”. The funderground consists of independent labels, sometimes mainstream distributed, releasing thousands of albums each year full of rehashed material or rebranded three-chord hardcore with different superficial aesthetics to fuel a bar show audience’s drunken moshing or make hipsters feel smart for liking an indie rock release with a dirty production. One can see this divide in most of the popular “underground” web forums such as those of Nuclear War Now! and Full Moon Productions. The most popular “underground” “metal” releases of each year are all older metal rehashed into pop-rock structures or rebranded hardcore. This divide is similar to what is felt in mainstream Western culture with the leftist “elites”‘ constant Marxist virtue signaling and branding freethinkers with various epithets for refusing to chant the praises of socialism mandated by the vanguard party.
32 CommentsTags: ananku, best of, Black Metal, death metal, elitism, funderground, Godless Arrogance, Heavy Metal, hipster invasion, james hetfield, kaeck, metallica, sammath, Serpent Ascending, Stormkult, underground, underground metal, underground music
Article by David Rosales.
The following is a short list of black metal releases (with a commentary on each) that would general fall off the edge of the usual stylistic lines that Death Metal Underground follows when looking at genre releases. These are all exceptional and form part of what could, in hindsight, be described as the lone wolves of an established and matured black metal genre — generally unnoticed or passed by without receiving substantial attention among the waves of excess of the 21st century; treasures hidden in plain sight for those with a developed sense beyond mere form.
49 CommentsTags: Abyssum, Black Metal, infamous, nekrokrist ss, RAC, rac/oi, riddle of meander, SVEST
Two big movements and some pebbles.
7 CommentsTags: aenaeon, boreworm, darkrypt, frozen, gothic, ilemauzar, misanthropia, putrified, sadistic metal reviews, sorrowful land, talesien
Varg Vikernes posted a video a few weeks ago to his ThuleanPerspective Youtube channel listing the ten metal albums most influential to Burzum. We forced a lowly, supple-assed Death Metal Underground junior staffer/catamite to type them up into a play list for our readers:
17 CommentsTags: Bathory, blood fire death, burzum, Deicide, destruction, hammerheart, infernal overkill, influences, iron maiden, killers, kreator, playlist, pleasure to kill, somewhere in time, twilight of the gods, varg vikernes, youtube
Online music magazine Perfect Sound Forever (nice job stealing the 1980s advertising slogan for the then new CD format) recently posted a piece entitled “Metal For the New Millennium” by an idiotic hipster named Cam Netland who said that metal was a limited music genre as result of being a “as an offset of rock music”. Netland claims that metal became “more hardcore” as a result of the “radicalization” of other genres in this period citing staid examples such as Bad Brains (softened hardcore punk for idiotic affirmative action multi-culturalists) and Public Enemy (rap made into pop music with tough street gang lyrics to make suburban white jocks feel good about their short penises). He goes onto claim that metal is divided into many “micro-genres” and that the new millennium has seen the rise of many new ones such as what Neton terms Babymetal‘s grass-eater Japanese pop music, djent (random post-hardcore jazz fusion) Deafheaven‘s “blackgaze” (screamo pretending to be tough that is neither black metal nor shoegaze), and Vektor‘s random techno speed metal idiocy. Netland cites such turd non-metal albums as Mastodon – Leviathan (alternative rock), Converge – Jane Doe (post-hardcore math rock), and System of a Down – Toxicity (nu-“metal” which is in actuality of course rap rock).
39 CommentsTags: Ancient, Black Metal, black sabbath, burzum, cam netland, Euronymous, hipsters, mayhem, metal history, metallica, music theory, perfect sound forever, sammath, sodom
