Suffocation Release “Return To The Abyss” Lyric Video

by Daniel Maarat on May 13, 2017

Suffocation released a new lyric video of their upcoming, awful phoned-in album, …Of the Dark Light. Suffocation have dumbed themselves down to mediocre speed metal with generic riffs rehashed from their classic material prior to their 1998, post Despise the Sun breakup. Return to the Abyss is incredibly boring. Do not buy this phoned in excuse to tour. Do not see Suffocation on tour without Frank Mullen.

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Evil – Evil’s Message (1984)

by Staff on May 11, 2017


Article by George Psalmanazar.

Evil were a Danish metal band from the mid 1980s often held up as yet another “lost gem” by record collectors as their sole studio release, the Evil’s Message EP, has never been reissued except for a hard to find, bargain basement compilation with French heavy metal band Sortilège’s self-titled EP in the late 90s. Evil’s Message is far from actually being good though; it is nothing special, bog standard Motorhead and Metallica style speed metal.

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Emperor Prepare Anthems… Anniversary Tour

by Daniel Maarat on May 11, 2017

Emperor are currently preparing to tour in celebration of the twentieth anniversary their second album, the third rate Anthems to the Welkin at Dusk. While Emperor kept on wearing armor, Anthems to the Welkin at Dusk saw Emperor simplify their trademark complex, almost symphonic Norwegian black metal sound down to two to three note speed metal influenced riffs with neo-classical wank leads in conventional verse-chorus-verse heavy metal songs to appeal to a wider, Wacken-going audience.

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Bangladesh Deporting Krisiun

by Daniel Maarat on May 9, 2017

Bangadesh continued the worldwide governmental war on mediocre speed metal by arranging to deport mediocre Brazilian speed metal band Krisiun for supposedly blaspheming against monotheism and Islam in the lyrics to their music. Krisiun were in the overwhelmingly Muslim third world country to play a sold-out festival. Bangladeshi metal fans should man up and listen to better metal bands now. Krisiun then confirmed that they were special snowflakes who believe in equality for all people, creeds, things, places, trees, and toilet paper brands regardless of their quality, proficiency, or absorbency:

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USA Deports Evil Invaders

by Daniel Maarat on May 9, 2017

Funderground Belgian speed metal band Evil Invaders were deported from the United States according to their Funbook page for not having the appropriate work visas to play a metal festival in Milwaukee. Evil Invaders were not being paid to play the festival. The festival organizers were only covering Evil Invaders plane tickets and transportation cost for the band and their equipment. Since the festival organizers were still charging for tickets and making money, Evil Invaders needed an appropriate work visa, which they did not have, thus they were deported.

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Havukruunu – Kelle Surut Soi (2017)

by Daniel Maarat on May 7, 2017

Havukruunu, despite their Burzum like cover, worship Bathory‘s Blood Fire Death and 1980s synth pop on Kelle Surut Soi. Havukruunu attempt the folk choruses, epic atmosphere, and melodic solos as Quorthon did in his successful attempt at mixing black and speed metal. Unfortunately for my ears, Havukruunu are not so successful on Kelle Surut Soi.

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Bill Steer Admits Making Arena Rock

by Daniel Maarat on May 7, 2017

Bill Steer, the guitarist of sell-out grindcore legends turned butt rock turkey Carcass, did an interview with hipster social justice warrior rock website Vice Noisey last week where he ranked Carcass’s albums in order of his favorites. Bill Steer admitted that Necroticism: Descanting the Insalubrious was pretentious death ‘n’ roll instrumental wank and that continuing in that style would not have provided any future for the band so they started writing heavy metal for arena rock fans on Heartwork as only about three hundred people at every big show Carcass played actually liked death metal at all. Bill Steer finally dropped all pretense of Carcass’s later material being traditional heavy metal and admitted it is actually written as arena rock in order to please the most people.
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Blessed Are the Sick Full Dynamic Range Reissue Announced

by Daniel Maarat on May 6, 2017

Earache Records announced a reissue of Morbid Angel‘s last great record, Blessed Are the Sick, as part of their “Full Dynamic Range” series. The Full Dynamic Range reissues are sourced directly from the analog mix tapes or digital Betamax or DAT ones with no compression applied in mastering when released on CD, LP, or lossless FLAC formats. They all sound great for the most part and far better than most other vinyl reissues that just print whatever the current CD master is to wax using direct metal mastering. The digital (CD/FLAC) Carnage, Carcass, Realm of Chaos, and Altars of Madness ones are the best sounding versions of those albums by far.

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