Melodic war metal band Kaeck has issued forth a mysterious new video from its new album Het Zwarte Dictaat due out on Folter Records on October 15, designed to shock and awe the metal community with fierceness from the old school:
Texas post-death metal band Condemner — which seems to combine Celtic Frost, Incantation, and Blasphemy in its sound — posted its latest rehearsal track yesterday, showcasing its desire to stack primitive chromatic riffs against rumbling discursion in order to make wandering, melancholic tracks with an undertone of violent Nietzschean-Galtonian “might is right” conflict.
As more people flee the world of vapes and cigarettes, pipes and cigars — but mostly cigars — show the signs of experiencing a renaissance. If you can work from home, why not enjoy a leisurely two-hour relaxing smoke instead of hurriedly wolfing down a nicotine jolt in the parking lot?
Billed as a doom metal band, Into Darkness spends less than half of its time at that range of tempo on its first demo. Instead, what you get is a band taking the Metallica approach of finding a unique vocal, rhythmic, and technique hook per song, and then writing riffs to fit around one big showboat riff.
Somewhere in the middle ground between Winter and Maudlin of the Well, this attempt at an avantgarde+progressive version of drone metal succeeds in part and adds several interesting riffs and a handful of song approaches to the metal canon.
Finnish death metal occultists Adramelech last year unleashed two compilations of their early works, Spring of Recovery and Recoveries of the Fallen, which compiled the many EPs, singles, demos, live tracks, and rehearsals that make up a successful death metal oeuvre.
As a related project to Demigod, the Finnish death metal band Adramelech aimed to create dark tunneling atmospheres of morally ambiguous and unstable spaces in order to snap people out of their bourgeois socializing and trend-following.
Ayasab’ amagwala (cowards are scared)
dubula dubula (shoot shoot)
ayeah
dubula dubula (shoot shoot )
ayasab ‘a magwala (cowards are scared)
dubula dubula (shoot shoot)
awu yoh
dubula dubula (shoot shoot)
aw dubul’ibhunu (shoot the Boer)
dubula dubula (shoot shoot)
aw dubul’ibhunu (shoot the Boer)
dubula dubula (shoot shoot)
aw dubul’ibhunu (shoot the Boer)
dubula dubula (shoot shoot)
aw dubul’ibhunu (shoot the Boer)
dubula dubula (shoot shoot)
awe mama ndiyekele (mother leave me be)
awe mama iyeah (oh mother)
awe mama ndiyekele (mother leave me be)
awe mama iyo (oh mother)
aw dubul’ibhunu (shoot the Boer)
dubula dubula (shoot shoot)
aw dubul’ibhunu (shoot the Boer)
dubula dubula (shoot shoot)
aw dubul’ibhunu (shoot the Boer)
dubula dubula (shoot shoot)
aw dubul’ibhunu (shoot the Boer)
dubula dubula (shoot shoot)
Ayasab’ amagwala (cowards are scared)
dubula dubula (shoot shoot )
ayeah
dubula dubula (shoot shoot)
ayasab ‘a magwala (cowards are scared)
dubula dubula (shoot shoot)
iii yoh
dubula dubala (shoot shoot)
aw dubul’ibhunu (shoot the Boer)
dubula dubula (shoot shoot)
aw dubul’ibhunu (shoot the Boer)
dubula dubula (shoot shoot)
aw dubul’ibhunu (shoot the Boer)
dubula dubula (shoot shoot)
aw dubul’ibhunu (shoot the Boer)
dubula dubula (shoot shoot)
awe mama ndiyekele (mother leave me be)
awe mama iyo (oh mother)
awe mama ndiyekele (mother leave me be)
awe mama iyo (oh mother)
aw dubul’ibhunu (shoot the Boer)
dubula dubula (shoot shoot)
aw dubul’ibhunu (shoot the Boer)
dubula dubula (shoot shoot)
aw dubul’ibhunu (shoot the Boer)
dubula dubula (shoot shoot)
aw dubul’ibhunu (shoot the Boer)
dubula dubula (shoot shoot)
Aw dubul’ibhunu (shoot the Boer)
dubula dubula (shoot shoot)
Aw dubul’ibhunu (shoot the Boer)
dubula dubula (shoot shoot)
Aw dubul’ibhunu (shoot the Boer)
dubula dubula (shoot shoot)
Aw dubul’ibhunu (shoot the Boer)
dubula dubula (shoot shoot)
Ayasab’ amagwala (cowards are scared)
Dubula dubula (shoot shoot)
Ay iyeah
Dubula dubula (shoot shoot)
Ayasab’ amagwala (cowards are scared)
Dubula dubula (shoot shoot)
Ay iyeah
You can hear this formerly banned and now deemed inciteful track here:
Working within the liminal ground between death metal and doom metal, Swiss depressive onslaught Excruciation bring out their latest, which works funeral doom pacing and grindcore riffing to the doom-death genre, removing excess to leave a plain and sub-lingual mood of futile antagonism and existential anomie.
We knew heavy metal birthed itself from the intersection of UK guitar rock, nascent punk music, and progressive rock, and Sarcofagus shows us with this re-issue of an album from 1980 just how much early metal borrowed from the progressive side of things.