An old interview, rediscovered, that apparently never made it to publication, so needs to find a home here.
32 CommentsTags: death metal, ian christe, interview, lords of chaos, metal faq, metal history, metal theory, michael moynihan, Nihilism, sounds of the beast
The Boston Beer Company generally makes solid but unexceptional beers for a wide audience which isn’t surprising given that it is a brewery founded by a former corporate financier who was the son of a brewer to fill a hole in the market in the 1980s: domestic beers that could compete with mediocre European imports. Craft beer was just getting started and most of the big adjunct lager brewers had already diluted down the their product to the point where many wouldn’t even drink it. Jim Koch employed the same chemist and brewer who formulated Miller Lite to fine tune a beer an old family recipe he had been homebrewing for mass production. Samuel Adams Boston Lager is a genuinely good beer but what their Octoberfest eventually became in the 21st century is not. The first whiff and sip is dark fruits and toasted bread like a darker Marzen beer should be but then the unpleasantness hits you like an off-scented dashboard air freshener. The beer tastes like brown sugar and smells of artificial cinnamon and ginger. Sam Adams is hiding pumpkin spice bullshit in their Octoberfest seasonal for the Starbucks yuppies! Samuel Adams Octoberfest is one of those beers. The radlers, shandies, Zimas, pumpkin spice lattes, and mango IPAs for ex-sorority girls and effeminate homosexuals – wine cooler “beer”! The only positive attribute is that if you get this for free and drink the entire six pack, you will get drunk. Unfortunately, your excretate will smell like that of an unwashed obese man the day after Thanksgiving.
Quality: */*****
Purchase: */*****
Tags: beer, boston beer company, lager, samuel adams octoberfest, stinking shit
Metal was born of the fusion of heavy rock, horror music, progressive rock and the nascent proto-punk movement. The history of rock is the history of rebellion and rule-breaking: from Friedrich Liszt making his strings break live at key moments on purpose, to Jerry Lee Lewis lighting the piano on fire, to the Beatles with their hairstyles and jackets which were radical for the time, to the Doors being suggestive on the Ed Sullivan show, through Hendrix burning his guitar, to Kiss being super-sexual and painting their faces, to Black Sabbath who sang about Satan and magic, to Metallica who combined neoclassical with thrash and had a hard-partying image, to Slayer’s seemingly outright Satanism. Metal is about taking things one step further, breaking the rules and being unique. Not about following them.
Good music aims for a grade of “A” by experimenting and breaking the rules, but in doing so, takes the chance that it will get an “F.” Think of good music as Icarus: he flies toward the Heavens (or in the case of metal: towards hell) aware he is taking a big chance. He may well crash and burn to the ground in pursuit of his musical ideals. It’s a risk Icarus is willing to take.
Today we have way, way too many bands following all the rules of their genre, and not enough acts pressing ahead. When I look at my local scene it is clear that the bands who have stayed together a long while, while following the rules of their genre, are the bands who have been most successful. Most of these bands have decent music and are listenable. But its not stuff I want to listen to more than once, or see live more than once. This is the curse of local bands: competent, good at following trends, but not so good that they break out and become emblematic of those trends.
63 CommentsTags: average, black sabbath, conformity, Heavy Metal, idiocracy, trends
One band I was really super impressed with live was Decomposition. I got to open for them at On The Y club in Sacramento about five years ago with a death metal band I was in called Condemned to Live. That’s a key underground place to play up there.
3 CommentsTags: death metal, decomposition
Serpent Ascending announced that their debut album Aṇaṅku is going to be released by I, Voidhanger Records on September 16th. Serpent Ascending is the solo-project of Desecresy vocalist Jarno Nurmi and previously released two extremely promising demos, Serrpent Ascending and The Mournful Pilgrimage, that were compiled with one new track in The Enigma Unsettled anthology CD. From the label’s press release:
18 CommentsTags: ananku, Aṇaṅku, Black Metal, compact disc, death metal, Finland, i voidhanger records, Jarno Nurmi, Serpent Ascending, Speed Metal, upcoming release
Article by Johan P.
This text is a continuation of the previously published article, The Difficulties of Folk Metal. As stated in Part I, the threefold aim of this multi-part article is, in rough terms, to: 1. Give a short introduction to the subject, 2. Point out some of the difficulties connected with integrating folk music into metal and finally, 3. Provide alternative methods of integration. Part II will be dedicated to the second part of this quest.
Naturally, there are limits regarding the scope of my endeavor – the most obvious demarcation being that the article primarily focuses on Swedish folk music. In my view, the critique of folk metal is an ongoing project, and this article should not be seen as an exhaustive treatment of the subject at hand.
So, if someone else out there finds the subject interesting, you are more than welcome to make contributions. It could be in the form of additional material (metal or folk related) and complementary ideas to enhance the project. For example, the depth and applicability of the arguments presented below would surely benefit if the scope could be expanded to include other forms of traditional music.
42 CommentsTags: folk, folk metal, genre, Heavy Metal, Månegarm, music analysis, musical analysis, neofolk, nokturnal mortum, Sweden, The Voice of Steel, Vredens Tid
The Room provides a relaxing, tranquil listen. The opening trope is slightly clichéd in mood and form but it works well in context and creates a relaxed hallucinatory vibe. A lush analogue chorusing effect with solid low-end sound makes the introduction a seismic force in addition to a musical one.
14 CommentsTags: alluring, Ambient, Doom Metal, review
Article by David Rosales.
Receding light and surrounding darkness encroaching, a stench of death and the beginning of lamentations beyond the veil of mortality; this is the picture presented to us by Nigromante. These images cannot come from elsewhere but the deepest wellspring of human sorrow immortalized through its own seal of power, a searing symbol that brands pain and agony unto souls — that they may be thus imprisoned and chained.
13 Comments“Usar un sigilo sin saber…. ¡Se maldicen a ellos mismos!”
— A. Valentina
(trans.: “To use a seal without knowing… They curse themselves!”)
Tags: Ambient, Nigromante, Profundidades, review
Occasionally an artist’s work and the chemical inspiration thereof are inseparable and must be experienced together. Occult Burial’s recent ersatz, Hideous Obscure, was inspired by the sloppy, mid-Eighties Teutonic speed metal recordings of Sodom, Kreator, and Destruction which were all written and performed under the influence of a copious deluge of the cheapest Euro pilsner poured down their throats by the liter. This proto-underground beer metal was composed so as to be musically comprehensible to even the drunkest bar patrons still standing in the audience. Lacking even the melodic narratives of Motorhead standards, rocking rhythms, groovy powerchord progressions, and catchy choruses repeated ad nauseam over speed metal gallops and pick-up drum beats, hammering the basic riffs and leads into the heads of all the long-haired drunks tackling one another protected only by jean and leather jackets. To get into the garage practice space, inebriated mindset of these Canadian imitators of the imported speed metal of their fathers, I decided to pick up the Genesee-brewed as mandated by the Obama administration modern recreation of what those in my generation considered a northern, imported treat alongside the likes of St. Pauli Girl, Beck’s, and Guinness Extra: Labatt Blue.
3 CommentsTags: 2016, american adjunct beer, anhueser-busch inbev, beer, beer metal, canada, florida ice and farm company, German Speed Metal, hideous obscure, labatt blue, lager, Occult Burial, proto-underground, review, Speed Metal
“Detail shows the face of Stela D which rises 12 ft beside the altar of sacrifice with a death god effigy. The stele represents the 13th ruler of Copán, King Waxaklajun Ub’aah K’awiil (in English, Lord 18 Rabbit), showing half of his face as it was sculpted, and the other half stripped as it would look in Death.” – Akherra Phasmatanás
Article by David Rosales.
Desolation is a full-on ambient project that blends simple and solid harmonic backgrounds, repetitive phrases of a dark coloring, with recorded lamentations both human and otherwise. The aim seems to be to produce the whole array of impressions encapsulated within that single word: desolation. The music’s structure is progressive and appears to be segmented in an episodic manner, which normally implies a loss of continuity between sections. This unwanted effect is expertly avoided by providing smooth transitions, interleaving ambient soundscapes, nature sounds, vocal improvisations, all of which bring variety within a strongly directly concept that never loses content density or a strong sense of purpose. Furthermore, the album being simply distributed between two long tracks reinforces its unity and the requirement that the audience listens to the whole work as if commencing a mental journey, which once begun must be seen through to its very end.
6 CommentsTags: 2008, Ambient, chorus from the ruins, dark ambient, demo, demos, desolation, review
