Miles Richmond and Peter Grenader featuring Steve Roach – POV (2019)

Ambient Allah Steve Roach has released his second effort of 2019. Like February’s HelioSphere, this new offering is a collaboration album, however this time he is working strictly in a “Guest Artist and Production Support” role as aid to a primary work by artists Miles Richmond and Peter Grenader.

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Extreme Metal in Cinema


article by Belisario

There are many movies that portray heavy metal, but the ones addressing extreme metal could be counted on the fingers of one hand, and all of them are rather recent. In such a mainstream format as cinema, it is no wonder why extreme metal has remained largely out of radar, although it has to be pointed out that the treatment received by more conventional heavy metal has actually never been really thorough. Since the popularity peak of the genre in the late 70s, almost all its appearances on the big screen have portrayed a musical genre essentially grounded in rock music, with no clear differences discernible between both fields. That is the case of Wayne’s World (1992), Airheads (1994) or, for those familiar with Spanish cinema, the two parts of the Isi/Disi saga, Amor a lo bestia (2004) and Alto voltaje (2006). All of them share a stereotyped and humorous vision, which on the other hand always eschews any disquisition of the music itself or its fans.

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Accidental Suicide – Deceased

Accidental Suicide hail from Wisconsin and were formed at the end of the eighties and managed to release one full length in ’92 at a time where Death metal, despite its explosion still remained an underground genre as the band were quickly forgotten before finding a cult following and releasing a compilation in 2017. Accidental Suicide play a Death/Doom style that is firmly entrenched in many schools of Death metal and have managed to produce a minor gem that deserves an occasional spot on any Hessian’s playlist.

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In the Pursuit of Power: The Hessian Playlist

When training various elements can influence one’s psyche and it is essential to “program” one’s mind to be as productive as possible in the little that most Hessians can dedicate for training. Music can strengthen certain emotions and conjure up feelings of strength, fortitude and determination which are mandatory qualities to progress in any domain. At times the flow of an album doesn’t correlate with a training session and it can be interesting to create playlists of different artists. Here is a playlist that I personally use when working muscular endurance/cardio for upcoming competitions.

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Ice Ages – Nullify (2019)

About a week before the writing of this present review, Richard Lederer (a.k.a. Protector of Summoning) released Nullify, the newest album from his Electro-Industrial/EBM project Ice Ages after 11 years of inactivity, on Bandcamp as somewhat of a minor surprise with this resuscitation only announced a few days before release.

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Xibalba – Ah Tza Xibalba Itzaes (2018)

Both late comebacks of metal bands and revivals of metal sub-genres are offering familiar yet much more streamlined, simplified and somewhat more populist version of themselves. In various ways it stands true for albums like Beherit’s Engram or Asphyx’s Death…The Brutal Way and now also Xibalba’s Ah Tza Xibalba Itzaes. While such sensation remains a continuous distraction when listening to those albums, it isn’t impossible to find even in their shallower and derivative structures signs of renewed passion and intent.

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Brief Analysis: Beethoven – “Moonlight Sonata”

Although very well known this piece is largely misunderstood, this sonata rarely sees the powerful dream that inhabits it. Made of a single theme; a single tempo, a single great and mysterious image. The whirlpools in this secret work (third movement) does not alter the tempo; as the major revelation (second movement) does not change the color interior of the work. The first movement generates everything even when it plunges into the storm. A truly mastered, deep, framed, infinite and haunting work. Whose end can be linked to the beginning, in the same tempo and the same atmosphere, in the same tone (C sharp minor). It is then that the first movement takes its true meaning and its exact rhythm.

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The Dirt (2019)

Netflix categories The Dirt as a “dark comedy,” but more accurately it belongs to the new genre of victimhood/confessional documentaries that this film studio likes to produce. Like I, Tonya, which was the first of this type of documentary witnessed by your author, it admits wrongdoing but pairs it with a sense of being wronged.

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Virgin Steele: A Retrospective (Part 2)

[Continued from Part 1]

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