Still Reigning 30 Years Later

still-reigning
Article by Lance Viggiano.

After Slayer‘s foray into narrative composition on Hell Awaits, Slayer could have taken any number of directions in the then fertile metal landscape: gone in for the throat of aggression, matured their pubescent approach to long-form content, or paired down on riff quality for focused but circular songs. Reign in Blood was something of a compromise bred to appease more Floridian tastes which crave motion before coherence or purpose. The album is brief but bookended by two of the better songs in their discography which daftly elevate the questionable content residing in between. The remaining material siphons off of the paired down and quintessential “Angel of Death” by meandering in whatever assortment of good but disconnected riffs the Hanneman/King dichotomy happened upon in between Heinekens; held together in tacit alliances by a sweltering pace which exhausts itself right as the title track closes the record. The foresight required to write an album such as this is commendable but Reign in Blood is not Slayer’s watershed moment if for nothing more than the sheer amount of disposable songs – not riffs – which constitute the majority of the runtime. This uncomfortable fact goes unrecognized due to the sheer brevity of this work. Yet as I wrote this brief paragraph I must have recited the full album in my head at least a few times and I have not listened to the album is many years. May the resolve of Reign in Blood’s memetic warfare continue to withstand assailants from the ever flowing genre compost bin and grant listeners to the strength to withstand the torrents of nature herself.

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Bölzer Preview Hipster Christmas Carol

john-stamos-beach-boys1

Black/death ‘n’ roll band Bolzer premiered a track that sounds like the pretentious hipster occult version of the Beach Boys from their upcoming debut LP, Hero.  Their prior EPs had a few creative riffs in boring, meandering , and more boring alt rock songs. Rather than increasing the amount of actually meaningful musical content or improving their songwriting skills, Bolzer have tailored themselves to target the hipsters consuming the idiot safe-space pseudo-metal promulgated by Profound Lore, Vice, and MetalSucks. Will the bearded, flannel cutoff short short wearers be grossly offended by the runes tattooed onto Bolzer’s beer bellies?

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This Ain’t No Fantasy: A History Of Punk’s Most Iconic Band, The Misfits

cliff_burton_-_metallica_-_misfits_shirt

Metalheads tend to be wary of punk, recognizing it only for its role as an influence on metal. This attitude obscures the fact that the best of punk is worth exploring on its own terms and merits, starting with perhaps the greatest influence of punk technique and heightened aesthetics in that genre, hardcore punk‘s The Misfits.

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Metal Curmudgeon: Bolt Thrower’s Blitzkrieg Halts

bolt thrower - realm of chaos cover

Starting in the mid to late Eighties, many of the originators of death and black metal started to commercialize their music into straight speed metal for mass appeal to a bar show, beer metal audience; social concert goers in the uniforms of leather jackets, band tees, and high tops who treated shows as a time to socialize and shoot the shit with their friends while listening to typical bands that never challenged their musical preconceptions or startled them away from their ritualized moshing. Just a few years prior, many of these types would’ve been the same idiots seen in Heavy Metal Parking Lot. While most of their peers moved on from Judas Priest to Motley Crue and Guns ‘n’ Roses, many listened to what was considered an “acceptable” fusion of heavy metal and radio rock played by groups like post-Ride the Lightning Metallica, Anthrax, and Testament.

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Goatcraft – Yersinia Pestis (2016)

goatcraft - yersinia pestis

Article by Lance Viggiano.

Arpeggiated minor chord melancholy culled from or composed during belligerent improvisational tirades given body by a sluggish left hand approximating power chords to provide the work a lattice to the traditions of metal. Yersinia Pestis abstains from its predecessor’s thematic coherence – an accident of writing what were essentially cover songs of a famous painter – to make marked but mishandled improvements in its individual presentations through tuneful reprisals of established Goatcraft trademarks. The dependence upon staccato and arpeggio retain the artist’s characteristic stiffness in execution which blemishes through its brutishness.

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Sorcier des Glaces / Ende – Le puits des morts (2016)

sorcier des glace and monarque - Le puits des morts

Le puits des morts is a split album featuring Sorcier des Glaces and French black metal band Ende. On the first side, Sorcier des Glaces present four all new songs in their distinctive style of epic black metal continuing from their last few albums (including North from earlier in 2016) after the band’s abandoning of keyboards.

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Demoncy – Faustian Dawn Reissue Out August 15th

Demoncy early 90s

Nuclear War Now! Productions announced that their remastered version of Demoncy’s Faustian Dawn demo from 1993 will be out on CD August 15th with LP two months later on October 15th. The sound was remastered by Ixithra himself and a new cover created by Chris Moyen. Expect a review from our staff shortly too.

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