Root – Zjevení (1990)

by Staff on May 23, 2016

Root Zjevení

Article by Lance Viggiano

Root’s Zjevení updates Merciful Fate from Halloween to haunt by exorcising the clownish camp while maintaining their high degree of theatricality. A textural treatment gives speed metal riffs a spectral significance that allows for it to have expressive power in dreary dungeons at midnight lit only by a faint moon that is slowly swallowed by black vapor. Tonally and thematically, Root sets the stage for later Greek acts such as Varathron and Rotting Christ to further develop this music through melodious – relatively speaking – ambience which expelled punk’s poltergeist.

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Sanctuaire Present “Graver sur les pierres, les souvenirs d’hier” off Le Sang sur l’Acier

by Daniel Maarat on May 22, 2016

sanctuaire 2015 cover

Monarque Helserkr has released a new track, “Graver sur les pierres, les souvenirs d’hier”, from his Sanctuaire viking-themed black metal project’s upcoming EP Le Sang sur l’Acier.

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Thoughts on Robert Eggers’ The Witch (2016)

by Staff on May 21, 2016

the-witch

Article by David Rosales.

The Witch is a non-Hollywood movie set in the 1630s dealing with a witch psychological attacking a family of New England colonists. The Witch here is typical of traditional European folklore. The filmmakers took cues from historical documents, “first hand” accounts, and contemporary folk tales. Lurking behind the vague but shocking impressions veiled in mystery that our post-Christian society still has, are the insubordinate traditions and purposely asocial philosophies that defined the attitudes of practitioners of the left hand path.

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The Origins of Satanic Realization through Heavy Metal

by Daniel Maarat on May 21, 2016

varathron genesis of unaltered evil no logo

Sludgecore band Agoraphobic Nosebleed threw a fit for publicity over a recent batch of Death Metal Underground’s Sadistic Metal Reviews. Frontwoman Katherine Katz called us Fox News for our criticism of Agoraphobic Nosebleed’s shrieking short woman over a drum machine shtick and our psychological speculation as to why Agoraphobic Nosebleed would even bother releasing such failure other than for commercial exploitation of a musically-ignorant hipster fan base craving reaffirmation of their modern liberalism. Katz even claimed that artists should be responsible for the extreme actions of others in response to satire and that some topics should be completely off lyrics. For her, everyone who listens to “Embryonic Necropsy and Devourment” will potentially commit feticide. This is incredibly hypocritical for a band who shared a member with Anal Cunt and wrote Frozen Corpse Stuffed with Dope.

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