Sadistic Metal Review: Blliigghhtted – Into the Cunt of the Witch (2016)

into the cunt of the witch

Article by Lance Viggiano.

Into the Cunt of the Witch is grainy fatalistic pap embellished with agonizing atonal voids where music should exist. When the haze clears just enough for a melody to become audible it possesses a character of passivity and reception but is always intensely grating in its pointlessness. The tired corpse of speed metal and heavy metal drags lethargically through chromatic sections that form the locus of this work. Lightly struck syncopated rhythms are relied too heavily upon and flatten into a sterile ticking that results in a pure time keeping effect not unlike a distraught prisoner tallying his cell wall; tracking his sentence until his song merely ends – a fair metaphor for the experience of this record. Individual songs are parts of four whole works and do not stand well on their own; ending abruptly without proper conclusions before jumping into the next section in a greater cycle. Vocals operate in two essential modes: an apathetic crooning within artificial caverns as well as a faux-distraught occult street preacher reminiscent of contemporary orthodox/occult black metal.

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Sorcier des Glaces – Snowland MMXII

snowland mmxii

Artistically bankrupt metal bands typically rerecord their early material after milking the revenue streams dry through reissues, remasters, anniversary tours, and boxed sets. While the original recordings typically aren’t pristine productions, all charm is lost in the sample-replaced, quantized, digitally-reamped, and phase-butchered retreads shat out by an obsessive tinkerer’s digital audio workstation. All enthusiasm in the performances is butchered by years of alcohol abuse and aging journeyman musicians collecting just another paycheck, e.g. Sodom’s The Final Sign of Evil, Manowar’s Battle Hymns MMXI, and Bolt Thrower’s “World Eater ‘94”. Snowland MMXII is one of the few exceptions to this rule of rehash.

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Sadistic Metal Review: Sovereign – Nailing Shut the Sacrosanct Orifice (2014)

sovereign nailing shut the sacrosanct orifice

Article by David Rosales.

More Ghost Scooby-Doo music mixed with random Deathspell Omega retardation than cohesive and nuanced terror, Sovereign Nailing Shut the Sacrosanct Orifice presents yet another example of the many failures of modern black metal: pretentious in lyrical orientation, vacuous in concrete musical content, mediocre in the putting together of structures that form an intelligible narrative. The lyrics themselves, in any case, will appear cursorily written, superficial, and sensationalist for anyone that has delved semi-seriously into the subjects.

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Internet Dumpster Fire Reddit Has Meltdown Over Orlando Shooting Censorship

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As it becomes clear that censorship is rampant on social media, Reddit is the latest company to stumble when its news channel censored all mention of the Orlando Pulse gay nightclub terrorist attack. According to users, the site removed all conversation about the event — including requests for a blood drive.

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Remembering The Past

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A long time ago, in a (mental) universe far far away, the Death Metal Underground was part of a collection of pages known as the American Nihilist Underground Society, which itself was a continuation of a series of dial-up bulletin boards from the previous decade and the hacker/trouble group that emerged from them.

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Sadistic Metal Reviews: Pushing It All Out

unicorn poop

The Sadistic Metal Reviews are were we squeeze all the empty calories out of our guts into easily digestible packages for readers’ amusement. The leftovers are distributed to starving third world children to hasten their Malthusian death through infection with the type of drug-resistant bacteria that can only thrive in a Honey Bun.

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Nokturnal Mortum & Graveland – The Spirit Never Dies (2016)

graveland & nokturnal mortum

Article by David Rosales.

Splits are usually revealing for reasons the bands do not intend. By allowing their music to be placed alongside that of another band in a way that listening to them one after the other is not only encouraged but, in metal culture, almost mandatory, they make comparisons and judgements based on performance differences inevitable. The aim might be to publish a few tracks more efficiently and getting the music to more people since people who know one of the two bands will listen to the other band out of curiosity. The more zealous metal fans, however, are bound to make harsher judgements of anything that is placed too close to the band they follow.

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