Obituary & Exodus 2017 Tour

Obituary and Exodus are scheduled to tour the United States together later this year in the fall. The “Battle of the Bays: American Tour 2017” will have German speed metal band Dust Bolt opening along with the awful American metalcore band Power Trip. This probably will not be a great tour for underground metal fans but could be fun for beer metallers.

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Metal Is Not Rock

There remains a massive confusion in mainstream media, society, and culture regarding metal as a truly separate genre of music.  The mainstream media and leftist-controlled academia regard metal merely as a subgenre of rock music, rather than its own distinct genre. This is of course absurd. If metal isn’t its own entirely separate genre of music then jazz, folk, country, and blues are all rock ‘n’ roll too as they can all be played with the same basic set of modern instruments. Since this topic is well-documented in Death Metal Underground’s extensive Heavy Metal FAQ, in this article I will merely layout some basic musical differences between the genres and provide a few appropriate examples to hammer it down into the brains of the ignorant.

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Metal-Archives’ Marxist Mania

Article contributed to Death Metal Underground by Richard Sullivan.

Western civilization is currently gripped in a culture war unlike any that preceded this one. You may ask what makes it so different than the others, considering the West witnessed a similar one of its kind back in the late 1950s with the emergence of the New Left. Arguably, there’s never been a real difference in the left’s rhetoric. For as long as anyone cares to remember, white, heterosexual, “cisgender” men, who maintain the “capitalistic, racialized, cisnormative patriarchy” have always been at the center of their ideological attacks. The only thing that has changed has been their ability to have said rhetoric heard beyond the confines of university lecture halls. It was rare to encounter an enlightened™ human™ bombarding you with vitriol and threats of violence – because you failed to recognize the intersectionality between race™, gender™, and sexuality™ – outside a gender studies class. Of course, these things still occur, but with greater frequency, and to the point where a flash mob of overweight, hipster beta males twerking in tutus in a school’s atrium is viewed as them just “expressing themselves”, but, more boldly, as an act of defiance against conventional norms of masculinity.

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Upcoming Necrophobic Single “Pesta”

Necrophobic have an upcoming 7″ single coming out on Century Media August 11th. “Pesta” is the new a-side song while the b-side is a rerecording of a demo track originally from 1990, “Slow Asphyxiation”. The cover sucks but “Pesta” marks the return to the band of The Nocturnal Silence vocalist Anders Strokirk.

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Antichrist – Sinful Birth (2017)

Antichrist are yet another group of millennials who want to LARP 1987 thirty years later. Sinful Birth is their second campaign in the eighties and of course Antichrist come armored with denim, leather, spandex and high tops of haste +2. Antichrist are of course of great appeal to the funderground as they ape records everyone loved as teenagers, they have riffs beer metallers have heard a thousand times before and can recognize whilst blacked out, and the vocalist isn’t aggravatingly annoying.

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Defining Indie “Metal”

As many movies from the 80s and 90s will tell you (e.g. SLC Punk and PCU), youth counter cultural movements of those decades were once various fragmented groups or “tribes” baring their own identity while all opposing the mainstream Whitney Houston and boy bands on the radio. You had your goths, new wavers, punk rockers, emos, ect. at war with the “jocks and cheerleaders” collective of popular kids and, in some cases, at war with each other. But in the years to follow, the deadly combination of multiculturalism and micro culture has effectively ended this conflict as there was no longer a singular popular culture and therefore no “them” in the classic “us vs. them” dynamic. Therefore, these varying counter cultural factions were unified into one ugly all encompassing monstrosity: the hipster.

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Into Oblivion Start Recording Paragon

Canadian experimental death/black metal band Into Oblivion announced on their Funbook page that they are beginning the recording process for their next record, Paragon, tonight after more than five years of writing and refining their material. Hopefully Into Oblivion will have used their time wisely to improve upon Creation of a Monolith.

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Cromlech & Into Oblivion June 16th Show

Cromlech are playing a show June 16th in Toronto, Canada to celebrate the release of their recent Iron Guard EP. Opening are Into Oblivion (with whom Cromlech share three members) and Traitor. Toronto heavy and power metal fans should check this out.

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Corporate Metal Labels Caught in a Death Spiral

Earlier this week the publishing catalog of metal mega-label Century Media has been pawned off for an undisclosed sum to Reservoir Media, a publishing boutique holding the royalty rights to songs by a variety of pop artists ranging from Drake to Lady Gaga. In investment terms, a boutique is defined as a financial firm that deals with a specific market, so picture Reservoir as a wealthy Wolf of Wall Street-like conglomerate recklessly gambling with the royalties of musicians. This is common in the modern music market, where suits are making bets on the evolving payout methods streaming services, but the surrender of Century Media’s entire catalog of albums (Death, Paradise Lost, In Flames) to a finance firm playing with house money goes to show how desperate the corporate metal labels of yesteryear have become.

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