Heavy Metal Heroes: JFC Fuller and Alexander the Great

The British historian JFC Fuller brought a metal outlook to both his military career and his career as an historian. As clear-sighted observer of reality he was able to understand the physical and moral implications of the forms of human conflict. He was one of the leading minds in the early development of the theory of mechanized warfare. As a military officer he saw active service in both primitive and modern conditions – this gave his writings as an historian and military theoretician a solid grounding in real-world experience. His experiences with strange foreign cultures and his knowledge of the occult gave him a keen moral insight that shines through in his books. Fuller looks at history with a clear eye for effective outcomes; however, the men who had the courage and genius to effect these outcomes he romanticizes and lionizes as the heroes they are.

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Case Study: Death Metal Positive, But Only For Select Personality Types

A trio of Australian PhD researchers recently shared the results of an ambitious case study on death metal listeners.  The project, titled “Who Enjoys Listening to Violent Music and Why?” (Thompson et al., 2018), aimed to determine if there were personality differences in fans who enjoyed death metal and if lyrical content that involved inducing harm or death to individuals had any effect on the listener’s experience.  Examined were possible differences in emotional stimuli between death metal fans and non fans, genders, and participants who either were or weren’t given a lyric sheet.  The publication indicates findings similar to earlier studies that measured emotional reaction of music and personality bias as stated:

These findings are consistent with evidence that personality mediates preferences for music (Rentfrow & Gosling, 2003; Vuoskoski & Eerola, 2011a, 2011b) and that, conversely, music preferences communicate information about one’s personality (Rentfrow & Gosling, 2006). Rentfrow and Gosling (2003) examined the structure of music preferences, as well as the association between personality and music preferences. They used exploratory and confirmatory factor analysis to reveal that music preferences revolved around four major types of music: Reflective and complex (classical, jazz, blues); intense and rebellious (alternative, rock, heavy metal), upbeat and conventional (country, pop, religious), and energetic and rhythmic (hip-hop, rap, soul, funk, electronic, dance). Preferences were also dependent on personality variables. For example, people who preferred intense and rebellious music – including heavy metal – tended to be open to new experiences, considered themselves to be intelligent and athletic, and showed no signs of neuroticism or disagreeableness.

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Slayer Adds Second Leg To Farewell Tour

Some time ago, seminal band Slayer — who along with Bathory and Hellhammer created the germinal material and style of death metal — decided to call it a day after thirty-seven years of recording, touring, and generally causing problems. Upon the announcement of their retirement, many nascent and older Slayer fans came out of the woodwork, so the band has added a second leg to its tour.

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Modelo – Especial Chelada (2018)

Summer is just around the corner, and you are no doubt thinking of your favorite Mexican beers — among the best in the world, like their death metal — to relax in the sun with. Do not drink Corona Light, of course, but the newly-minted Corona Especial in twelve-packs for the American market might bring out a smile. Alternatively, you can try a Modelo Especial Chelada.

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Whiny Leaf Metal Singer Disparages American Workers

Ivor Whitten, the useless vocalist of the D-grade Canadian thrash metal band Anvil, complained in a recently published radio interviewtarget=”_blank” rel=”nofollow external” about how American workers are lazy and would all take welfare if they could. As many of us know, Ivor and Anvil’s entie legacy is their depressing but well marketed documentary on how being in a metal band is hard and they don’t have any money to go to the Asian sushi place near Niagra Falls after 20 years of playing generic thrash metal that was never good. Obviously triggered by the bored response the band receives at their American shows along with the tragic realization that he and his fellow musicians only were able to make money by getting people to feel sorry for them upon seeing their pathetic life story, Ivor foolishly proclaimed:target=”_blank” rel=”nofollow external”

From my personal experience, in America, it’s pretty much taken for granted and people kind of look at it like, ‘So what?’ Because people in that country, generally speaking, are lazy, and if they can go on welfare, they will. They don’t have work ethics. So how could they relate to a story about somebody who keeps trying and being faced with adversities and failures?”

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/smr/ SADISTIC METAL REVIEWS: THE LEFT CAN’T METAL EDITION

Failed journalist and domestic terrorist Kim Kelly is rumored to have been the one who organized the venue boycotts of the Taake tour.  As many are unfortunately aware, she is the bunk face of the progressive leftist metal movement but clearly does not understand the music enough for anyone to take her seriously. Let’s ignore her N.S.B.M./racist praising past, flavor of the week ideology, and grotesque physical defects and spend some time with the terrible music she is promoting to determine it has anything to do with what metal actually is.

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Sinister – Syncretism (2017)

Some bands gained prominence because of their influence on other musicians but were given less credit by fans years later because they no longer had current releases. The Dutch death metal assault Sinister crafted three albums of great influence but then faded away in the mid-1990s, leading to fewer people mentioning their place in the death metal canon.

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Sammath Posts Live Set From Show In The Netherlands

Raging black metal band Sammath posted a set from their show of February 24, 2018, at an unspecified location in The Netherlands, showing the furious assault of this intense yet melodic band at its maximum ferocity. Having burst into life in 1994, Sammath made a name for itself with albums such as Strijd and Godless Arrogance in a career arc spanning a decade and a half.

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