While many of their riffs are clearly inspired by the early years of Carcass, Sick Sinus Syndrome introduce variety to this often tired formula by taking an aggressive approach comparable to Terrorizer, Repulsion, or Blood. In the grindcore tradition, most songs on this album consist of two themes juxtaposed, frequently a rising and falling action, sometimes presaged by an introduction.
Particularly noteworthy moments arrive when, like Carcass, the band utilize melodies eerily reminiscent of popular music, creating a mocking feel within the context of the surrounding violence, indicating a decay under the surface of control which society projects. Production follows current standards in comparison to fellow luminaries of this style, and while this is a welcome change in some ways to the almost impenetrable wall of noise of a band like Dead Infection, some may miss the ambience of the bass-heavy shuddering of an album such as Reek of Putrefaction.
In total, Rotten to the Core makes a valiant effort in a microgenre often imitated to death. It may not say much that is new, but it does give some hope that actual extremity is still practiced in some corners of the underground. For goregrind fanatics, this is one of the better entries to hit the genre in the face with an eviscerated organ in recent memory.
Tags: Goregrind, Grindcore, sick sinus syndrome
Why don’t people just give in to my egotistic desires?
Huh?
Everywhere I go, people are resisting my desires. They insist on some weird reality thing that I don’t understand. Why do they resist me, when they are part of me?
Because you obviously can’t control yourself.
What in the hell are you talking about?
What in the hell is he talking about?
No idea. It seems like cryptic passive aggression.
There’s a lot of that going around… everyone sort of realizes everything is failing and the bitterness has taken over.
Fuck you…what’s wrong with hybrid cunt slave? Killing mulattettes with no sex wtf
Houston
So I should fuck darkies for you Brett? Ummm nooo my dick demands Rita ora punk stfu…Dua lipa toooo….
Pussy compliments metal
The galt gnathmortis prime raprockzilla German black metal gay serial killers kick your ass…
Blacks should be the only rap rockers all rap sucks
Fuck wiggas spiggas chiggas they suck aftershock sucks tooooo hehehe korn also really sucks…
This song makes me feel like a thousand mile fucking metroplex or Trypticon fuck you
Bulid robot ships buttrape mulattettes fuck whitey
Hey Brett can I please enslave mixed women please? My dick would thank you…
You would feel better with my ejaculate inside of you.
“I love sodomy!” — Paul Ledney
You mean like sex slaves? Naughty, naughty.
For me, it boils down to having functional civilization. Successful civilizations are mono-ethnic, competitive, culture-driven, oriented toward transcendent and practical goals, and have strong leadership in an organic form like aristocracy. Anything else is a path to decay.
I am still trying to wrap my head around the fact that I dislike listening to ordinary rock music… after death metal and black metal, it just seems… idk… empty.
Brett, explain why women don’t say what they want to do.
A married couple are riding in a car. They drive by a place, the woman says “That looks nice”, and the man says “Yes” and keeps driving. Later, the woman starts complaining that the man didn’t stop at the place even though she told him to. Anyone recognize this sort of thing?
The female principle is passive. In her view, she offered up a potential course of action; the man acknowledged it, but did not act because he took her words literally (“yes, that is a nice place”) and not as a decision point (“do you want to stop?”).
This is why the only realistic male response is to say “do you want to stop?” when a female offers up an opinion. The difficulty is that females often need to opine, emote, or otherwise express themselves and these are not action items.