Album covers: Transilvanian Hunger

[AllCDCovers]_darkthrone_transilvanian_hunger_1994_retail_cd-front

With the arrival of A Blaze in the Northern Sky, Darkthrone presented a new musical evil with the help of a new visual evil. The first four of Darkthrone’s black metal albums depicted a sole band member in a state of aggression, triumph and/or despair, in black-and-white photos stripped of all decoration, reflecting the intentionally unaesthetic music of the band.

live_in_leipzigThis minimalist approach culminated both visually and musically with Transilvanian Hunger, showing a photocopied, grainy picture of Fenriz dehumanized beyond recognition, holding a candelabrum and presumably screaming his lungs out in the night. Some of its appeal lies in its ambiguity; feelings of futility, anger and power are intermixed, widening its significance.

Although Darkthrone’s visual idea was immediately inspired by Mayhem’s Live in Leipzig, its monochromatic, Xeroxed quality also has an eerie resemblance to Black Sabbath’s Vol. 4 from twenty years earlier and its anguished enigmatic quality to Edvard Munch’s The Scream even further back in history. The parallel is not entirely farfetched: it echoes the troubled mind of Fenriz himself, who reportedly loves art that comes from “the exhaustion of easy life”. To black metal fans the Transilvanian Hunger cover is presumably the one archetypical image of what “necro” signifies, much like The Scream is still very much considered the face of existential anguish.

Various_Artists_-_Peaceville_Vol._4The “necro” imagery, however, may have been unintentional: In Precious Metal: Decibel Presents the Stories Behind 25 Extreme Metal Masterpieces, Fenriz asserts that mere photocopies from the TH photo session were the only thing he could find at the time to send to Peaceville Records, implying that the same picture could have been reproduced in a more polished fashion. But it doesn’t seem entirely unlikely that the use of a photocopy was inspired by Peaceville’s 1992 compilation album, Peaceville Volume 4, spoofing both cover art and title of the famous Black Sabbath album mentioned above and containing one of Darkthrone’s pre-TH songs, implying that the use was deliberate after all. (Rabid speculation is any fan’s right, right?)

In any case, the cover of Transilvanian Hunger effectively summarized its music by a single iconic image and was later emulated by hordes of lesser bands and is to this day worn on t-shirts by serious music lovers and the occasional hipster alike.

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8 thoughts on “Album covers: Transilvanian Hunger”

  1. Stratovarious says:

    In the context of high quality black metal, who was overall artistically wiser, Varg or Fenriz??

    1. John S. says:

      “artistically wiser”? The hell does that mean? :)

    2. Neither. Varg made a good decision to go into ambient music, then reversed himself and made the boring black metal of Fallen, Umskipthisalbumtar, etc. Fenriz had Neptune Towers, then some promising side projects, then started churning out this brainburp and claiming it’s true. Finding a job in this modern world is hell, the music business is detestable, and there may have been no good options for these guys. I just wish they’d gone out like the Immortal guys originally planned to do, with solo bands that made popular heavy metal like I and Demonaz.

      1. Mucho Gusto Castlevanio says:

        ‘I’ is poopy.

  2. bitterman says:

    Occasional hipster meaning Phil Anselmo, of course. Soulside Journey, Clandestine, Blessed are the Sick, Dark Recollections, Hallucinations, Gardens of Grief, Arise, Symphony Masses, Cause of Death… very cool artwork, really describes what the contents of the album was like. Look at everything nowadays. It’s all garbage. Disma had a cool one but, everything else… Immolation’s or Absu’s id software cover arts in the 2000s, slashed wrists Shining garbage, crappy slapped together Napalm Death collages, everything is photoshopped. Dan Seagrave, Necrolord… they should be in even higher demand considering the “big budget” crap like Opeth and Lamb of God (who are on major labels) have albums that, never mind their sonic fecaltude, look like shit right on the cover. I guess the standard on everything fell way down, not just the music. Goddamnit… grrrrr….

    1. In spirit I agree with you, man, because I am tired of how metal is both trendy and shitty, and how the two seem to go together. The more popular something is, the more it’s designed for douchebag morons, and the more it tends to suck.

      But stay cheerful because there’s Demoncy, Imprecation, Birth A.D., Blaspherian, Beherit, Diocletian, Remains, Deathchain, who are good in the old school way, not the sucky hipster Generation Y way.

  3. angry aspic says:

    Generation Y fucking sucks at music, in terms of quality AND quanity.

    Everyone is too busy with facebook to care about art.

  4. What about Munch’s “The Scream” influence on this cover?

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