Evil Literature #1: Tony Thorne Countess Dracula (1997)

The myth of Elisabeth Bathory is known to us in its most twisted forms, filtered through years of mysoginistic prejudice and augmented further by gothic sensibility for horror that fascinated the minds of the 19th century. Little understood are the full cultural and historical context of the region and its political dynamics. Little is it taken into account that all records of what happened were taken under peculiar circumstances by those vested in Bathory’s demise, and that greater political forces were at work to bring her whole family down. Nor is it a neglible detail that accounts by primary servants of Bathory were extracted by the hand of a magister tortararum especially trained in the ‘art’, and that these same tortured servants were summarily executed after these ‘confessions’ were given.
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Whispers of the Kábeiroi

Extending further into the past, and lying in deeper recesses of mystery, are the cults and legends of the ancient Pelasgians. Their symbols, gods and myths included precede, and in a way bring forth the Hellenic [1], while remaining in a relative obscurity even when the cults were known to be active [2]. Among these obscure cults was that of the Kábeiroi (a.k.a. Cabiri), a group of unknown but powerful beings tracing lineage to Rhea —The feminine Titan of Saturn [3]— and to the vast Sea [4].
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DMU Original Zine and Dark Music Compilation

One of the principal aims of DMU is to not only serve as curator of metal music, but also to keep developing an informed, cultured and realist interpretation and formulation of the past, present and future of the genre in the interest of transcendent goals. To this end DMU is launching two contribution-based efforts in parallel to the website content: an e-zine and a music compilation.
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Altar of Perversion Intra Naos (2018)

Altar of Perversion return with Intra Naos, a post-black metal album taking this limited and confused style to its best, though still inefficient, results. We start by stating that this is not a black metal album because it is not a metal album in the first place, although its instrumentation, general use of imagery and screetched vocals may give us cause to think it is. Rather than being based on actual riffs to form phrases which themselves give rise to a sequence of flows [1], Intra Naos displays the shortcomings of what we have in the past characterized wallpaper black metal [2]. The overall experience of the album is one of somnolescence brought about by the lack of musical content in an extremely long recording full of ‘sounds’.
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Traditional Black Metal

The term ‘traditional’ black metal used here denotes not the ‘orthodox’ movement of imitation or gimmick bands lacking any musical ideas of value, but rather points to the living and evolving movement now referred to as the death-black styles coming forth organically from punkish speed metal voices. The definition does not exclude the developments of the nineties which led to the musical distinction between a purified black metal and the older speed metal. However, this distinction represented only, or mainly, the Scandinavian expression of the genre separating itself from the more common tropes. More raw and unclassifiable bands within this distinction were forgotten in the wake of relative popularity of the Scandinavian stylings quickly became tired trope. The network of original underground minds seeking unique expressions of an undefined darkness became an incestuous cesspool. Unfortunately, this is today misleadingly known as ‘orthodox’ black metal.
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