#Metalgate: Kim Kelly Endorses White Genocide

Crustfund social justice warrior, hypocrite, alleged groupie, liar, and Vice columnist Kim Kelly openly supported white genocide on Twitter late last month. She gave her “total support” to Drexel university associate professor George Ciccariello-Maher who publicly wished for a white genocide as a gift last Christmas on Twitter and slammed his critics as “white supremacists”. He followed up his initial lust for ethnic cleansing of his own race with another tweet stating:

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Leftists Condone Islamic Fundamentalism

Swedish socialists recently announced that returning ISIS fighters who are Swedish citizens will be given housing grants. Yes, terrorists are being financially rewarded by a Western government for being terrorists rather than removing them as a threat cheaply and permanently for their reprehensible treasonous behavior. The cycle of behavior that results in violent social leeches and sexual predators creating “No-go” zones for women and Jews continues.

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At the Gates Members Form The Lurking Fear

Various members of the At the Gates have formed a side project known as The Lurking Fear. Former guitarist and primary songwriter of Gardens of Grief and The Red in the Sky is Ours Alf Svensson is disappointingly not among them. With At the Gates regressing to commercial speed metal after half of With Fear I Kiss the Burning Darkness, The Lurking Fear promise to play weird, evil, and twisted death metal again. We’ll see about that.

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Varg on Killing Euronymous

Varg Vikernes of Burzum posted a video a while back about how he was convicted for the “murder” of Mayhem mastermind Euronymous. Varg states again that Euronymous had long planned to kidnap, torture, and murder him in the forests, that he stabbed Euronymous in self-defense, and that most of Euronymous’s 23 wounds were from broken glass he fell on. Want to know how Varg was set up by the Norwegian legal system and how his lawyer did an inadequate job defending him from the falsified evidence thrown at him? Let’s find out!

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Bardo Methodology Interviews Atlantean Kodex About Herbs & Evola

Metal interview web zine Bardo Methodology interviewed Manuel Trummer, guitarist of the heavy metal band Atlantean Kodex today about herbs, psychedelia, mythology, and how Julius Evola inspired Dio’s “Ride the Tiger”. Want to find out what Trummer thinks of witches, psychedelia, and megalithic archaeological sites? Let’s find out!

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Nécropole – Nécropole (2016)

Necropole are a French group who play flowing melodic black metal in the style of Graveland and the Quebecois with riffing heavily influenced by Gorgoroth. Necropole is an anthology CD collecting both of Necropole’s earlier demos, Atavisme… and Ostara, that were released on cassette only but readily heard through streaming on Youtube. Hopefully Necropole’s debut album will not be titled Necropole too to avoid confusion.

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The Best Underground Metal of 2016

2016 is over. The funderground mentality continued spreading forth, infesting metal over the last year just the same as it had in the decades past the genre’s artistic high-point in the early nineties. Rehashes of past greats pandering to a lowest common denominator audience continue to dominate the release schedules of metal labels all too willing to please the lemmings with music fit to safely ignore during drunken socializing. Ever-flowing streams of posers are desperate to be rock stars, pumping out plagiarism, and paying their way to record deals. File sharing and streaming reducing the cost of hearing new music to essentially nothing has led fans to constantly consume whatever is new regardless of quality. However the purging is at last at hand. The day of doom is here. The filth who have lied and corrupted the underground must be cleansed while the commendable elite few will remain.

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Gorguts – Considered Dead Turns Twenty-five

Gorgut‘s debut Considered Dead turned twenty five this year. Gorguts shockingly were once an excellent death metal band. Considered Dead combined a rhythm riffing style reminiscent of Death but arranged those riffs into almost neoclassical compositions which unfolded over the course of each track, surprising with sudden shifts of utmost aggression into cathartic sonic violence.

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