Ministry Releases “Antifa,” Promptly Sets A Trashcan On Fire And Collapses In A Pool Of Its Own Urine

Continuing his existence as a walking anti-drug ad, Cuban/Norwegian musician Al Jourgensen and whoever he has hired this week released “Antifa,” a track from the upcoming Ministry album AmeriKKKant on Nuclear Blast Records. In a desperate bid to remain relevant, Jourgensen has adopted a hybrid of Millennial politics and Baby Boomer sanctimony in a move that will alienate his Generation X fanbase.

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On The Direction Of This Site

I know that many of you have comments regarding the future of the DMU and what direction it should take, and I want you to rest assured that I do not care at all what you have to say unless you are one of the 5% of humanity that is capable of actually doing something, i.e. making a contribution here. The rest is just chatter by filthy little monkeys posturing at self-importance and trying to stay relevant because their lives are entirely irrelevant.

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Morbid Angel – Kingdoms Disdained (2017)

There are twelve notes. There are twenty-six letters. We can form them into combinations/patterns. The ones that stay with us are the ones that communicate. This takes us above the level of riff (metal), harmony (jazz/rock), and into the realm of melody, which uses phrase and harmony as means of strengthening the expression of a melody, or a unique combination which resembles the psychological sensation of a certain experience.

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Blood – Inferno (2017)

Continuing the path of a storied band, Inferno mixes re-recorded versions of older tracks with new material in what seems to be a band redefining itself. Blood started as a grindcore band with more of a death metal attitude, then adopted an outlook closer to black metal for its opus O Agios Pethane, but since then has struggled by being caught in the middle of three genres.

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Unholy Blasphemy

Rise, and desecrate.

You were born in a time when all things acclaimed were in fact lies.

The reality of life was hidden behind products designed to allay fears.

The future revealed itself as emptiness or worse, false substance.

Daily Fred Nietzsche:

Mankind surely does not represent an evolution toward a better or stronger or higher level, as progress is now understood. This “progress” is merely a modern idea, which is to say, a false idea. The European of today, in his essential worth, falls far below the European of the Renaissance; the process of evolution does not necessarily mean elevation, enhancement, strengthening.

True enough, it succeeds in isolated and individual cases in various parts of the earth and under the most widely different cultures, and in these cases a higher type certainly manifests itself; something which, compared to mankind in the mass, appears as a sort of superman. Such happy strokes of high success have always been possible, and will remain possible, perhaps, for all time to come. Even whole races, tribes and nations may occasionally represent such lucky accidents.

You were born without a hope. You have no future. In fact, nothing has a future.

The only response must be to burn it all down, reduce to zero, and then rebuild.

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Sterilizer – II (2017)

For decades, musicians have sought the holy grail of combining metal with industrial, but the problem is one of space. Industrial uses space more like rock or jazz, to separate notes, where metal focuses on the continuity of power chord riffs. If the hybrid goes too far to one extreme, it sounds like industrial with fragmented metal riffs; on the other extreme, it loses the machine-like sound of industrial. (more…)

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Coincidence? I Think Not.

Metal has two basic ideas: death worship and crowd control.

The first involves the notion that death is necessary not just to purge the weak, but to give meaning to life, and that by opposing it, we are fooled into retreating into an illusory human-only world formed of self and social group, and that by doing so we self-destruct, instead of discovering the beauty of darkness and the excellence within power that are necessary to understanding existence.

The second addresses the nature of humanity: any good idea is taken by the crowd, dumbed down to the point where they can digest it, and then destroyed because the adulterated version is weak since it lacks whatever made the idea good. This cycle persists throughout human history, and even in our interpersonal relationships; we are talking monkeys with car keys forever striving for clarity and realism.

Blasphemy is our only salvation, because what most of us think is true is always a lie.

Death worship means, more than an appreciation of death itself, a delight in the joys of humanity itself. Death is where we become powerless; perhaps we should be powerless in other areas, because our choices reflect the desires of the human body, and not the inner self of who we actually are, or who we might become, if we were brave and followed the path laid out for us by the demands of life itself.

Consider the nature of the phrase “holy asshole.” It suggests a unity between what is least entrenched in life, and its most basic biological reality. In this phrase, naturalism and idealism are joined; the biological and Darwinistic find unity with the sacred and reverent. It is transcendence itself.

Luckily, art shows us this unity:

Narrator: All of you stick your hands into the holy asshole and when it lights up you’ll have found the one.1

If paired with:

Rip the sacred flesh
Sodomize the holy asshole2

Coincidence? I think not.

Emptiness and destruction are with us always. The path of the cakravartin belongs to those who can make the darkness serve the light, or perhaps the meta-light, which is the state of existence itself, a somethingness always striving to overcome nothingness and make meaning out of the vastest of voids and most depleted of empty spaces.

Metal is more than music. It is a philosophy of life: how to accept imperfection, and through it, realize that perfection is a human perfection, and that what we perpetually need is a constant struggle for imposing beauty through darkness, instead of fleeing what is dark to what appears to be light, only later discovering that it was illusion.

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Meditations on the Death of Wishful Thinking

To be a writer, if you are any good, is to be a blasphemer. Humanity is an entropy engine because each person decides on what view of the world makes them look the best, and so the constant weight pushing down on us is that of the herd, of a group of individuals united only by selfishness, come together into a mob for the purpose of asserting their right to be different and unique, constantly leading away from an understanding of the world around us and any meaning that can be found in it.

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