Sometimes Drama Is Just Drama

Living in a dying age presents us with lugubrious entertainment that always boils down to a struggle for power. When everyone is equal, everyone also becomes an attention whore because the goal then is to rise above equality through utilitarianism (also called demotism) which rewards whoever gets the greatest number of votes, purchases, attaboys or “likes” on Faceplant.

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Retortion Terror – Retortion Terror (2018)

Grindcore reduces music to basic chromatic riffs which operate solely by pattern contrast in the changing of phrase and rhythm, making it one of those rare musical instances that creates a new “space” within music where other musicians do not deign to tread. This makes grindcore often resemble a kitchen sink: you turn on the tap, and grindcore pours out, about like all other grindcore.

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Sammath – “Across The Rhine Is Only Death” (2018)

Notorious violent black metal band Sammath gained a fanbase among the black metal horde for refusing to tone down the intensity of black metal, and instead mixing it with elements of fast technical death metal to achieve an uncompromising sound. Following up on the epic Godless Arrogance, the band faces a massive challenge in exceeding what it has already achieved, but a new demo suggests that this Dutch-German black metal assault has done just that.

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J.C. Newman – Tampa Trolleys

Every review site in the world likes to review fine, nuanced cigars, but this is a metal site, so let us look at cigars with the subtlety of an axe murder on a subway car. J.C. Newman named the Tampa Trolleys after the railcars that workers would take to the last American cigar-making plant in Tampa, Florida which was known as “Cigar City USA.” Coming from one of the birthplaces of death metal, these cigars aim for a similar brutality on the smoker but have lessons to teach.

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Children Of Doom by Eduardo Vitolo (2018)

In the early 1990s, once it seemed that death metal had fired off its initial salvo and lost momentum by late 1992, the record labels immediately turned to what they had next in line to keep the kids occupied, doom metal. This followed years of gradual increase in interest based on the sound that Saint Vitus and Candlemass carried on from Black Sabbath, and tried to jump over recent hardcore- and prog-rock-influenced history to return metal to its heavy rock roots.

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