Rock För Kropp Och Själ: Swedish Alternative Music in the 1960s / 1970s

Alternative rock got a bad name in the US because it was basically not an alternative, and just mixed a little metal and punk into Morrissey and Bruce Springsteen, making the whiniest genre ever created. These days we laugh about “alternative facts,” but maybe alt-rock had something to do with this.

It gave birth to a stream of niche genres like post-rock, stoner doom, and post-metal, but none of these really produced an audience which could tell the good stuff from the bad. To be a revolution in music, one would first have to revolt against the now-calcified “revolution.”

We have seen this happen before. In the 1960s, progressive rock bands pushed back against the sappy sugar pop bands of the day; in the 1970s, punk pushed back against progressive rock; in the 1980s, metal pushed back against everything because all of them had become products.

On the edges, a garage rock scene and the early indie rock scene, both of which emphasized deliberate weirdness shoehorned into art by a subtle ear, tried to provoke the world of music, Zappa-style, into waking up. It did not and they got assimilated too.

But over in Sweden, the progressive spirit and the indie spirit stayed alive together by refusing to fall into the same patterns, something they engineered by focusing on musicality rather than the aesthetics of shock, weird, or pretense.

This produced a small but lively movement of people trying to find the good in contemporary music and heighten it by keeping a focus on the musicality. Like early progressive rock, these bands aspired to make rock into something as interesting as folk, polka, and jazz music around them.

Perhaps their day has passed. Certainly in this time of mass-produced “work from home” music, they would be hard to find in the constant stream of “progressive” bands that are anything but. Possibly they still have something to teach us now that the excess production is over and people seek quality more.

***

Progressive rock became known through its earliest popular manifestations from the UK. With iconic albums such as Selling England by the Pound, In the Court of the Crimson King, and Close to the Edge, bands like King Crimson, Genesis, and Yes established the definition and benchmark for the term progressive rock.

This is of course the big irony of progressive rock as well as its metallic offspring; a musical genre can describe itself as “progressive” and gatekeep that definition with its own rules and idiosyncrasies. Just consider parallel developments on the continent. In Germany, groups such as Amon Düül II, Can, and early Kraftwerk exhibited a similar outbreak of creativity within a rock framework, yet were dubbed somewhat condescendingly as “krautrock” rather than having them mixed up with progressive rock “proper.”

In an attempt to widen the perspective on the early days of progressive rock, we now present the case of the Swedish alternative/progressive music movement. This was roughly contemporaneous with its British and German counterparts, but took a different approach and was its own phenomenon.

The historical evolution of the Swedish alternative music movement is roughly tangential to the the development of Anglo-Saxon psychedelic and progressive rock music, barring a slight time delay. It first emerged in the late-1960s as a direct outgrowth of the countercultural movement, blossomed during first half of the 1970s, entered its declining phase by the end of the decade and — with minor but not insignificant exceptions — imploded and got pushed aside in favor of newer musical forms such as punk, new wave heavy metal and synthpop in the early 1980s. Despite this parallel existence and the potential influential debt to 1960s/70s English, North American and German countercultural-affiliated music, Swedish alternative music movement exhibited crucial differences that need to be taken into account, not least in order to avoid misunderstandings.

First of all, the concept of “progressive” music had different connotations in the Swedish milieu back then. In addition to the impetus of musical progression — as in breaking the boundraries of rock convention — that was especially prominent during the early era (circa 1968-1975), being progressive and playing progressive music eventually became to large extent dependent on non-musical factors, such as the political content of the lyrics, choice of vocal language and record label affiliation (to get the full jackpot, you should sing left-leaning protest songs in Swedish, NOT English, and release your music on an independent/”non-commercial” label…).

This translated into a musical movement of substantial breadth, but also resulted in a situation where a large portion of the creative output fell far outside the stylistic confines of the international progressive rock scene. As a matter of fact, those groups who played music akin to their British or US counterparts were generally referred to as symphonic rock or hard rock acts rather than progressive rock (to mark out the distinction) and sometimes faced difficulties in being accepted by the domestic scene because they were regarded as too commercial (or even promoting imperialist agendas!) especially if they sung in English and were signed to a major international label like EMI.

With this said, it’s worth pointing out that the most interesting music of this era weren’t produced by the politically-oriented groups nor the previously mentioned “heavy/progressive rock proper” acts (Genesis, Deep Purple, Uriah Heep, and jazz-fusion à la Mahavishnu Orchestra were the most popular go-to styles). Rather, it was the distinctly Swedish-sounding instrumental-based groups who made the most compelling, idiomatic, and time-standing recordings and it is to them we will now turn our gaze.

If the Swedish “progg” movement at large can be characterized as a sprawling miasma of every style possible (or popular) in 1970s rock, then its instrumental ensembles worked as a nexus of its most creative and musically adept forces. These often harbored musicians of considerable skill and daring, with previous commitments in 1960s jazz, classical avantgarde/electronics or traditional music.

The basic, if seldom explicit, premise for many of these groups appears to have been to expand both the vocabulary and expressive palette of rock music in a playful and open-ended manner, by bringing it closer to the fields of mainly jazz, folk and, to a lesser extent, avantgarde electronics (the pseudo-classicism witnessed in British progressive rock didn’t seem have the same magnetism for Swedish musicians back then). This included, among other things, the adaption of collective improvisation, traditionally-derived melodic/rhythmic syntaxes, and experimental electronic processing which were channelled into earthy, free-flowing and intuitive compositions that touched upon a sort of meeting point between folk-archaicism and utopian futurism. As such, the idea of progression in a rock context had assumed a transcendent quality, where rock music was transformed from within by granting it with not only new forms, but with actual spirit.

Perhaps it is in this latter remark that the Swedish progressive movement of the 1960s/70s bears closest semblance to later developments in Swedish metal. Whether dealing in black, death, or doom metal, Swedish bands and musicians have played integral roles in the re-formation and crystalization of those genres into new and regionally distinctive forms. The emergence of the Stockholm- and Gothenburg-based death metal scenes of the late-1980s/early-1990s provide an example with groups such as Dismember, Therion, At the Gates and Dissection absorbing and subsequently extending contemporary underground sonorities, treating the raw material as sonic vistas upon which to project a breadth of vision channelled through the power of imagination. This led to the creation of music that was both compelling in style and rich in expression — or, to speak in loftier terms, music graced with both body and soul.

Althoughwider in scope and stylistic plurality, similar forces were set in motion in late-1960s/early-1970s Sweden, with the birth and sprawling evolution of the country’s alternative/progressive music movement.

Referring to the Sweden’s progressive music movement as some kind of direct precursor to subsequent developments in the domestic metal scene would be to stretch the argument beyond the breaking point, but studying the former might help in understanding Sweden’s general approach to adopting new musical forms and how it connects with the country’s “folkish soul.” Moreover, perhaps some readers out there will find exploring the so-called “alternative music” or “progg” movement worth the effort on its own terms and merits, much like British progressive rock, German krautrock or early ambient/progressive electronics.

***

As a complement to this text is also presented two playlists, which roughly equals two compilation CDs. Rather than being all-encompassing, they should offer a glimpse of some of the more relevant (in this context) musical strains contained within the movement at large.

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136 thoughts on “Rock För Kropp Och Själ: Swedish Alternative Music in the 1960s / 1970s”

  1. Doommetalgangstarapzilla

    Done by black Hawaiian lesbians now that would rule

    And how pretell can I even get blacks into metal Brett?

    It’s not healthy their obsession with rap and Drake crap…

    And what African metal singer do you like?

    1. If I were Black, I would consider pursuing the heights of African-American music like Charles Mingus, John Coltrane, Sonny Rollins, Ornette Coleman, and Thelonious Monk.

      I do not feel comfortable recommending anything to other ethnic or racial groups, except to the Irish of course who need to get on boats to North Africa.

      African metal singer… I really have no idea. First, because I generally ignore everything in the booklets including lyrics and photos. Second because I generally dislike vocals for being too human.

      1. Powerpuff Ghoul says:

        Monk is impressive, but is also just random crap. :/

        1. Jazz is instructured improv with the melodic line interpreted as harmony, therefore most of it is always random crap held together by rhythm and key signature. It is what they do with the rest that makes these guys wizards. I fell out with jazz fandom some years ago for this reason; I like structured music. Classical is basically metal with an exponential leap in complexity, but in order to support that, it cannot be blasting straightforward sculpted noise like most good metal.

          1. Ein Congoid Übermensch says:

            Fusion was the best thing to happen to jazz, or free jazz if you want to go to the opposite direction.

            1. I loved free jazz, but it was rarely done right outside of a few masters. Imagine a whole album of Trey Azagthoth solos. Ornette Coleman had more structure in his playing than most of them, although when Coltrane was on he liked to hint at melodic themes throughout the whole piece. Ultimately jazz is very similar, sort of like most improv, because at some point harmony is all that one can riff on without spontaneously writing some intelligent melodies. Clapton was the crossover, since he was a master melodic guitarist, and he influenced a lot of the jazz fusion that came after him.

        2. Eis Eis Baby says:

          When classical as we know it disintegrated, the best of popular music (1950s onward) was inspired by the vertical (“harmonic”) knowledge of the tradition, while metal saw more value in the horizontal structuring by the same masters. Jazz developed its own theory which made room for instrumental virtuosi, but had very little in common with the improvisors of the Baroque, Classicism, Romanticism. Return to classical music and you get the whole package.

          1. Yes, basically. It is the most intense form of music and you can listen to it your whole life, although the same is true of the best of most genres except deathcore, which is for fucking morons.

        3. KPLP says:

          Tatum trumps them all. I’ve always liked Sun Ra too, especially when he sticks to bop

  2. Colon Spelunker says:

    Alla hippies hör hemma i ugnarna men jag ska inte ljuga, det här är ganska groovy.

  3. I’ve always liked Bo Hansson’s “Music Inspired by Lord of the Rings”; I wasn’t aware there was a larger scene surrounding it. I shall be checking out these playlists. Thanks for the tip.

  4. Tiger Balm says:

    Sweden in the 1970s and that many brunettes? I don’t think so. Fake and gay.

    1. I bet you find that across the board, more brunettes than blonds are drawn to Left-leaning movements generally.

      1. The Pope says:

        y tho?

        1. Raving Surrealist says:

          Cuz white people are naturally depressed

          1. Smarter people often are. Depression is also a method of natural selection.

            1. Galaxies underground says:

              What isnt

            2. Homosexuality Detector says:

              BEEP

          2. Cynical Observer says:

            Their civilization collapsed. They are forever trapped in being Rome, falling gracelessly on a sea of narcissistic vanities. This was their last attempt to escape and it failed. It is all over except for the tears.

            1. Metaphysical labor says:

              A romantic huh, i get it, let’s drop some acid

              1. Let’s drop some pants first.

        2. Brown hair most likely indicates admixture or mute load in populations known for their blondes. Even more, to be second to the acknowledged height of attractiveness is to feel like an outsider. Everyone worldwide wants to be a slender Nordic blonde with Cro-Magnid features. This both acknowledges the group with the lowest mute load, and is a complete mistake because people should be happy to be what they are and simply improve upon it.

          1. Jaws says:

            As a Swede I’d say that picture is accurate to Swedes in general (and I mean real Swedes, not Abdullah down the street). Like Varg Vikernes we’re usually blonde as kids, but get darker hair as we age. I personally know maybe two or three blonde adults.

            1. Svenskaneger says:

              Every Swede has a Hungarian, Italian, Jewish, or Welsh great-grandfather at this point.

          2. Brother Other says:

            Lighter hair is probably popular because it usually makes people look younger (hair grows darker with age in most populations). Just as naturally dark eyebrows and eyelashes do, hence we get the ideal of bleached hair combined with accentuating make-up around the eyes.

            We’ll see more blondes the closer we get to Scandinavia and Russia, but they’re nowhere close to a majority anywhere, so I think brunettes are unlikely to feel like outsiders even there.

            1. Dissident Factcheck Aggressor says:

              54%-78% blondism in Sweden according to several sources.

              1. Jewhovah says:

                All people are one in the god of Israel. Racists, sexists, ableists, homophobes, Islamophobes, anti-Semites, chauvinists, and bigots are exiled from the love and light of their Lord.

              2. Brother Other says:

                Umm, yeah… I think I’ll go with what the actual Swede (Jaws) said.

                1. Anal Heat Wave says:

                  Whatever confirms your bias and gets you through the night, weak person.

                  1. Brother Other says:

                    I may be weak, but at least I’m not heterosexual!

                    1. Ya know sometimes the right way to “man up” is to just chuck caution to the wind and become a power bottom dressed in pink Barbie gear.

                    2. Thank the gods, I was feeling lonely.

                2. Chinese Schlemiel says:

                  Wait… uh… wasn’t the photo from Denmark or something? I was readnig the other day that Denmark is the biggest importer of illegal sex slaves in Europe, so that’s something.

                  1. Ten bucks says all those figures are fake. Western Europe and the big American cities are swarmed with sex workers. If you go to the clubs they offer you the full deal for $200, of which they probably get fifty bucks but that beats waiting outside Home Depot for a rusty ’05 Chevy to take you to a worksite.

                  2. Music? says:

                    Danes have high admixture from the negerlands so it makes sense.

                    1. I thought there was a lot of flow out of Germany too, which means everyone is 1/64 Turk, 1/256 Hun, or 1/128 Jewish.

          3. Arrogant Subjectivity says:

            The “pure” Scandinavians look neither pretty nor ugly in my book. I found looks more interesting in other places of Europe during my travels, but we all know what a nordcuck wannabe you are.

            1. Democracy Advocate says:

              Look here, a guy with low standards loved it more in places he finally could get laid, even if he passed out from Moroccan hash and ended up getting rump raided in the 19th arrondissement of Paris.

            2. you must be new here says:

              he’s obviously an anglophile, it’s like his defining personality trait after the autism

              1. Jewhovah says:

                Look on my works, ye tribes of Israel. All nations shall bow before me and despair. The Anglos are the arrogant farmers who think they should rule the world, but they cannot even make any food as flavorful as that which an Indian-owned Black-staffed McDonald’s does every day. They shall be humbled by the power of the ancient Jewish god of the Christians!

            1. Asshole Alarm says:

              Weeooo

              1. Homosexuality Detector should just flag the whole site, since it’s basically Grindr for metalheads.

                1. Rifft says:

                  I’m just here for the obsession

                  1. Slave to the Grindr says:

                    I’m not obsessed, just addicted.

                    1. We are all just MKULTRA victims trying to adjust to Idiocracy.

                    2. Lawrence Kane says:

                      I like killing people because it is so much fun. It is more fun than killing wild game in the forest because man is the most dangerous animal of all

                    3. Who’d you get to lick the envelope?

                    4. Dennis Rader says:

                      Don’t worry baby. You be in heaven tonite with the rest.

                    5. Gary Leon Ridgway says:

                      You can’t go back and change the past; it’s over with. All we can do is try to make it better.

                    6. Twink in a ditch says:

                      In heaven, everything is fine

                  2. Coronal Ass Ejection says:

                    Most people are just going through the motions, but pathologically.

            2. Felt that one in my prostate.

    2. Johan P says:

      Most of the audience doesn’t look particularly Swedish judging by their facial features. IIRC the photo is from a Träd, Gräs & Stenar concert in Denmark.

  5. Ein Congoid Übermensch says:

    Prog as a genre is an interesting musical exploration in itself with a large gamut of different styles and techniques it encompasses. As someone who has dabbled with more Finnish prog (Jukka Tolonen, Haikara) the same musical parallels could be made here also between Swedish/Finnish prog as with death metal.

    1. Johan P says:

      Finnish bands have that keen sense of melody. Makes for an interesting parallell to the Swedish scene(s). Also, there were quite naturally musical interchange between the countries back then as well. One of the first truly progressive rock albums in Sweden (International Harvester’s ”Sov Gott Rose-Marie”) was originally issued by the iconic Love Records of Finland.

  6. Morrissey rules you faggots says:

    Meat Is Murder & The Queen is Dead > a good 71% of the shit you asshats like.

    1. It's okay to be gay says:

      some guys just like the penis

      1. Homosexuals are the Ubermenschen says:

        They can do everything a woman can or a man can, but better because they are not distracted by breeding. Hail the master race!

      2. Penis Appreciator says:

        We should talk about penises more. They are very interesting.

    2. Doug says:

      I really liked the Smiths until I recently heard what Morrissey said about DJT. Never got the full context of it and don’t need it, the statement was fucking brutal and not the good kind. Why on Earth is he so opinionated about USA anyway, and does he honestly believe we’re better off now?? We already have our hands full with knuckleheads. Can never enjoy How Soon Is Now the same way again, will try to convince my brain that it’s someone else on vocals.

      1. Still don't really like the smiths says:

        Wow what a fucking stupid reason to dislike a piece of art

        1. Jewhovah says:

          Who are you to make the rules, arrogant gentile? Only I, the Jewish god of the Christians, make the rules. You obey. You prostrate yourself before me. You bow and genuflect. I am the Truth, and my Word is Law.

          1. Haupt says:

            No one thinks you’re funny.

            1. Jewhovah says:

              That’s okay, no one thinks you’re a top either.

              1. Haupt says:

                That’s better.

                1. Jewhovah says:

                  The top comment on your OnlyFans account was: “Basically a talking Fleshlight but eager to please.”

                  1. At least he has an OnlyFans account, as opposed to all those uggofaces out there who have to pimp their pink furry holes the old fashioned way, in the Walmart parking lot outside the city limits at 4:00 AM.

                    1. Butt Stevens says:

                      huh I thought you were more of a traditionalist

                    2. I am. I live in a basement and drive a VW bug when I go out into the night to find some working girls to bind, torture, and kill. Old mf’n school.

              2. curio says:

                I took a Taco Bell dump on Christ. He told me to eat more broccoli.

                1. Jewhovah says:

                  No one wants to slide into an unhealthy colon. We have Noahide Laws for that sort of thing. Again the Judeo-Christian-Islamic world proves itself smarter and better than your primitive and pagan folk cultures.

                  1. curio says:

                    Christ, being a very sensual man, makes a good carefree bottom.

                    Christianity = Jewish gods of storms and pillaging + super-duper dumbed down Western thought

                    1. METALHEAD666 says:

                      Super dumbed down Western thought, but Jewish morality of guilt/shame versus victory/loss. It was designed as a cartoon for the city dwellers living on grain from the fields, not the hunters and warriors feasting on meat and the testicles of their enemies.

                2. Never really bad advice. Throw in some zukes and shrooms too.

          2. Sad and horny says:

            Edgy

            1. Are those Hot Topic stores still around? Put a Macintosh in one of those logged on to Reddit, and you have the ultimate eckshyually edgelord portal.

        2. Doug says:

          Hey come on now, you gotta give me credit for not doing that brackets thing with Moronsey (I wasn’t sure if musicians were exempt from that even when they try to make a spectacle of themselves by using their fame to advance super-edgy opinions on topics about which they know little to nothing, or are too far removed from to form a sensible opinion).

      2. Cynical Observer says:

        ProTip: never read the personal opinions, especially politics and religion, of your favorite artists. They are always going to be nutty because most artists are nutty. If they were not nutty, they would get corporate jobs and have happy families in the suburbs like everyone else, but they cannot so they are motivated by emptiness and schizophrenia.

        1. The ANUS demands stimulaton. says:

          I’m not sure which existence is more empty and vain.

          1. Thoughtful Observerator says:

            I never liked the artist way of life. Then again being a normie would kill me. It is uncomfortable and sad, living in a society falling like Rome with wi-fi.

            1. Artist says:

              Life is pain but at least I’m having fun

              1. Jewhovah says:

                Only in Jesus are all things possible. The rest of you have to settle for ambiguous, mysterious, and obscure situations where you are victors but the world does not divide neatly into black and white “good” and “evil” categories. This means you lose, but dead Jesus wins. Capische?

                1. We are beyond good and evil here. Also really into sodomy. But I think the root of metal’s philosophy was Plato.

                  1. The Philosophical Gourmand says:

                    I WANT THAT BURRITO ON MY PLATO RIGHT THIS MINUTE!

                    1. Dr. Richard Schmidt says:

                      Eating too much Tex-Mex will give you HIV and Hepatitis C as surely as if someone injected you with the blood of heroin-addicted sex workers.

                    2. Keith Hunter Jesperson says:

                      You will get your burrito as soon as you help me move this steamer trunk that reeks of decomposing prostitute.

            2. Absinthe Enema says:

              Some artists are normies and some normies are artists.

              1. Normies are just bourgeois “subsidized anarchy” individualists: me first, someone else fix everything, and someone else pays for it. Also there must be grocery stores and easy jobs.

                1. Bert Stebbins says:

                  Having a blog is kind of a normie thing to do you know.

                  1. Butt Stabbins says:

                    HOW DARE YOU

                    1. Greta O'Thunbergsteinthalwitz says:

                      You must believe in our phantom Arab god, or at least our paranoiac and semiotically refined climate change projection, or you are a bad person who will never get laid and probably hates Congoids and hottie Latinas.

                  2. Michael DeBardeleben says:

                    The ultimate normie thing to do is have a phase of rebellion, buy some Rammstein albums and weird BDSM gear, then sleep around for a few years and smoke weak weed until you graduate college, then you go off to your normie job and work really hard and take it really seriously which just means showing up and going through the motions obsessively and autistically, until you wake up at age 42 and realize you are old and no one gives a shit and all that is left for you is shopping at Costco and going on all-meals-included cruises, at which point you get obese and Diabetes II: Metabolic Boogaloo before you tap out at 65 to play shufflepuck and die from preventable heart, liver, and brain diseases before the century closes.

              2. Jeremiah Rosser says:

                The artists that are normies make garbage art. You cannot be a mentally compliant person and create good art. That doesn’t mean you won’t do some normie stuff, but true normies are those blank-eyed people who spend a lot of time thinking about restaurants, Ikea, and Amazon.

          2. Perhaps human existence is merely empty and becomes vain in response.

    3. #1 Elvis Fan says:

      I love crooner music with boring rock behind it and no riffs!

    4. Hipster Detector says:

      * beep beep beep *

      * beeeeeeeeeeeeeeeeep *

  7. I'm a Catholic says:

    Can you help an old altar boy, guys? Is Graveland just a pun on Graceland?

    1. No, I think it’s Polish English for “land of the dead.”

      1. Dick Frail, PhD says:

        I think it’s supposed to be read as “Gravel and [something more]” or even “Gravel [& s]and”, an esoteric reference to quarries as reminiscent of Dante’s levels of hell.

        1. Clearly an obsession with stone, not metal. Ancient.

          1. Rock 'n' Roll says:

            Ales Stenar says it all.

            1. We all aspire to the stonerealm.

              1. Bart Steffenberg says:

                Stoned, we aspire to be stoned, get it right you lazy pothead.

                1. Rabbi Cleese says:

                  “Are there any women here today?”

                  1. Brad Steevins says:

                    If she’s got an apple, he’s got a banana, what can I tell ya.

                2. Bard O'Stevens says:

                  The problem with the world is that everyone else is a couple drinks behind.

            2. Tim Boczkowski says:

              I think it’s the Dead Can Dance influence. If punk, progressive rock, thrash, and speed metal were the big influences on death metal, black metal clearly added those ambient 70’s guitar albums and lots of gothic shit like DCD.

  8. if u reply u r gay says:

    Hey Brett will you be on X any time soon? I think you would make a great Xer

    1. No, strictly a psilocybin user ;)

      1. Psychosexual Predator says:

        I thought drugs are bad, m’kay?

        1. Some say “nothing is bad, nothing is good” and others say “some things are bad, some are good” but these universalist statements do not work for me; I say it depends on who you are, and is functionalist not moralist, i.e. based on results in reality not human opinions. William Burroughs needed to smoke an assload of weed, and others need to remain totally sober. Really depends on how your mind works. Most drug users are leeches simply because drug use overlaps a lot with selfishness, short-sightedness, and despair. Shitty people in shitty situations produce shitty drug users.

          1. Burt Steppenwolf says:

            We live in a multiverse, bro, so like, nothing is real and everything is okay because it’s all just like dents in the simulation, or something. Fuck I’m high.

            1. duh says:

              u dont need a multiverse to have ur head up ur ass

              1. The Multiass says:

                You know what is even better than the Multiverse? The Multiass: an endless series of divergent passages which later converge deep in the bowels of the universe, a pure space of relativism where sodomy is the only law.

                1. Appreciate of Beauty says:

                  What a beautiful image. Kinda what I imagine when listening to Demilich. And Zelenka.

                  1. Theodore Bundy says:

                    Very Lovecraftian, too, infinite protean caverns of radial tributaries in an infinite crepuscular timeless mood of deep space disorientation in an eternal colon that is neither dead nor alive.

                  2. Demilich reminds me of what it must be like to remove the nerve net intact from a human body while on large doses of LSD.

                2. COLONAUT says:

                  I’m going to take my time machine, go back to the past and create a website about this. I’ll call it SPHINCTER.ORG, or something, idk.

          2. Non-autistic realist. says:

            You’re not pussying out on us are you? Next thing I’m hearing is you’re going to church. I’m sick of the anti-drug/alcohol prudes these days.

            Will that stuff kill you? No shit, so will life. You can break your neck accidentally falling down the stairs, or even randomly dying of a heart attack, better burn out than fade away as I always say.

            1. Rhett Stevens says:

              But churches love people on drugs, prostitutes, minorities, women, homosexuals, midgets, IBS sufferers, the obese, retards, and losers. Does anyone else find it suspicious that Jewsus recruited from the lowest ranks of society, sort of like the DNC vote fraud program that Joe Biden bragged about during a Pervitin low at a press conference?

            2. Maurice Tate says:

              Everything gonna kill you at some point, then bury you in the woods, leaving yo’ skeletonized remains for the 5-0 to find.

        2. Benjamin Sifrit says:

          Drugs are great. The people who use them usually are not. Paying for them is not. Coming down and seeing normal life is such a let down, it’s depressing, and you might end up in a hot tub with a severed human head because you are so bored and restless.

    2. Arthur Leigh Allen says:

      Butt Stevens was banned on how many social media sites? Lets face it he’s an antisocial autist who will never make it past the jannies.

      1. Don't care says:

        That ear though

        1. Brut Stabbers says:

          High IQ + classical education + terminal autism and faggotry = music reviewer top 1%.

          1. Autismism says:

            I don’t even usually read the reviews. If Brett says something is worth checking out I kinda just take his word for it.

            1. That’s it, the next one is going to be:

              Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat, sed diam voluptua. At vero eos et accusam et justo duo dolores et ea rebum. Stet clita kasd gubergren, no sea takimata sanctus est Lorem ipsum dolor sit amet. Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat, sed diam voluptua. At vero eos et accusam et justo duo dolores et ea rebum. Stet clita kasd gubergren, no sea takimata sanctus est Lorem ipsum dolor sit amet. Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat, sed diam voluptua. At vero eos et accusam et justo duo dolores et ea rebum. Stet clita kasd gubergren, no sea takimata sanctus est Lorem ipsum dolor sit amet.

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              1. Dude ranch says:

                It’s not like that bro

              2. Homeros Erecticus Sodomicus says:

                I’m sure there’s a special niche to be filled with reviews in pig latin.

  9. Charbroiled says:

    Brett, do you think it’s important to learn chords and scales for a metal guitarist? It seems like most just learn the instrument by jamming along to Metallica records, which is probably limiting. I got a guitar recently and have started to learn music theory. I figure it will make me more versatile and intuitive in the long run.

    1. What a good question. People are different and learn differently; there have been great songwriters and guitarists who knew zero theory, and some who know a lot. If you learn theory, avoid falling into the jazz trap… it is a simple way of looking at the world that makes you feel like you know a lot while making your music internally very similar, basically a stupid person way of seeming smart (like Reddit, being a Democrat, the prosperity gospel, and owning a Tesla).

      But as a metal musician, your goal is:

      1. Write interesting melodies and rhythms
      2. Tie them together to tell a story with expanding context
      3. Achieve a dark mood that tells a story of discovering power
      4. Emulate the sounds of nature within the voice of industrial noise
      5. Make this resemble some experience or thought-experience shared among humans

      Do this however works for you. The best advice I can give is to find some way that you pick up the axe and diddle with it every day. Learning some theory can help with writing melodies and structuring songs, but for some, this comes by ear. We are not all the same, and our differences are our strengths, as long as they occur within a narrow enough field that we can work together. $0.02

    2. bretts not a musician says:

      your approach to creating music is a totally personal decision

  10. Soundhardon says:

    Alternative rock never got a bad name dumbass. It was the most popular form of music in the world for like 20 years at least.

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