Timeghoul CD release

DARK DESCENT RECORDS / THE CRYPT PRESENT TIMEGHOUL (USA) CD/LP

For the first time ever on CD and Vinyl, Dark Descent Records and The Crypt have joined forces once again to proudly present the complete discography from the legendary Science Fiction / Fantasy Death Metal legends TIMEGHOUL (USA).

Born in the Midwest United States in 1987, Doom’s Lyre remained relatively quiet, recording no material before changing their name. In 1991, Doom’s Lyre, now renamed Timeghoul, set out by releasing two demos; 1992’s Tumultuous Travelings and 1994’s Panaramic Twilight.
Largely ignored and mostly forgotten, these recordings did not receive the recognition they deserved until years later. Timeghoul’s eclectic and complex style of US death metal started to gain momentum within the underground as overlooked and classic material.
Prepare for one of the most unique and complex death metal offerings the early 90’s had to offer.

CD version by Dark Descent Records and Vinyl version by The Crypt.

More news to come…

http://www.darkdescentrecords.com

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http://www.myspace.com/timeghoul

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Aural Apocalypse – November 16th, 2011

Aural Apocalypse
November 16th, 2011

Argheid: Batallion
Erntegang: March of the Titans
Spreu & Weizen: Andacht
Zagrob: The Glorious Sun
Bocksholm: Elektrik Swastika Lokomotiv (excerpt)
Syncope: To Split the Atom
Damned Head: Epidural Threat
Synomorph: Ontogenese
Das Brandopfer: Der Totenkranz
Dies Natalis: Angels of Babylon
Falkenstein: Willkommen und Abschied
Strength Through Joy: The Rise & Fall of History
Jännerwein: Durch Jede Stunde
Second Planet: Abyss
Echo West: Dark Space
Trisomie 21: The War Outside (Instrumental)
Neuvo Ideal Nacional: Marcha Andina Sobre Caracas

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Staying underground, sort of

Mailbag:

In the ’80s and ’90s it was not uncommon to see photos of metal legends such as Slayer, Alice in Chains and Megadeth clothed in the half-skull logo that has become a venerated symbol for Utah metalheads.

While stores like Hot Topic have become a haven for mall rats, Kevin refused a distribution offer years ago that would have put HMS T-shirts in malls because it would’ve cheapened HMS’ authentic metalhead image. Today, sales from clothing eclipse music sales and HMS-branded clothing is sold to customers worldwide.

Although the location of the HMS has changed over the years, the authentic vibe that permeates the store and impeccable customer service has remained consistent. – USA Today

One way to avoid the hype: treat metal like any other specialty, whether gardening or hair-weaving, and ignore the teeny-bopper market entirely.

It seems that sell-outs occur, and consequently failures of quality occur, when some novice sees a successful pop-ish metal band, and counsels a heavier metal band to emulate them.

This then poisons the good name of that metal band, and fails to attract the pop listeners, who want something that is 100% pop, not a metal-pop hybrid.

Morbid Angel just found this out the hard way. Slayer did back in 1998 as well. It’s an eternal cycle.

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Sabbathon

It has potential, especially after the recent Heaven and Hell album:

Heavy metal legend Black Sabbath announced they will record their first studio album in 33 years, followed by a world tour in 2012. The group, who will team up with legendary producer Rick Rubin to record the new material, made the announcement Friday at a press conference held in L.A.’s Whiskey A-Go-Go. – H-dawg Today

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Hessians Unite

Music is sound that resembles life. It reveals not only the experience of life, but the emotions and ideas that the musician has in response to life. Heavy metal music sounds like a certain way of life, because a similar thought process is required to become a heavy metal musician. For this reason, heavy metal is more than a style; it’s a culture.

The metal genre does not fit into the easy categories used for modern music. While it sounds modern, it champions the values of older times, such as honor, bloodlust, aggression, emotion and passion. It denies the plastic modern existence and insists on meaning being found in experience, not ownership. For this reason, heavy metal is a cross between ancient ideas and modern methods. Our utilitarian contemporary society has no words for what this is.

Since heavy metal isn’t on the radar for mainstream civilization, they write it off and claim that people listen to metal for the sole purpose of irritating their parents. They deny its musical value, explain away its artistic value, and brush it aside by assuming it is not serious and worthy of study. For this reason, Hessians, or those who are part of the heavy metal culture, are one of the most marginalized groups in modern society today.

We have all seen varying ethnic and religious groups fight for their right to be recognized as unique and to have special rights and privileges. If at the “modern” university we have a Black Studies Department, and an Asian Studies Department, why not a Hessian Studies Department? Hessian culture has in the years since 1969 been a fundamental force in shaping our society, and remains one of its most persistent critics, all while developing its own way of existing.

Not all Hessians are alike. Some care about nothing and will not understand this web page at all. The few who believe in life and in the heavy metal lifestyle will find that Hessian culture is something they have sought for years, perhaps without knowing it at all. For Hessians, hessian.org is a reference material of their own society within an outer society. For those of you who are outsiders to Hessiandom, this is a chance to broaden your “diversity” and learn about an entirely singular culture that thrives among the things you consider normal, but will never bow down and join them.

http://www.hessian.org/

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Piracy, MP3s did not kill music industry

The conventional wisdom of recent years has been that, while the music publishing companies that hold the back catalogue rights for well-known music, still had some value, recorded music values were slipping due to mass piracy and the digital revolution.

Yet the reported prices for EMI’s music publishing and recorded music divisions are not so far apart, with the former fetching about $2.2bn.

Although recorded music sales are falling in many countries due to piracy, the picture in the US is a bit brighter, with album sales rising 1 per cent year-on-year in the first half of 2011, according to Nielsen SoundScan – the first time there has been a rise since 2004. Digital album sales rose by 10 per cent in the same period. – Financial Times

All the gloom and doom talk seems less certain now. What went wrong with the music industry?

Spending $2 million to record a new Britney Spears album that is vapid pop for the masses, and will sell for about three months and then fade away, in order to make massive profits. That’s what has gone wrong, and what is now dying.

What’s replacing these fickle one-time customers are the die-hards who buy music their whole lives: classical, bluegrass, country, and metal.

Raise the horns and buy some metal (and classical) to show EMI they should support a niche or two.

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Women in metal

Some issues crop up again and again because they are unresolved.

Others crop up because they are stupid, and therefore attract idiots, who want to make drama out of them.

Each year, Revolver publishes a collection of features focused on female bands and band members (and often more inexplicable choices, like tattoo artists or actresses) replete with lots of big pictures splashed across its pages. Ostensibly, the goal is to provide exposure to the women of metal, and celebrate them for their talent and brains as well as their beauty—think Miss America’s “scholarship” competitions with less world peace and more devil horns. But the ladies’ musical backgrounds and achievements often play second fiddle to their luminous cheekbones or dangerous curves.

It usually ends up as Revolver’s highest grossing and most popular issue of the year. That doesn’t mean everyone likes it. Critics—I’m among them—ask why it is that the magazine sees the need to put together a “special edition” once every 12 months, instead of choosing to allocate equal coverage to start with. Revolver seldom gives in-depth coverage to female musicians or bands during the rest of the year; the women are almost always relegated to the now-regular “Hottest Chicks in Metal” one-page feature that graces each issue. The insistence upon segregation, separation, and sexuality has plenty of feminists baying for blood. – The Atlantic

Some women in metal want to have it both ways: they want to be a big deal for being women, and they want to pretend that we should just treat them like one of the boys. Neither is possible. It is impossible to notice the differences between people, including gender. Also, since we are biology, much of our agenda in life is to find attractive mates and if possible, reproduce with them.

“Women in Metal” as a thread or post has now occurred 75,000 times on the internet. Every single time it becomes this: women complaining about not being seen for who they are, while men post pin-ups of women in metal and ogle them like streetwalkers.

I have a suggestion for both groups: men, instead of trying to be all “gender neutral” by noticing women in metal “who are exceptional because not only are they in metal, but they’re women too” (you hear this line or variants of it a lot), stop pretending. Notice women for what they are and unleash your inner beast. You are here to drool. You could do it politely and maturely — well, that’s a bigger topic and out of reach for most, since metal attracts social retards along with the interesting people.

Women, try this: stop being two-faced about your gender. Either make it on your own merits, without the “and she’s a woman too” tag, or be comfortable being cheesecake and realize that it’s part of the rock ‘n’ roll culture. Rock likes easy sex because it’s growing up music for pimply teenagers. Face those facts. But stop trying to milk the woman angle when convenient, and then becoming “outraged” that someone would notice, after you’ve been whoring yourself out for years.

And to the writers at The Atlantic: I miss the old days of your publication, when you insisted that writers have both college degrees and functioning brains.

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Trust Me, I’m Dr. Ozzy

Wondering if science could explain how he survived his 40-year avalanche of drugs and alcohol, Ozzy Osbourne became one of a handful of people in the world to have his entire DNA mapped in 2010. It was a highly complex, $65,000 process, but the results were conclusive: Ozzy is a genetic anomaly. The “Full Ozzy Genome” contained variants that scientists had never before encountered and the findings were presented at the prestigious TEDMED Conference in San Diego-making headlines around the world. The procedure was in part sponsored by The Sunday Times of London, which had already caused an international fururoe by appointing Ozzy Osbourne its star health advice columnist. The newpaper argued that Ozzy’s mutliple near-death experiences, 40-year history of drug abuse, and extreme hypocondria qualified him more than any other for the job. The column was an overnight hit, being quickly picked up by Rolling Stone to give it a global audience of millions. In TRUST ME, I’M DR. OZZY, Ozzy answers reader’s questions with his outrageous wit and surprising wisdom, digging deep into his past to tell the memoir-style survival stories never published before-and offer guidance that no sane human being should follow. Part humor, part memoir, and part bad advice, TRUST ME, I’M DR. OZZY will include some of the best material from his published columns, answers to celebrities’ medical questions, charts, sidebars, and more.

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Hipster “metal” is not metal

Total hipster doublejargon:

Boris [has not been a] heavy metal band at all. From the first day, we have never called ourselves as heavy metal. However, we are totally fine if everyone calls us a heavy metal band. We have been doing what we like and as a result we welcome if everyone says so, puts a tag on us or categorizes in specific genre. – Phoenix New Times

We aren’t, but if our fans are stupid and insist upon it, then that’s real to them and we are. For dollars.

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