In 1974, the core of Robert Fripp, Bill Bruford, and John Wetton left their swansong, a colossal record that synthesizes all of the incredible power and innovation of this band into five perfect statements.

The title track is a relentlessly heavy instrumental, unveiling a procession of godly riffs, thunderous bass guitar domination, and unbelievable drumming. This is as heavy as any metal. The song is composed perfectly, especially the riff that's taken over and finished by the humming bass.

"Fallen Angel" starts tenderly but soon elevates to intense proportions once again. The music supports the lyrical portrayal of dramatic conflict in the city.

"One More Red Nightmare" is based on more killer Fripp riffing. The song is engrossingly narrative, even cinematic, as it unfolds a darkly humorous tale along with unpredictable songwriting and saxophone accompaniment.

The album makes a hard left turn with the sinister improvisation "Providence". This band's ability to create amazing structures from thin air rewards the patient listener. In the first half, Wetton's punishingly loud bass seems to set the rules for the other instruments, attempting to maintain order and scolding violinist David Cross for his mischievous dancing. As the piece progresses, Bruford begins to loosen things up with his flickering drum rolls, eventually inspiring Wetton to some stunning bass playing. This is one of my favorite KC improvs.

"Starless" calls to mind earlier Crimson epics with its beautiful Mellotron melodies. This song rewards patience as well, building very slowly to an apocalyptic climax that's downright dangerous.

If you thrive on seeking the most extreme and intense music on the planet, make sure you experience 'Red'.

© 2001 j.s.