The follow-up to 'Larks' Tongues in Aspic' is one of the most enigmatic releases in the KC catalog. The real strength of this lineup was its live performance, and this album compiles bits and pieces from the live setting (mostly improvisations) with some overdubs and the crowd noise removed, in addition to a couple of new studio songs.

"The Great Deceiver" is one of the signature songs from this formation of the band, and also one of the most uncharacteristic. Wickedly rocking, rhythmically intense, and with a strong emphasis on the lyrics.

"Lament" is the other studio song. It starts as a lament, but soon expands in power and scope. Again emphasis is placed on the interesting lyrics. The shocking riff played briefly at the very end leaves a strong impression.

The other new pieces for this album include "We'll Let You Know" and "The Mincer", a couple of perplexing improvisational works that represent the band at their most experimental.

The remaining tracks are arguably the best on the album, but in my opinion are better experienced in their original live settings, as documented on 'The Night Watch' 2CD set for example. The magical improv "Trio" is especially tied to the time and place of its creation.

This is the second of three indispensable albums from this period, but for me is the least hallowed of the three due to its uneven and strangely ill-conceived nature.

© 2001 j.s.