Meshuggah
None
[Nuclear Blast]
Not being a big fan of most industrial music, my first thought upon
first hearing Meshuggah was, "I like this kind of complex industrial
music." After listening further, I realized it wasn't industrial music,
there was no sampling or anything like that; it had just a very
intense machine-like sound.
That is the Meshuggah sound, and it comes
from the harshest, most dried-out guitar tone I've ever heard, a
hollow and very punchy bass drum sound, and the inorganic tightness
that the entire band plays with. Over this basic sound, they place
harsh dry-lung shouting, surreal jazz-colored solos, and clean,
odd-length arpeggios.
Meshuggah also alienates/interests with their repetitive
polyrhythms and start/stop riffs that seem to break up the groove
at first, yet after a while seem to build one up. On None, the
rhythms are not as complex as on DEI but are more focused and
effective.
The songs are also more focused; there is not a single moment where
the listener does not know where to "look." The best songs are
Humiliative and the absolutely crushing Gods of Rapture.
None is a good strong EP - harsh, alien, grooving, and focused.
© 1999 abasmagorsulpherion