Morbid Angel
Altars of Madness
[Earache]
I feel a bit funny reviewing this album, because everyone should have it
already. But in case you do not, go and get it. This album is about Satan.
This album is METAL. In fact, I did not actually buy this for myself until
the beginning of this year. And the first time I heard it was a couple of
years ago. Yes, I am proof that this album still has the power to capture a
new listener. Of course, I do not know if it means anything to the new
generation of aestheticists who did not listen to metal back in the 80’s and
only care for shallow entertainment and music for fun. This album is so
essential that I would even say that you don’t understand death metal if you
don’t understand this. The insisting, fast, relentless rhythm along with the
advanced guitar techniques (palm-muting!) is what defines Morbid Angel. The
unique demonic riffs and solos flow freely above the music with such a light
movement that it is almost impossible for one to sit still during this
record. It provokes action and movement but stirring up the free
will/soul/consciousness to resist the norms and "social necessity" that is
encumbering us down. Morbid Angel’s tone here is definitely dark but it is
never oppressed or fatalist. Of course there are bitches around who say that
this is only cool for 13-year-olds but I do not have a problem with that if
it equals "non-conformity"! David Vincent’s voice on this album is not as
deep as has been the trend for death metal, but it never lacks in aggression.
His intonations are rhythmically accurate and also have a fine theatrical
sense that leaves his invocations, curses and blasphemies floating in your
mind for long after the record has stopped playing.
Now I’ll go and listen to "Chapel of Ghouls" for the 666th time. Morbid Angel
rules.
© 1999 black hate